Andrew Howard Saturday 22nd September 2012 HISTORY hosts a Pre-Emmy party at Soho House in celebration of sixteen Hatfields & McCoys Emmy nominations
Andrew Howard Tuesday 8th March 2011 The New York premiere of 'Limitless' - Inside Arrivals New York City, USA
Eddie Mora is a wanna-be writer who lacks direction in his life. A former drug addict Eddie's stuck in a job working as a copywriter for a small publishing house and technically this brilliant novelist still has to write the first line of his book. When a dealer offers him a mysterious new drug called NZT that's meant to unlock 100% of the brains capacity, Eddie's dubious of what the drug promises, but almost immediately, he finds himself a new person, focussed and determined the old Eddie is never coming back.
Continue: Limitless Trailer
Despite the remarkable assemblage of talent, Cacoyannis' Cherry Orchard feels self-aware of adapting a renowned classic from stage to screen. The cinematography is handsome and stately, but more appropriate to the colorful orchards and vast family estate, the 1900 costumes, the theatrical entrances and exits, than to the intimacy of Chekhov's vivid characters. (It almost makes one long for the hand-held documentary treatment of Louis Malle's seminal Vanya on 42nd Street.) The stylistic choices here take a while to get used to, especially during a drawn-out prologue, absent in the original text, as Madame Lyubov and her buoyant teenage daughter Anna (Tushka Bergen) make elaborate preparations to return to their Russian estate after a self-imposed exile. Some may be exhausted by this Masterpiece Theater treatment (lingering over every piece of luggage) before Chekhov's social entanglements kick in -- which happens shortly after the dozen major characters have assembled at their estate.
Continue reading: The Cherry Orchard Review
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