Screenwriter Zak Penn has a lot of ideas floating around in regards to 'The Matrix'.
When 'The Matrix' made its debut all the way back in 1999, it smashed expectations in the box office and became so much of a success, that two sequels were spawned from it. The most successful - 'The Matrix Reloaded' - managed to bring in just over $742 million in the worldwide box office, leaving Warner Bros. Pictures very happy.
Zak Penn is trying to bring 'The Matrix' back to the big screen
This time last year, it was revealed that screenwriter Zak Penn was actually in discussions with Warner Bros. in regards to relaunching the franchise entirely. Some reports even claimed that Michael B. Jordan was one of the frontrunners in leading the rebooted series. Since that news broke however, developments have been extremely lacking.
Continue reading: Zak Penn Has Been "Harassing Warner Bros." To Reboot 'The Matrix'
Forgiveness isn't an exclusive gift. Multiple fictional heroes, from Batman to the Punisher, have enjoyed a creative rebirth after their introductions failed or their stars faded.
Continue reading: The Incredible Hulk Review
We've witnessed, this summer, how fresh blood can rejuvenate a franchise entering its third installment. Weeks ago, Paramount handed the Mission: Impossible keys to J.J. Abrams (Alias) and clicked their heels when the inventive television director breathed new life into a financially healthy but creatively stagnant series.
Fox attempts a similar trick with its valuable X-Men venture, though in honesty the studio had little choice. After conceiving two blockbuster films that delighted both critics and fans, director Bryan Singer walked away from the X universe for the chance to direct the next Man of Steel movie (his Superman Returns arrives in theaters next month). Fox wouldn't let Singer's exit kill its golden-egg-laying goose, so the studio plopped oft-maligned hired gun filmmaker Brett Ratner (Rush Hour) behind the camera and prayed that he wouldn't botch The Last Stand, reportedly the final installment.
Continue reading: X-Men: The Last Stand Review
The kernel of the piece is that Werner Herzog, a director of German extraction with a taste for the singular, if not bizarre (Fitzcarraldo), is living in L.A. and planning a documentary about a search for the Loch Ness monster that will be co-produced by Zak Penn, a writer (Suspect Zero) debuting on this project as director. But Herzog plays the fictional part of the film's director. Okay, so we have a film about a film being made. Herzog brings his favorite cameraman, Gabriel Beristain (S.W.A.T., Blade II) into the creative mix as he and Penn plan the venture.
Continue reading: Incident At Loch Ness Review
There you have Osmosis Jones, a combination of clunky live action and cool, creative animation that tries too hard to please both adults and kiddies while journeying inside one disgusting body.
Continue reading: Osmosis Jones Review
The mouse in this stock cat and mouse game is disgraced FBI agent Thomas Mackelway (Aaron Eckhart), a dedicated G-man with a high-profile blemish on his service record. His grievous error on a previous case earned him a demotion to the Bureau's dead-end Albuquerque office, though it's not long before Mackelway's hot on the trail of another cold-blooded killer. This wandering murderer (Ben Kingsley) exhibits no motive and establishes no pattern to his killings, but enjoys faxing Mackelway clues to drag the investigator deeper into a series of perplexing mind games.
Continue reading: Suspect Zero Review
Elektra, a needless spin-off from Mark Steven Johnson's already flawed 2003 Daredevil film, might have had a fighting chance if it stayed within the boundaries of Miller's rich source material. Instead, it can't even stay consistent with the lackluster film that inspired it.
Continue reading: Elektra Review
But that all changed on September 11, when American support for patriotism and military might -- no matter who the adversary -- hit a sudden, fever pitch. And so it was that the spring 2002 release (a dumping ground for films with very low expectations) of Behind Enemy Lines was pole-vaulted forward to the holiday heyday of November 30, 2001, buoyed by sky-high audience approval at test screenings. You want your ripped-from-today's-headlines movie? You got it.
Continue reading: Behind Enemy Lines Review
Looks like now I'm waaaaay too old for this kind of thing, but judging by the mute stares of the many children in our advance screening audience, maybe they are too.
Continue reading: Inspector Gadget Review
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