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Norman: The Moderate Rise and Tragic Fall of a New York Fixer - Trailer and Clip

Norman Oppenheimer is a New York based hustler determined to climb the social ladder and make connections with all the important people. It's never really clear why he's so desperate to do often dubious favours for people of the elite that he barely knows, but he certainly uses his meetings as ammunition during social occasions, name-dropping where he can and wheedling his way into conversations that might benefit him in the future. He does everything he can to ensure that people meet and remember him, even if that means chasing people down on their morning jog or breaking into their homes. Nobody really knows the truth about his job, his background or even his family, but one thing that's for sure is that his life is about to be turned upside down after a down-and-out young politician he met three years ago becomes the Prime Minister of Israel.

Continue: Norman: The Moderate Rise and Tragic Fall of a New York Fixer - Trailer and Clip

Independence Day: Resurgence Review


Two decades is a long time to wait for a sequel, especially one starring much of the original cast. (The record may go to the 32 years between Return of the Jedi and The Force Awakens.) But clearly filmmakers Roland Emmerich and Dean Devlin have long wanted to follow up their 1996 blockbuster hit Independence Day. The result is a big, fast sci-fi action thriller that lacks both the original movie's enjoyably raucous tone and its break-out star Will Smith.

After the events of 20 years ago, America has taken alien technology to heart, improving transportation and military defence, including creating a base on the moon to keep an eye out for returning tentacled baddies. Then an orb-shape ship appears, followed by a new mothership so large that it spans the entire Atlantic Ocean. President Lanford (Sela Ward) turns to the surviving heroes of the previous invasion for help: scientific expert David (Jeff Goldblum), former president Whitmore (Bill Pullman) and mad genius Brakish (Brent Spiner). Meanwhile, a young team of next-generation pilots dives into the fray, including Dylan (Jesse T. Usher playing Will Smith's now-grown son), Jake (Liam Hemsworth), Patricia (Maika Monroe as Whitmore's daughter and Jake's fiancee) and Charlie (Travis Tope).

The film is assembled in standard disaster movie style, quickly introducing characters and their personal little melodramas before throwing them into the mad chaos of this new invasion. Emmerich is an expert at this structure, using it to hugely entertaining effect from Independence Day to Godzilla, The Day After Tomorrow, 2014 and White House Down. So it's odd that this film feels so lifeless by comparison. The story rushes past at a breathless pace that never allows the characters or events to gain any real traction with the audience. The only sharp wit on hand this time comes from throwaway one-liners apparently improvised by Goldblum. And the action feels eerily derivative, rehashed from Emmerich's filmography with added elements from Star Wars and Apocalypse Now.

Continue reading: Independence Day: Resurgence Review

Independence Day: Resurgence - Teaser Trailer

Everyone knows the tale of David Levinson and Captain Steven Hiller, the two men at the forefront of the last Alien invasion. Since that last fateful day, Levinson has worked tirelessly to protect the world and strengthen it from alien attacks, even using the technology they discovered on board the alien spaceship to counter their possible attack methods.

When the people of Earth learn that Aliens are on their way back to our planet, there's automatic hysteria and a hope that the newly installed space defences will help counter the attack. Whatever stringent plans David develops he, more than anyone, realises that it will probably not be enough to protect us.

Independence Day: Resurgence takes place twenty years after the original movie and sees many of the cast taking up the same role again. The film is directed by Roland Emmerich (known for The Day After Tomorrow, Godzilla and the first Independence Day movie.)

Nymphomaniac Review


At four hours long, this drama is as confrontational as anything we've seen by Lars von Trier (Melancholia), but it's also perhaps his most humane and hopeful film yet. This is a challenging, complex exploration of human sexuality, but it's told with a surprisingly light touch, allowing humour and warmth to seep in around the edges. So even if it's darkly haunting and occasionally shocking, violent or sexually explicit, it's so recognisably honest that we can't help but be moved.

This is the story of Joe (played as a teen by Martin and as an adult by Gainsbourg), who is found near death in an alleyway and nursed back to health by the kindly Seligman (Skarsgard). While she recovers from her injuries, she tells him about her life, which has been defined by sex since she was 2 years old. She loses her virginity as a teen to the greasy biker Jerome (LaBeouf), who will re-enter her life two more times over the following decades. Through the years she struggles to understand love, which she sees as lust plus jealousy. Then when she suspects that love might be the secret ingredient for good sex, her subsequent experiences take her down an unexpected road.

Flashbacks to Joe's life are sequential, so as she narrates her story we experience it along with her. This includes her riotous teen years preying on men as a game, protesting with her friends against a love-fixated society. Getting sex is easy, but making sense of it is something else. She tries being randomly cruel to men, and having a master (Bell) physically abuse her. She experiences love and motherhood, and eventually finds a career as an enforcer for a loan shark (Dafoe). Along the way, Martin and Gainsbourg deliver unflinching performances that let us see Joe's soul. And Skarsgard takes our breath away in an unusually introspective, wrenching role.

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Forget Shia LaBeouf's Diva Act, 'Nymphomaniac' Is A Runaway Berlin Hit [Trailer + Pictures]

Shia LaBeouf Lars Von Trier Stellan Skarsgard Charlotte Gainsbourg Willem Dafoe Jamie Bell Uma Thurman Christian Slater

Lars Von Trier's controversial new movie Nymphomaniac has gone down a storm with critics after having premiered at the Berlin Film Festival. However, cast member Shia LaBeouf, who has been doing a lot of bizarre things recently in the name of performance art, drew unnecessary attention to himself by walking out of the press conference and appearing with a paper bag on his head on the red carpet.

Shia LaBeouf Paper Bag
That There, That's Shia LaBeouf...Promise!

After being asked about the movie's explicit sex scenes, of which apparently there are many, Shia quoted footballer Eric Cantona's famous 1995 line: "When the seagulls follow the trawler, it is because they think sardines will be thrown into the sea" before making his exit, according to BBC News. He later appeared on the red carpet for the premiere screening wearing a brown paper bag with the words "I am not famous anymore" written on it with two eye holes.

Continue reading: Forget Shia LaBeouf's Diva Act, 'Nymphomaniac' Is A Runaway Berlin Hit [Trailer + Pictures]

Sundance: Lars Von Trier’s ‘Nymphomaniac’ Premieres To Laughter And Warm Reviews

Charlotte Gainsbourg Lars Von Trier Stellan Skarsgard

The long-awaited North American premiere of Lars Von Trier’s new movie Nymphomaniac surprised audiences at the Sundance Film Festival who had filed into the Egyptian Theater in Park City unaware of what the film they were about to see was. Split into two parts, the latter being premiered at a later date, Von Trier’s controversial new film details the lifelong sexual exploits of a self-confessed nymphomaniac, or sex addict, Joe, played by Charlotte Gainsbourg (‘Antichrist,’ ‘Melancholia’).

Nymphomaniac Poster
'Nymphomaniac' Has Received Its First North American Showing.

In a typical Von Trier way, the movie has raised eyebrows across the globe as viewers encounter Nymphomaniac’s reputedly graphic and shocking scenes of real sexual penetration. There seems to be some dispute over how the movie was filmed – whether the cast’s faces were digitally grafted on to porn actors faces or not – but it appears that the shock factor of watching real people have sex in a cinema has not been diminished.

Continue reading: Sundance: Lars Von Trier’s ‘Nymphomaniac’ Premieres To Laughter And Warm Reviews

'Nymphomaniac' Trailer Accidentally Played To Kids Before Disney Film

Charlotte Gainsbourg Lars Von Trier Uma Thurman Willem Dafoe Jamie Bell Stellan Skarsgard

Shocked Floridian parents have been left fearing for the innocence of their young children after the trailer for Lars Von Trier's provocative new movie Nymphomaniac was screened during what should have been the child-friendly advert reel in the cinema.

Nymphomaniac Poster
Promotional Posters For 'Nymphomaniac' Show The Cast's Sex Faces.

Excited children waiting to see the sweet and festive Oscar-tipped Disney movie Frozen with their parents had hands held over their eyes as someone in the projection room slipped up in a monumental goof.

Continue reading: 'Nymphomaniac' Trailer Accidentally Played To Kids Before Disney Film

Full-Length 'Nymphomaniac' Trailer: Sex, Fire, Whips, Guns, Confessions And Rammstein [Trailer]

Charlotte Gainsbourg Shia LaBeouf Uma Thurman Willem Dafoe Lars Von Trier Stacy Martin

The full-length trailer has finally been released for the Lars Von Trier two-part erotic drama, Nymphomaniac. The Danish director has teased for months with promotional posters for the movie showing cast members' faces in the throes of sexual pleasure.

Nymphomaniac Poster
Charlotte Gainsbourg, Shia LaBeouf, Stacy Martin & Jamie Bell Star In 'Nymphomaniac.'

Written and directed by the somewhat infamously controversial Von Trier ('Antichrist,' 'Melancholia'), the film stars Charlotte Gainsbourg as Joe, a woman found beaten in an alley by Stellan Skarsgard's Seligman. Joe attends group therapy sessions after self-diagnosing as a nymphomaniac; a sex addict. Seligman looks after Joe and she tells him her life story, including her sexual experiences.

Continue reading: Full-Length 'Nymphomaniac' Trailer: Sex, Fire, Whips, Guns, Confessions And Rammstein [Trailer]

Shia LaBeouf Tweets Naked Selfie To Promote 'Charlie Countryman'

Shia LaBeouf Lars Von Trier Sean Penn Charlotte Gainsbourg

Shia LaBeouf isn't scared to show a little (or a lot) of skin, as he has shown with his increasingly sordid roles. After baring all for the Sigur Rós' music video for the song 'Fjögur Píanó,' before stripping off completely and getting steamy for the screen with his Nymphomaniac co-stars, Shia this time took to Twitter to flash his bits.

Charlie Countryman
Charlie Countryman comes out next month

Sharing an image from his upcoming film, the rom-com meets action adventure Charlie Countryman, Shia told his followers to check out the upcoming film and gave them at least one reason to check it out with the racy image. Early on Sunday (hey what else are you going to do on a Sunday morning), 20 October, Shia uploaded the image to his Twitter account, along with the caption; "tune in, turn on, drop out - #CharlieCountryman 11/15."

Continue reading: Shia LaBeouf Tweets Naked Selfie To Promote 'Charlie Countryman'

Beck Summons An Army To Help Him Turn 'Song Reader' Into Music

Beck Franz Ferdinand Jarvis Cocker The Mighty Boosh John Cooper Clarke Beth Orton Charlotte Gainsbourg Guillemots Noel Fielding Julian Barratt

Depending on the way you look at it, Beck's decision to release his last album in the form of sheet music was either incredibly innovative or unforgivably pretentious. Released in December 2012, Song Reader comprised of twenty songs in sheet music form as well as over one hundred pages of art. The idea behind the unusual decision was to let the fan become the composer, with many interpretations quickly surfacing online showing the versatility of the pieces.

Prolific Experimentalist Beck Invited A Host Of Artists To Help Him Perform Song Reader live.

This was all very well if you're a Beck fan with some degree of musical talent but for those hungering for the white rap of Odelay, the pop experimentation of Midnite Vultures or the sweet melancholy of Sea Change were left feeling a little bemused and perhaps even cheated.

Continue reading: Beck Summons An Army To Help Him Turn 'Song Reader' Into Music

Is Cannes Really Cannes Without Lars Von Trier's 'Nymphomaniac'?

Lars Von Trier Charlotte Gainsbourg Kirsten Dunst Willem Dafoe Shia LaBeouf

Lars Von TrierA Still From Lars Von Trier's Controversial New Movie 'Nymphomaniac'

In 2011, Lars Von Trier was the undisputed headline maker at the Cannes Film Festival, though for all the reasons. "What can I say, I understand Hitler. I think he did his wrong things ... but I understand the man," the Danish filmmaker said at a press conference for his movie Melancholia, as Kirsten Dunst and Charlotte Gainsbourg looked for the nearest hole to swallow them up. On the occasion, Von Trier was regarded persona non grata and was essentially banished from the festival.

Now, two years later, he has another controversial movie to promote - Nymphomaniac with Gainsbourg, Jamie Bell, Shia LaBeouf and Willem Dafoe - though there is no room for the movie at Cannes. Instead it premieres four days after the festival ends, in Denmark. According to Fox, Von Trier is not banned from the Cannes and simply missed the cut-off submission date for his movie to screen there. The Guardian's critic Xan Brooks argued that Cannes without the filmmaker is simply not the same - and the blustery Riviera weather has done little to make stars, critics and filmmakers feel at home. "He transgressed and was punished and the scars, it seems, have yet to fully heal," Brooks wrote. "But Cannes and Von Trier need each other."

Relive Lars Von Trier's Nazi Comments:

Continue reading: Is Cannes Really Cannes Without Lars Von Trier's 'Nymphomaniac'?

Charlotte Gainsbourg, Stage Whisper Album Review

Charlotte Gainsbourg is a talented actress as well as a singer. I would suggest, should the chance arise and if she were offered it, her most suitable roll at the moment would be a part in The Borrowers. Whilst 'Stage Whisper', Charlotte's double album of live and previously unreleased material may not be blatant plagiarism it may be a case of cryptomnesia. Even the most lauded of authors, let alone mere French 'pop stars', can be held accountable so why not? Robert Louis Stevenson was apparently, albeit some years later, openly honest about his 'inspirations' for Treasure Island. Whether Charlotte will be tempted into any such admission about 'Terrible Angels' being ripped from the heart of 'Supernature' remains to be seen.

The first of her studio tracks is a fabulously sexy dance floor filler full of sleazy synth bass beats and disaffected but alluring vocals. The chic, sleek, polished sheen of the seismic production only adds to the obvious comparisons that can be drawn to classic Goldfrappery. Only a slightly more subtle acquisition is made for the opening bars of 'Paradisco' where the borrowed bass riff from 'Another One Biters The Dust' finds itself mutated onto the Gainsbourg backing track. The kleptomania doesn't end there though. With 'Got To Let Go' Charlotte takes a cue from Claudia Brucken on song interpretation as she goes all Femme Fatale for this, M.I.A sampling, down tempo duet with Charlie Fink. After getting all spaced out with Kiwi Conan Mockasin on 'Out Of Touch' the non-live CD is brought to an end with the Villager's Conor O'Brien penned track 'Memoir'. This time Gainsbourg chooses to pick the pocket of one Leonard Cohen, delivering up a near spoken word vocal to frame the poetic prose.

Continue reading: Charlotte Gainsbourg, Stage Whisper Album Review

Melancholia Trailer

In a grand castle located in the beautiful countryside, Justine and Michael have married. They enter their reception to cheers and applause and everyone agrees that Justine has never looked happier or more beautiful. The newlyweds enjoy their new marital status and the company of their guests, which include Justine's sister Claire and her husband, John, who organised and paid for the entire wedding.

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Charlotte Gainsbourg, IRM (With Beck) Album Review

Review of Charlotte Gainsbourg (with Beck) album IRM

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The Beaches Of Agnes [Les Plages D'Agnes] Review

Varda brings a playful attitude to this whimsical stroll through her life, telling stories and showing photos and clips that chronicle both her career and her personal life. It meanders a bit, but it's also thoroughly engaging.

As she celebrates her 80th birthday, the iconic French filmmaker compiles an impressionistic collage of photographs, home movies, new scenes and clips from the classic films she had a hand in. She recounts her career alongside Godard and the Nouvelle Vague, and links her memories together with beaches from near her birthplace in Belgium to Los Angeles by way of Cuba and Cannes. She also installs a beach on a Paris street, occupied by female members of her staff.

Continue reading: The Beaches Of Agnes [Les Plages D'Agnes] Review

I'm Not There Review

We first meet the real Bob Dylan, lit by a spotlight and blowing into a harmonica with his eyes turned ever-downward, at the very end of Todd Haynes' I'm Not There. (The footage comes from a concert filmed in the 1960's.) Though there are six evocations of our hero's persona and dozens of references to his words and images, his actual visage is kept under lock and key until the solemn credits. To Haynes, the mystery of who the man is behind closed doors should stay that way: Behind closed doors tends to be pretty tedious if not downright boring. It's more fun to extrapolate: In the open valleys of cultural myth, a celebrity can become any number of things.

At first, he's a young, train-hopping wanderer who has taken the name Woody (Marcus Carl Franklin), from his hero Woody Guthrie. He also plays a guitar with "This Machine Kills Fascism" painted on it. Later, the man appears as an aged Billy the Kid (Richard Gere) who can't understand why the locals are being bullied out of their land by a decrepit Pat Garrett (Bruce Greenwood). Fitfully, the sequences are shot in the dusty browns of Peckinpah and the hippie westerns of the late 1960s and 1970s. Both stories, along with the others, are consistently interrupted by a press conference with poet Arthur Rimbaud (Ben Whishaw), who speaks in a particularly American sarcasm while scrutinizing everyone who questions him, half-mumbling with cigarette in hand.

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The Science Of Sleep Trailer

The Science Of Sleep

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Lemming Review

The plight and paranoia of young marriage (and adulthood) has found a giddy practitioner in German director Dominik Moll. Moll's second film, With a Friend Like Harry..., took a very direct approach to the idea by using the return of a high school friend as a way to look into the boredom and grind of young parenthood, while also using the friend's sensuous fiancé as a point of catharsis. However simple that may seem, Harry was one of the best films of 2000, and now Moll is back with a much trickier proposition in Lemming.

Alain Getty (Laurent Lucas) has a nice job at an engineering firm where he is designing a new kind of webcam that can help in everyday tasks. His wife Benedicte (Charlotte Gainsbourg) hasn't found a job yet and is still unpacking their things when Alain agrees to allow his boss and his wife to come over for a dinner. His boss, Richard (Andre Dussollier), arrives at the house with a jovial aura but his wife (Charlotte Rampling) has the disposition of a scorpion. That night, they find an injured lemming in their sink pipe. Since a lemming tends to only live in Scandinavia, it freaks Alain out big time. Things don't get any better when the boss' wife commits suicide in the Gettys' house, which prompts Benedicte to take a very strange turn in mood.

Continue reading: Lemming Review

L'Effrontée Review

I'm not sure that L'Effrontée is wrong -- but I'm pretty sure it ain't right.

Made in 1985, Claude Miller's film focuses on a bratty girl (Charlotte Gainsbourg, only 14 at the time) wasting away a month after school is out and before she goes on summer holiday. Charlotte becomes obsessed with a child piano prodigy and through a ridiculous coincidence, ends up encountering her en route to getting her piano stool repaired. Charlotte then hangs around the metal shop in order to try to get closer to Clara, the prodigy, and hopefully spend her holiday with the young girl.

Continue reading: L'Effrontée Review

Charlotte Gainsbourg

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Charlotte Gainsbourg

Date of birth

21st July, 1971








Charlotte Gainsbourg Movies

The Snowman Movie Review

The Snowman Movie Review

With a cast and crew packed with A-list talent, this film seems like it should...

The Snowman Trailer

The Snowman Trailer

Harry Hole is an experienced detective who comes across one of the strangest murder cases...

Norman: The Moderate Rise and Tragic Fall of a New York Fixer - Trailer and Clip Trailer

Norman: The Moderate Rise and Tragic Fall of a New York Fixer - Trailer and Clip Trailer

Norman Oppenheimer is a New York based hustler determined to climb the social ladder and...

Independence Day: Resurgence Movie Review

Independence Day: Resurgence Movie Review

Two decades is a long time to wait for a sequel, especially one starring much...

Independence Day: Resurgence - Teaser Trailer

Independence Day: Resurgence - Teaser Trailer

Everyone knows the tale of David Levinson and Captain Steven Hiller, the two men at...

Samba Movie Review

Samba Movie Review

Some very big themes are given space to breathe in this remarkably naturalistic drama, which...

Nymphomaniac: Volume II Trailer

Nymphomaniac: Volume II Trailer

Joe is a fiercely determined 50-year-old woman whose sexual drive has taken over her entire...

Nymphomaniac: Volume 1 Trailer

Nymphomaniac: Volume 1 Trailer

Joe has always known she's been completely obsessed with sex ever since she was a...

Nymphomaniac Movie Review

Nymphomaniac Movie Review

At four hours long, this drama is as confrontational as anything we've seen by Lars...

Melancholia Trailer

Melancholia Trailer

In a grand castle located in the beautiful countryside, Justine and Michael have married. They...