Never mind all that, this is a journey of self-discovery, as Martin has some demons he's obviously trying to exorcise. He's got a granddaughter to atone with, a wife who's a bit distant, and a dead daughter, of course. By the end we've got a whopper of a secret in store, but still it's a little hard to swallow this Twenty Bucks-style road trip.
Continue reading: American Gun Review
A brilliantly observant, darkly humorous and immaculately acted movie about an average suburban father in the throes of a midlife crisis, "Panic" bears an vague, off-kilter resemblance to "American Beauty" in style and subject.
Its central character is a meek and neurotic man in his 40s (William H. Macy) whose growing fixation with a sexually conflicted nymph (Neve Campbell) half his age is turning his life upside-down. The two films share a similar dysfunctional domesticity as well, and a crisp but sparse visual elegance with just a pinch of excess color.
But Alex (Macy), the sympathetic anti-hero of "Panic," has a much bigger secret than his newfound temptation for a younger woman. Alex is a hit man -- and he's just not sure he's comfortable in that line of work anymore.
Continue reading: Panic Review
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