Continue reading: A Real Young Girl Review
Rather than show an even-handed evaluation of the rigors of hormonal change, Breillat (previously responsible for the unwatchable Romance) wants to indulge in her hour of hate. Life is pain, highness. Get used to it. She'd find keen bedfellows in Neil LaBute and Todd Solondz, other sultans of misanthropy who lack the balls to be earnest or honest. For children, dealing with trauma and pain is complicated. To bury that in sarcasm and academic theory feels cheap. These would-be auteurs (more like hauteurs) haven't earned the right to display suffering because they don't layer it in emotional truth (as Mike Leigh does throughout Naked and David Lynch in several key scenes of Blue Velvet). Of course, there I go again comparing her to all these (better) male directors. I don't care. Gender be damned, she's borderline inept.
Continue reading: Fat Girl Review
Anatomy of Hell starts off just dandy in a gay nightclub where the techno is thudding as we see "the woman" (Amira Casar) watching her boyfriend make out with some guy. She goes to the bathroom and slits her wrists, only to have "the man" (porn star Rocco Siffredi) walk in on her. He hauls her off to the doctor to get stitched up, they have a nice, tense walk, and after going down on him, she says she'll pay him to come watch her: "Watch me where I'm unwatchable." It's all rather dark and disconnected, but there's an insistent, punishing quality to these early scenes that highlight writer/director Breillat's abilities as a filmmaker. She has a slithery way with the camera - especially in a scene shot from above where Casar sidles across the nightclub dancefloor, grabbing hands and shouldering past the dancing men with a liquid malevolence - which should have made this a more enthralling film. As it stands, though, Breillat lets her talents as a sensual visualist go to waste in the name of sheer agitprop of the dullest kind.
Continue reading: Anatomy Of Hell Review
Marie (Caroline Trousselard) is a depressed nymphomaniac school teacher stuck in a relationship in which she cannot arouse her lover. The whole story involves her searching throughout Paris for the fufillment that her asinine boyfriend denies her. She defiles her body in the process as she encounters different men who satisfy her deprived erotic needs. She is willing to take on everything and everybody: from a vile stranger on the her apartment stairway who prosteletyzes her for oral sex, to a dominating masochistic school principal, to porn star Rocco Siffredi (whose character admits he hasn't had sex in four months). Can you imagine what happens there?
Continue reading: Romance Review
French teenager Thomas (Gilles Guillain) boards the British-bound ferry, finds a place to drop his backpack, and then heads for the cafeteria. While sliding his tray down the line, he gallantly helps Alice (Sarah Pratt) with her dishes and silverware. They sit together in the crowded restaurant, and the dance begins.
Continue reading: Brief Crossing Review
On the 8th October 1980 Talking Heads released not only one of their most significant albums but also one of the most significant albums of the last...
Fit for a ghoul's night out, Fat Girl stands cast iron firm with the simplistic,...
It's almost never fair to reduce a film, even a very bad film, to one...
Director Catherine Breillat has made a few very interesting films simply by taking a damaged...