Bonnie Timmermann

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Small Apartments Review


Good

Relentlessly quirky and strange, this pitch black comedy manages to combine its outrageous silliness with some surprising emotional resonance. Swedish filmmaker Akerlund (who directed Lady Gaga's Telephone) keeps the film's pace snappy as it lurches through a series of crazy situations that aren't remotely believable. But the starry cast manages to hold our interest.

Everything centres on a run-down apartment complex in Los Angeles, where Franklin (Lucas) lives in his dumpy flat, dreaming of someday moving to Switzerland to play his alpine horn in the mountains. Clearly unhinged, Franklin desperately misses his brother Bernard (Marsden), who went away but still sends him a daily audio-tape message. Then on the first day a tape fails to turn up, Franklin's whole life starts to unravel, starting with the fact that his landlord (Stormare) is lying dead on his kitchen floor. Franklin's attempt to get rid of the body draws the attention of two detectives (Crystal and Koechner), who start quizzing the neighbours (Knoxville and Caan). But this is only the start of Franklin's big adventure.

The story is structured as a series of wacky set-pieces set apart by luridly colourful flashbacks and fantasy sequences that fill in the back-stories for each of the characters. As a result, everyone on screen bursts with personality as well as motivations for everything they do, which makes watching them a lot more interesting than we expect. Crystal and Caan emerge as the most engaging people on screen, but even nuttier characters like Lundgren's "Brain Brawn" pop psychologist are fun to watch. By contrast, Lucas gives Franklin an eerily blank face: this is a man who still hasn't figured out who he is.

Continue reading: Small Apartments Review

London Review


Terrible
There are basic things that constitute a successful script by Hollywood standards. Remember, I said successful, not good or terrible, just successful. The main character must go through certain actions and must change is the most important. Also, the supporting characters must help him get through the action and eventually, have a part in the change. By these standards, London is almost a successful Hollywood script (there is a serious lack of action). But what comes as a surprise, is that a bad script is the least of director Hunter Richards' problems.

It's a cold night in Manhattan when Syd (Chris Evans) decides to attend the going-away party of ex-girlfriend London (Jessica Biel) in the large loft of a friend (Isla Fisher, completely wasted). Before getting to the party, Syd stops to see his bartender friend, Mallory (Joy Bryant), and meets up with Bateman (Jason Statham), a man with a serious amount of cocaine but who refuses to be called a dealer. With Bateman and drugs in tow, Syd hits the party, doing more drugs and doing more alcohol that Hemingway, Carver and Sid Vicious combined. Bateman and Syd hole up in the bathroom talking about everything from S&M to the Almighty, and eventually Syd gets up the guts to talk to London.

Continue reading: London Review

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Bonnie Timmermann Movies

Small Apartments Movie Review

Small Apartments Movie Review

Relentlessly quirky and strange, this pitch black comedy manages to combine its outrageous silliness with...

London Movie Review

London Movie Review

There are basic things that constitute a successful script by Hollywood standards. Remember, I said...

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