When medical student Courtney Homes approaches fellow student Jamie with the an intriguing prospect of 'having fun tonight', Jamie could never have guessed what he was getting himself in for. He accepts the request and Courtney tells him to travel down into the basement facility at midnight.
The time arrives and Jamie is finally made aware of Courtney's plan. She asks Jamie to stop her heart for precisely one minute and then bring her back to the land of the living. Jamie's far from convinced that it's a good idea but hears out her plan anyway. Courtney's obsessed with finding out what happens to humans after we die and she's convinced that she'll be able to track it using some high spec medical equipment able to document brain activity.
Reluctantly Jamie accepts Courtney's proposal and they begin their experiment. She's hooked up to multiple machines and Jamie slows her heart down until it finally makes its last beat. Once Courtney is brought back around she tries to explain what she's experienced and compares it to being in the presence of pure energy. What neither of the students knew was that their little experiment would have a lasting impact of their lives. It appears that Courtney has been given a new gift, she's now able to perfectly play the piano, and the other students involved think that she's been "rewired" and made an even better form of who she previously was.
Continue: Flatliners  Trailer
This dark thriller is so relentlessly stylish that it's distracting. Refusing to settle down to focus on its intriguing central story, filmmaker Greg Francis whirls around through a series of whizzy flashbacks that layer in all kinds of subtext and interest. But it's so fragmented that the film never quite builds any suspense, instead becoming a grotesque horror movie featuring a slasher who tortures and kills with Saw-like maniacal glee.
It centres on young rookie Detective Jeter (Beau Mirchoff), whose recent bust has elevated him to the ranks of the elite cops (Ron Perlman, Titus Welliver, Giancarlo Esposito, Ron Eldard and Corey Large) who meet for a weekly poker game. At his first night with them, each recounts his most iconic case, and afterwards Jeter staggers out a bit tipsy, running into his underaged girlfriend Amy (Halston Sage) who is being menaced by a man (Michael Eklund) in a terrifying mask. Next thing Jeter knows, he's drugged, tied up and being held by this self-proclaimed paedophile who clearly has some sort of agenda here. Jeter can hear Amy in the next room, but every time he tries to escape their captor seems to be one step ahead of him.
All of this plays out of sequence, constantly interrupted by the other five cops' stories and even the masked man's own past, all played out in with flashy visuals and a clever integration of Jeter into past events as he watches them unfold. Sometimes the film also goes into his mind as he plays out a scene hypothetically. All of these fragments weave into the central story in some way, but filmmaker Francis never quite brings it into any sense of focus. It's so hyperactive that all the audience can do is sit back and enjoy the inventive visuals and up-for-it cast, while being horrified and/or entertained by the brutal violence.
Continue reading: Poker Night Review
John Smith isn't a normal boy, he and his guardian Henri have shifted homes and moved around the country so much he doesn't really have a true place to call home. Though John might look like most other boys, he holds a secret, his home planet isn't Earth it's a place called Lorien - a planet that's been wiped out by an enemy species called the Mogadorians. The only surviving members of the Lorien race are nine infants who are sent to Earth to masquerade as human children.
Continue: I Am Number Four Trailer
When medical student Courtney Homes approaches fellow student Jamie with the an intriguing prospect of...
This dark thriller is so relentlessly stylish that it's distracting. Refusing to settle down to...