At a time when there's so much incertainty in the US political climate, a film like 'The Post' arrives to remind us all of the importance of whistle-blowers. Directed by Steven Spielberg, it follows the important decisions that a group of journalists had to make when they received the Pentagon Papers.
When the New York Times released a information of from a 7,000 page document on the involvement of the US in the Vietnam War, which included evidence that the Pentagon had been lying to the media and the public, The Washington Post were determined not to let it be swept under the carpet.
Editor Ben Bradlee (Tom Hanks) and the Post's first ever female publisher Kay Graham (Meryl Streep) are hellbent on obtaining the documents known as the Pentagon Papers so they can ultimately expose the government for the liars that they are. However, things take a dangerous turn when they release their own series of articles just weeks after The New York Times is forced to cease its own coverage of the scandal.
Continue: The Post Trailer
Megan Leavey is a young US Marine corporal who has never been brilliant at connecting with people. Her mother isn't happy about choice of profession, but Megan finds something within herself as a Military Police K9 handler, finding it much easier to bond with dogs than her comrades. One day she meets Rex; a working dog whose skills include detecting explosives and attacking. Unfortunately, he happens to be one of the most vicious dogs on the team, but Megan isn't going to led that deter her. She's determined to train Rex and teach him discipline and they form a relationship, saving thousands of lives as they embark on over 100 missions over two Iraq deployments. However, when an IED explosion leaves them both injured, Megan decides she wants Rex to retire and live out the rest of her days with her. That's easier said than done.
Continue: Megan Leavey Trailer
Kaluuya is the star of 'Get Out', the debut film from first-time director Jordan Peele.
Low-budget satirical horror film Get Out is turning into one of the early front-runners for the best movie of 2017, receiving ecstatic reviews and tearing up the box offices.
In a new interview, one of its cast members, Bradley Whitford, has attributed this to the vision of first-time director Jordan Peele and its talented young lead star, 27 year old British actor Daniel Kaluuya.
Get Out has been doing great business in the States since its release at the end of February, grossing over $84 million worldwide so far against its modest budget of just $4.5 million, with reports of many people going to the cinema to see it a second, or even third, time.
Continue reading: Bradley Whitford Praises Jordan Peele And Daniel Kaluuya
Bradley Whitford at National Geographic's 'Years Of Living Dangerously' Season 2 World Premiere held at American Museum of Natural History - New York, United States - Saturday 24th September 2016
Bradley Whitford and Mary Louisa Whitford on the red carpet at the 68th Annual Primetime Emmy Awards held at the Microsoft Theatre, Los Angeles, California, United States - Sunday 18th September 2016
Hank Williams was one of the most iconic country stars America has ever seen, moving crowds to their feet (and often to tears) with such hits as 'Lovesick Blues', 'Hey Good Lookin'' and 'I'm So Lonesome I Could Cry'. But away from the mic stand, his life was often in turmoil. Plagued by crippling chronic back pain from his spina bifida occulta, he found himself repeatedly drawn to alcohol which made figures in the music industry refuse to work with him, and later other substances including painkillers and morphine prescribed by a fraudulent doctor. If that wasn't bad enough, his love life was hardly blissful either; both his marriages were marred by legal misfortunes and can only be described as tumultuous and unstable. By his 20s he had developed heart problems, which ultimately led to the saddening and untimely demise of one of country music's most unforgettable legends.
Continue: I Saw The Light - In The Studio Clip
Annie Parker is a fun-loving young woman struggling with the difficulties of motherhood, a husband who's slowly losing interest and, more importantly, breast cancer. She is unsurprised that she has become afflicted with the disease following her mother and older sister's suffering, but she suddenly finds herself overcome with the determination to find out why. Meanwhile, a young research geneticist named Mary-Claire King is looking into a breakthrough theory that suggests that some women are genetically pre-disposed to have breast cancer due to a particular gene. Unfortunately for her, there are few scientists who believe her theory. In order to prove her theory, she must conduct a research project looking into cancer sufferers' and their relatives' medical history - and that's where Annie Parker is eager to help.
Continue: Decoding Annie Parker Trailer
This true story only barely avoids becoming sloppily sentimental, thanks to a solid cast and a final act that generates honest emotion. Awash with the Disney spirit, the film breaks free of the marketing machine to recount events that are lively and often very funny, but also manage to be sharply moving. It's the kind of crowd-pleaser that deserves to do well both at the box office and in awards ceremonies.
Set in 1961, it's the story of how Walt Disney (Hanks) finally lures PL Travers (Thompson) to Hollywood to woo her into signing over the film rights to Mary Poppins after some 20 years of pestering. She is equally determined to protect her creation, which is very close to her heart. But she agrees to work with the screenwriter (Whitford) and composers (Schwartzman and Novak) as long as she has veto power. Her demands are crazy ("I don't want the colour red anywhere in the movie!"), but everyone tries to win her over. Eventually Walt realises that he needs to find out exactly why Mary Poppins is so important to her. And that the story is more about Mary's affect on the family's father, Mr Banks, than the children.
Indeed, in parallel flashbacks we see Travers' childhood in rural 1906 Australia, where she lives as a young girl (Buckley) with her lively father (Farrell) and shattered mother (Wilson). Her dad's alcoholism is the driving force of these scenes, which feel like a completely separate film intercut with sunny 1960s Hollywood. But they add weight to Thompson's remarkably detailed performance, which is marvellously withering and hilarious, and also subtly emotional. Her interaction with the buoyant Hanks is sharp and jagged, and the film's nicest scenes are between Travers and her driver, sensitively played by Giamatti.
Continue reading: Saving Mr. Banks Review
Trophy Wife has strong reviews, though it has a way to go to match a certain family sitcom on the same network.
Trophy Wife, the new sitcom starring Malin Akerman, premiered on ABC on Tuesday to a wave of fanfare from critics. The American actress plays Kate Harrison, who finds being the third wife of Pete (Bradley Whitford) complicated by the presence of his ex-wives and stepchildren.
Malin Akerman [Center] And The Cast of 'Trophy Wife'
In her review, Newsday's Diane Werts noted how Trophy Wife is almost entirely focused on the 38-year-old. "Akerman has to be everything. Good thing she's a nimble actress.... Whitford is always winning, and even the poor exes find wiggle room inside their cliches," she said.
Continue reading: Is 'Trophy Wife' The New Modern Family?
In 1973, New York nightclub CBGB opened as a venue for Country, BlueGrass and Blues acts led by music entrepreneur Hilly Kristal. However, it soon became clear that that wasn't the way the music scene was going in the city and he soon began to book new rock and punk bands - excluding all cover and tribute bands - to play regular shows there which helped raise the profile of several musical pioneers including Talking Heads, Blondie, The Ramones and the Patti Smith Group. It wasn't the easiest ride for Kristal, however, who suffered many money troubles due to his vision and ambition for the bands that he showcased, as well as much scrutiny over the general poor health and safety of the venue. Nonetheless (and despite its closure in 2006), it will always been known as the kick off point for so many 70s and 80s bands.
Randall Miller ('Nobel Son', 'Bottle Shock', 'Houseguest') directs this music drama alongside his frequent writing partner Jody Savin as it follows the highs and lows of Hilly Kristal's life and ambition to give innovative local bands a chance at success. The movie will premiere at the CBGB Festival over its October 10th-13th weekend; not far off the anniversary of its 2006 official closure.
Bradley Whitford - European Premiere of Red 2 at the Odeon Leicester Square - London, United Kingdom - Monday 22nd July 2013
P.L. Travers was an Australian author who, in the early sixties, went into negotiations with Walt Disney over the rights of her novels surrounding the character Mary Poppins. It was eventually released on the big screen and won five Oscars, though its production was not without its conflicts. Travers' initial aversion to Hollywood didn't help matters, and she was unnerved by the idea that Disney might turn her beloved character into a prancing, dancing, twinkling fairy godmother. However, when Disney began to understand that Mary Poppins' place in the story was less about the children and more about their father - and, in effect, her own father on whom she based him on - the pair began to bond better and Travers was finally willing to unleash her story onto the world.
'Saving Mr. Banks' is the story of how 'Mary Poppins' was put to film in 1964 by Walt Disney, thirty years after P.L. Travers began writing about her. It is about the conflicts between Travers and Disney and Travers own struggles with her personal life when we discover just how true to life the story really was. It has been directed by John Lee Hancock ('Snow White and the Huntsman', 'A Perfect World', 'The Blind Side') and written by Kelly Marcel ('Terra Nova') and Sue Smith ('My Brother Jack', 'Peaches') and it is set to hit UK cinemas on January 17th 2014.
Taking a break from her pre-med studies, Dana (Connolly) heads off to a mountain cabin with her flatmate Jules (Hutchison), their stoner pal Marty (Kranz) and Jules' muscle-jock boyfriend Curt (Hemsworth), who has invited his friend Holden (Williams) as a possible date for Dana. But they have no idea that two sardonic businessmen (Jenkins and Whitford) are managing an elaborate underground operation during which they are manipulating everything about the cabin. And it starts to become clear that, to save the world, all five young people must die in the correct order.
Continue reading: The Cabin In The Woods Review
Martin Sheen and Bradley Whitford - Martin Sheen and Bradley Whitford Washington DC, USA - 'Faces of the Employee Free Choice Act' campaign held at the Russell Senate Building, The Capitol. Tuesday 31st March 2009
Bradley Whitford Saturday 4th October 2008 attends the 11th Annual Lili Claire Foundation Benefit at the Santa Monica Civic Auditorium Santa Monica, California
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I Saw The Light is the new biopic about Hank Williams. The film follows his...
Hank Williams was one of the most iconic country stars America has ever seen, moving...
Annie Parker is a fun-loving young woman struggling with the difficulties of motherhood, a husband...
This true story only barely avoids becoming sloppily sentimental, thanks to a solid cast and...