A relaxed, amusing true story about noted Swiss painter and sculptor Alberto Giacometti, this sharply well-made film feels somewhat slight, with only a wisp of a plot. But the characters are so vivid that it's thoroughly engaging, and it's written and directed by Stanley Tucci with a terrific attention to detail. So even if the plot itself barely seems to have enough fuel to keep moving, there are constant bits of comedy, drama and emotion to hold the interest.
It's set in 1964 Paris, where journalist James Lord (Armie Hammer) agrees to sit for a portrait with Alberto (Geoffrey Rush), who says it will only take a day or two. But Alberto doesn't work very quickly, painting then repainting while constantly being distracted by his favourite muse, the prostitute Caroline (Clemence Poesy). His wife Annette (Sylvie Testud) barely tolerates this, while his brother Diego (Tony Shalhoub) just shrugs it off as he assists Alberto around the studio. James watches all of this with a smirk, then becomes a little worried as days stretch into weeks and he begins to understand that for Alberto this painting will never be completed. Indeed, he never sees any of his work as ready to show to the world.
Anchored by one of Rush's best performances yet, the film is a wonderful depiction of Giacometti's artistic process, watching him produce his work with only his own inner voice to guide him. Rush plays him as a man who never lets a moment of pleasure pass him by, and everything he does is based on spontaneous impulse. So the people around him need the patience of a saint. The wry Hammer is a terrific foil for the blustering Rush, sitting with a bemused smile watching the chaos unfold around him while wondering how he can extricate himself from this situation without ruffling the artist's feathers.
Continue reading: Final Portrait Review
Kate (Clémence Poésy) and Justin (Stephen Campbell Moore) at the beginning of the film are a happy couple that are expecting their first child together. Soon they welcome their first child and they lives in a London flat. However this family dynamic is interrupted with the arrival of another couple Jon (David Morrissey) and Teresa (Laura Birn) who are also expecting their first child. Kate has been harbouring thoughts about not being able to love her child and be the mother that she needs to be in order to care for the baby creating a narrative that quickly escalates in to a chilling thriller.
Continue: The Ones Below Trailer
Matthew Morgan is living in the romantic city of Paris after retiring from his teaching post as a philosophy professor. Despite having lived in France for some time, his knowledge of the language remains limited and so he more or less remains solitary since the tragic death of his beloved wife. However, soon he meets young Pauline Laubie, a dance teacher who also feels tremendously alone in her life and the pair develop an unusual bond of friendship. Their relationship is tested when she discovers that he has a son, with Matthew having never spoken about him. It soon becomes clear that he's struggling deeply to come to terms with his wife's death and is in dire need of a loving relationship once again no matter how platonic. Will he manage to find a way through his heartbreak with his new friend? Or do some wounds run too deep?
Continue: Mr Morgan's Last Love Trailer
Complex emotions and a gentle exploration of interpersonal connections make this Paris-set drama worth a look, especially since it's so nicely played by the eclectic cast. German filmmaker Sandra Nettlelbeck (Mostly Martha) lets the story unfold slowly and steadily, getting deep under the skin of the characters in the process. The draggy pace sometimes makes the two-hour running time feel very long indeed, but it lets the cast to take the time to create rich, detailed connections that are easy to identify with.
It's been three years since Matthew Morgan (Michael Caine) buried his wife Joan (Jane Alexander) in a cemetery in Paris, their chosen home. Now he imagines her everywhere he goes, feeling her absence all the time until he runs into the young dance instructor Pauline (Clemence Poesy). Not only does she remind him of Joan, but he fills a gap left in her life after her father died. So the two begin an offbeat friendship that feels more like family than anything else. Even so, Matthew's loneliness sparks a visit from his son Miles (Justin Kirk) and daughter Karen (Gillian Anderson), who's too busy to stay for very long. They of course don't trust Pauline. And as she witnesses Matthew's interaction with them, she begins to understand that he has never related to them as a father.
While the premise sets things up for a whole lot of healing and sentimentality, the script avoids this by remaining earthy and raw, digging deep into the characters without trying to explain everything they are doing or thinking. There certainly isn't a right way to mend the problems between Matthew and his children, although it's clear that a bit of openness and respect will go a long way. Caine plays this beautifully, with a spark of wry humour alongside Matthew's relentless pain. His scenes with Poesy have a delicate chemistry that is refreshingly difficult to fully understand, and yet it feels authentic. And when Miles enters their world, things shift in even more interesting directions.
Continue reading: Mr. Morgan's Last Love Review
Paris-born actress Clemence Poesy is gaining strong reviews for her Broadway debut in Jamie Lloyd's Cyrano de Bergerac, at the Roundabout Theatre Company's American Airlines Theatre. The production also stars Patrick Page, Bill Buell and Tony Award winner Douglas Hodge.
Hodge, who won the 'Best Actor' Tony for his turn in La Cage aux Folles, plays Cyrano, a nobleman with a love for poetry but a penchant for duelling. Audiences at the previews have been stunned by Cyrano's entrance, with Hodge hidden in darkness for several minutes before stepping into the light to reveal his famous nose - big, bulbous and "almost cancerous" looking, said Playbill.com. Poesy, best known as Fleur Delacour in the Harry Potter movies and Eva in Gossip Girl, plays Roxane, Cyrano's beautiful and intelligent cousin who has a soft spot for romance and wit. Poesy's performance appears to emulate that of Jennifer Garner's, who played Roxane in the 2007 production, which starred Kevin Kline in the title role. The French comedienne Anne Brochet played the role in the 1990 big screen adaptation, for which Gérard Depardieu won the Oscar for Best Actor.
Cyrano de Bergerac has a limited engagement on Broadway through till November 25, 2012.
Douglas Hodge won a throng of new fans and even a Tony Award when he was last on Broadway for La Cage Aux Folles and now he is back on the stage taking on the celebrated title role in the latest version of Cyrano de Bergerac to hit New York.
It is the role, created by Edmond Rostand in 1897, that has seen such distinguished actors as Christopher Plummer, Gérard Depardieu (who won an Oscar nomination) and most recently on Broadway Kevin Kline put on the fake nose to take on the role, but this time round the Brit actor his being lamented as being the perfect casting as audiences and critics can’t help but lap on the praise for the actor, who performed the first show of the run only last night (October 11, 2012).
In fact, it isn’t just Hodge that is getting the praise for the show, as his (largely British) co-stars have also impressed all round for their performances. British director Jamie Lloyd takes helm of the new production, whilst fellow Brit Ranjit Bolt has provided a new translation of the timeless production. Kyle Soller, another Brit and French actress Clemence Poesy make up the rest of the top billed cast.
Harry Potter and his friends, Ron Weasley and Hermione Granger, continue their search for Voldemort's Horcruxes - dark magical objects that help the user gain immortality. Having found and destroyed one Horcrux - a locket belonging to Hogwarts founder Salazar Slytherin - the three friends travel from Ron's older brother Bill Weasley's house by the sea to the wizarding bank, Gringotts and then to Hogwarts to look for the final remaining Horcruxes.
127 Hours is the remarkable story of Aron Ralston, a guy that chases adventure! He lives life on the edge, sometimes quite literally. For Aron, Mountains and canyons are a home away from home for him and no terrain is too extreme. When out climbing a ridge in a canyon in Utah Aron was injured and trapped when a boulder trapped his arm, Aron's fight for survival begins.
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Jamie (Sturgess) is a shy photographer who avoids contact with people because of the large birthmark on his face. Working with his brother (Salinger) and nephew (Treadaway), he longs for a normal life. Then a series of events propels him into a nightmarish new reality in which a demon-like man (Mawle), his young assistant (Mistry) and their intense weapons expert (Marsan) offer him freedom from his scars in exchange for an act of chaos. He also falls in love with a girl (Poesy) who seems too good to be true.
Continue reading: Heartless Review
A relaxed, amusing true story about noted Swiss painter and sculptor Alberto Giacometti, this sharply...
Kate (Clémence Poésy) and Justin (Stephen Campbell Moore) at the beginning of the film are...
Matthew Morgan is living in the romantic city of Paris after retiring from his teaching...
Complex emotions and a gentle exploration of interpersonal connections make this Paris-set drama worth a...
Harry Potter and his friends, Ron Weasley and Hermione Granger, continue their search for Voldemort's...
127 Hours is the remarkable story of Aron Ralston, a guy that chases adventure! He...
The final instalment of the Harry Potter series is almost upon us! Harry Potter and...
Layered and dense, there's clearly a lot going on in this dark thriller, although it's...