And mon dieu, what parents she has! Victorine's mother (Myriam Boyer) is quite insane, and her father (Marcello Mastroianni) is a raging alcoholic who spends most of the movie hunched over a bar drinking pastis. They torment Victorine at every stage of her young life, and we see every stage, with Grinberg acting 12, 16, 20, or 25 as the scene demands. With just the change of an outfit and some altered body language, we get Victorine as a middle schooler in love with her daddy, as a married woman with several children (it's hard to tell how many), as a tough teenager looking for trouble, and as a preteen willing to give up her virginity to anyone who'll be nice to her. Linear chronology flies out the window, and you're never quite sure what you're seeing, especially when dead characters reappear to chat with Victorine or address the audience. It's a tour de force for Grinberg, although some of its power dissipates in the overall confusion of the storytelling.
Continue reading: Un, Deux, Trois, Soleil Review
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