Diana is a princess and one of the best fighters on the island she was raised on. Her homeland was very different to what we know, it's a beautiful paradise inhabited only by women and Diana herself was brought to like by the mighty god Zeus. When a body washes up on the shore of the island, Diana cannot believe what she sees, a man has somehow found his way to their land and is in need of help.
Nursing the his back to help, the two bond and Diana learns that the man, an American pilot by the name of Steve Trevor was flying a plane when he crashed and found himself at her mercy. Steve regales many tail about the outside world and tells Diana of a catastrophic world war that's currently happening.
Moved by the pilot's stories, much to the dismay of the queen, Diana decides to leave her homeland and help fight with the Allies. The new outer world is a completely different place for Diana and she soon sees that life is very different for women outside of her normal environment. Demonstrating her fierce fighting method and lasso and sword skills, the superhero learns that her abilities are needed to protect the humans and must only be used for the greater good.
Continue: Wonder Woman Trailer
With their third present-day Tolstoy adaptation, filmmaker Rose and actor Huston continue to skilfully explore timeless issues with an urgent, modern style of storytelling that feels almost documentary. Based Master and Man, this film shifts a bit jarringly from a social comedy into a dark thriller. And its themes are less personally resonant than either Ivansxtc or The Kreutzer Sonata.
This time Huston plays Basil, a Los Angeles businessman struggling with very bad debts. To make some quick cash, he abandons his family on the day after Christmas, flying to Denver to buy up some foreclosed houses and make a quick profit. Once there he teams up with chauffeur Nick (Jacobs), who drives him from house to house, eventually heading up into secluded bedroom communities in the Rockies. But after hanging out in a bar for the afternoon, they get lost on an isolated road as darkness falls. And when they get stuck in the snow, their thoughts turn to survival.
With two characters on distinct sides of the 1/99 percent divide, the film is strikingly relevant today. Especially since both men are in such precarious positions and yet still have such disdain for each other. Boris continually mocks Nick for being unfamiliar with his own new car, while Nick never even tries to conceal his contempt for Basil's callous privilege. Both Huston and Jacobs make the most of this, throwing barbed wit into their ongoing conversation while also clearly trying to find some common ground. So the moments of genuine friendship are surprisingly warm.
Continue reading: Boxing Day Review
Alfred Hitchcock was in his sixties and struggling to come up with a fresh idea for a new movie; that was until the notoriously terrifying story of 'Psycho' by Robert Bloch came along in 1959. Arguably one of his best ideas for a movie to date, the Oscar nominated Hitchcock set to work pulling it together despite the extreme scepticism of his wife Alma Reville and Paramount Pictures who disapproved of the degree of horror the movie maker was planning to utilise. In fact, he was so confident that he was willing to pour in thousands of dollars for the film to be made when he was refused his usual budget from the studio; an action that Alma found irresponsible and rather worrying.
'Hitchcock' is drama biopic strongly focused on Alfred's often strained though very loving relationship with his wife and has been based on the book 'Alfred Hitchcock and the Making of Psycho' by Stephen Rebello. Directed by Sacha Gervasi ('Anvil: The Story of Anvil' documentary) and written by BAFTA nominee John J. McLaughlin ('Man of the House', 'Black Swan'), this is story of how 'Psycho', one of the greatest films of all time, was made including its inspiration from real-life Winconsin murderer and grave robber Ed Gein. It is set for release on February 8th 2013 in the UK.
Starring: Scarlett Johansson, Anthony Hopkins, James D'Arcy, Jessica Biel, Michael Stuhlbarg, Ralph Macchio, Toni Collette, Judith Hoag, Danny Huston, Michael Wincott, Kurtwood Smith, Richard Portnow, John Rothman, Tara Summers, Helen Mirren.
Continue: Hitchcock Trailer
Will Montgomery has just been released from jail after an eight year sentence for participating in a bank robbery of $10 million that left him duped and ultimately trapped. He left behind his young daughter, Alison Loeb, who is now 14-years-old and has mixed feelings about her father returning and trying to bond with her. His attempt at leading an ordinary and straight life out of incarceration is disrupted when his former partner in crime, Vincent, kidnaps Alison and locks in the back of a soundproof taxi cab on Mardi Gras day so she's not likely to be noticed. Vincent, angered that he never received his share of the bank robbery loot and believing that it was hidden before Will went to prison, demands the $10 million as ransom with the threat of harm coming to Alison. Will is given 24 hours to hand over the cash, however in spite of what Vincent and FBI agent Tim Harlend believe, the money was burned and he no longer has a penny. He is forced to enlist the help of the stunning Riley Jeffers to help him attempt a robbery in order to rescue his daughter.
Continue: Stolen Trailer
While this sequel is just as loud and chaotic as 2010's Clash of the Titans remake, it's also considerably more fun due to some exhilarating action and a refreshing sense of humour. It also looks amazing in 3D on an Imax screen.
Years later, the now-widowed hero Perseus (Worthington) is trying to live as an anonymous fisherman with his pre-teen son Helius (Bell). Then he hears about stirrings of a coming calamity. Indeed, his father Zeus (Neeson) has been kidnapped by Hades (Fiennes) and Ares (Ramirez) as pat of a plan to release Zeus and Hades' evil father Kronos from the underworld. So Perseus teams up with Queen Andromeda (Pike) and rogue demigod Agenor (Kebbell), son of Poseidon (Huston), to rescue his father and stop his brother, uncle and grandfather.
Yes, this is one seriously dysfunctional family, as four generations of men set out to either destroy the world or save it. To be honest, it's never clear why Hades and Ares are so hellbent, as it were, on cataclysmic destruction, but at least this also allows for changing alliances as the story progresses. Not that there's much story, really, as the plot essentially just links a series of action set-pieces.
Fortunately, most of these sequences are entertaining enough to keep us gripped. Highlights include a rather fabulous dragon attack and a desperate, full-on fight with cyclops-giants in a forest. Less convincing are a convoluted underworld rescue-battle and the climactic assault on the volcano-sized Kronos, who rains down fire and destruction rather selectively. (There's also the problem of how the filmmakers can top Kronos in the probable sequel.)
Along the way, there are some refreshing moments of deranged humour, mainly in Kebbell's snarky dialog, Pike's sharp glances and a particularly colourful turn by Nighy (as super-spear smelter Hephaestus). But as the story progresses, there's more than a whiff of Lord of the Rings (the fires of Mount Doom, plus some pointless two-torsoed Orc-a-likes), Harry Potter (the three-pronged Deathly Hallows) and even Star Wars (all that father-son angst). But filmmaker Liebesman keeps things moving briskly, wowing us with so much eye-candy that we just sit back and enjoy the rickety ride for what it is.
Paris, 1910. Delivery guy Raoul, and his friend, ladies' man Emile, are accidentally let loose in a laboratory belonging to a professor. Their monkey friend, Charles, spills various potions everywhere and the result is a mutant sized flea! Don't worry though, the newly christened Franc, wouldn't hurt, well, a fly. He's a gentle soul with a huge musical talent.
Continue: Vanessa Paradis - Trailer And Clip
It's been ten years since Perseus triumphantly defeated the gargantuan Kraken that roamed the shores of a fishing village. Now, though, he is content to scrape a living as a fisherman, while raising his ten year old son, Helius, alone.
Continue: Wrath Of The Titans Trailer
After the President is murdered in 1865, inexperienced lawyer Frederick (McAvoy) is assigned to defend Mary Surratt (Wright), who is charged with conspiracy alongside eight others. As a war hero from the North, Frederick is horrified to get this job, but is convinced by his boss (Wilkinson) that she at least deserves a fair trial. Of course, in the hysteria following the war and assassination, that's not likely. The judge (Meaney) clearly takes sides, the prosecutor (Huston) is relentlessly arrogant and the war secretary (Kline) has already decided on a verdict and sentence.
Continue reading: The Conspirator Review
Now, after Michael Moore's Fahrenheit 9/11, Robert Greenwald's Uncovered: The War on Iraq, France's The World According to Bush, the upcoming Bush's Brain, and many more, filmmaker John Sayles adds his satiric shovelful with Silver City, a (fictional) feature film which explores the ramifications of a political system that lends itself to corrupt and unseemly influences.
Continue reading: Silver City Review
Birth hangs its hat on a delicate premise that demands kid gloves if it seriously hopes to sustain the already shaky credibility. An elegant transition of life forces starts the film. Physician Sean dies while jogging. Simultaneously, a baby is born. Fast forward 10 years, where a cave-eyed child coincidentally named Sean (Cameron Bright) claims to Upper West Side basket case Anna (Nicole Kidman) that he is her reincarnated ex-husband. Anna's humorless fiancée (Danny Huston) scoffs at the idea. Her mother (a neglected Lauren Bacall) displays indifference. ("I never liked Sean, anyway," she articulates.) But Anna's not so quick to write the boy off.
Continue reading: Birth Review
Figgis, who earned a Best Director Oscar nomination for Leaving Las Vegas in 1996, appears to have gone a little funny in the head last year with his inexplicable and nearly dialogue-free The Loss of Sexual Innocence. Now he's fully gone off the deep end with what may be the most ambitious experiment ever: Time Code.
Continue reading: Time Code Review
Date of birth
14th May, 1962
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