If you're even remotely into electronic music, then you are more than likely to know who Aphex Twin is. After becoming a key pioneer in the genre during the 90s, Aphex Twin went quiet for over a decade following the release of 2001's 'Drukqs', releasing next to nothing and playing only a handful of shows. But as of late, Richard D. James has returned to his famous moniker with a new album entitled 'Syro', and it's made many an electronic music fan excited to see the master back. So does it live up to expectations?

'Syro' gets off to a very promising start with 'minipops 67 [120.2] (source field mix)' which feels like a throwback to Aphex Twin's first album 'Selected Ambient Works 85-92', but at the same time, it feels fresh with a minimal beat that flicks back and forth playfully, and plenty of subtle changes in direction to keep things interesting. There's even vocals on this song, which feels like a rare treat, modulated by a vocoder and becoming more organic towards the end.
We then go into 'XMAS_EVET10 [120] (thanaton3 mix)', beginning with warm extended synth tones before malfunctioning into erratic discord. The rest of this ten minute opus continues this combination of long dreamy notes and contrasting jerky rhythms. Roughly three quarters of the way through the song, things brighten up with technicolour notes and a sample of a child speaking, but the effect is soon cancelled out as it ends with a series of distorted blasts. It seems Aphex Twin still knows how to keep things unpredictable.
Continue reading: Aphex Twin - Syro Album Review