Zack Ward

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Actors for Autism presents 'Reach for the Stars'

Zack Ward - Actors for Autism presents 'Reach for the Stars' in honour of Joe Mantegna - Los Angeles, California, United States - Thursday 3rd October 2013

Zack Ward

Picture - Zack Ward, Joseph Limbaugh, Scott... Los Angeles, California, USA, Wednesday 4th March 2009

Zack Ward - Zack Ward, Joseph Limbaugh, Scott Krinsky and Jason Gullifer Wednesday 4th March 2009 at NBC Los Angeles, California, USA

Postal Review


Terrible
Uwe Boll is not Satan. Nor is he Beelzebub, Scratch, the Prince of Darkness, or even Petey Wheatstraw. Boll is just a fanatic with a lunatic mission -- to bring cinematic versions of disruptive, low-rent video games (BloodRayne, House of the Dead) to movie screens and, in due course, to bargain DVD bins in Walmartopia department stores around the world. Boll's misbegotten passion can be seen in every frame of his video game aggrandizements, and like Peter Lorre in M, he can't help it.

His new film, Postal, starts off in high octane farcical mode, as two terrorists, United 93 style, have taken over the control of a jet en route to martyrdom, and are disagreeing whether they were told that 100 or 99 virgins will await them in the afterlife. Putting in a call to Osama bin Laden to find out the exact number of virgins, the boys are informed that the number of virgins has been reduced to 10 per recruit because, with all the martyrs signing up, there are not enough virgins to go around. With that, the terrorists decide to forget the whole thing and take the plane to the Bahamas. At that point, the passengers burst in and send the plane crashing. Cut to a window washer on the side of a World Trade Center tower looking over his shoulder as a plane approaches behind him and crashes into the building. Here Boll positions the Postal as a masterpiece of bad taste, sending up the post-9/11 landscape, debunking the purloining of horrific events by politicians and the media for patriotic and political chicanery.

Continue reading: Postal Review

Picture - Zack Ward Hollywood, California, Thursday 27th March 2008

Zack Ward Thursday 27th March 2008 'Chasing Baja' premiere of held at Egyptian Theatre - Arrivals Hollywood, California

Zack Ward

Resident Evil 2: Apocalypse Review


Hmmm

In an era of resurgent zombie-flick creativity that has seen the likes of "28 Days Later" and this year's "Dawn of the Dead" remake, the leaden mindlessness of "Resident Evil: Apocalypse" is nothing short of pathetic.

Having burned through most vague ties to its videogame roots in the unwatchable first "Resident Evil" -- an inept, logic-impaired, plotless wonder of unmitigated noise, cheap scares and endless ammunition -- this sequel begins with the biggest opening-scene cliché in all zombiedom: a quiet day in the suburbs where chaos will soon reign.

Underneath this blissful berg (which returning writer Paul W.S. Anderson seems to have forgotten he showed destroyed in Part One) is the lab where the global-evil Umbrella Corporation's virus experiments went so very wrong back in 2002. Foolishly re-opened to learn "what went on down there," out pours an army of the undead, and apparently there are only two people who really know how to fight them -- slinky, half-naked, heavily-armed 105-lb. hotties Milla Jovovich (the original movie's survivor) and Sienna Guillory ("Love Actually").

Continue reading: Resident Evil 2: Apocalypse Review

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