Ed Wallis has never really been the popular boy in his class and the thought of having to move to a brand new school and start over isn't exactly his idea of fun. Starting over in a new location with his mum, Ed soon becomes an easy target for the class jocks but he doesn't let it bother him. When he's given a new assignment from school to speak with and write an essay on an older person, Ed doesn't know where - or rather who - to turn to, that is until he sees his neighbour might and thinks he might be just the person to speak to.
Though hesitant at the start, the neighbour agrees to speak with Ed. After the duo spend some time together, Ashby and Ed soon open up to one another and form an unlikely friendship. Ashby teaches Ed some much needed life lessons and vice versa.
Ashby was written and directed by Tony McNamara and had its premiere at this year's Tribeca Film Festival. Natt Wolf recently starred in Paper Towns with Cara Delevingne and The Fault in Our Stars alongside Shailene Woodley.
Zachary Knighton - A host of stars were photographed as they attended the American Idol XlV Finalists Party which was held at The District in Los Angeles, California, United States - Thursday 12th March 2015
Nate Torrence, Becki Newton, Meera Rohit Kumbhani and Zachary Knighton - American Idol Season 14 Finalists Party - Arrivals at The District - Los Angeles, California, United States - Wednesday 11th March 2015
Becki Newton and Zachary Knighton - 2015 FOX Winter Television Critics Association All-Star Party at the Langham Huntington Hotel - Arrivals at Langham Huntington Hotel - Los Angeles, California, United States - Saturday 17th January 2015
A knowing, very sharp script gives this comedy a very strong kick as it tells a story about interlopers in America's Christian subculture. It would have been easy to either take cheap potshots or veer into inspirational sentimentality, but the filmmakers cleverly navigate a middle ground that refuses to simplify either the morality or the message. It's a lively, entertaining romp with real bite.
The film opens in Austin, Texas, where Sam (Alex Russell) is stunned to learn that he won't graduate and go to law school unless he pays $9,000 in overdue fees. Then he gets an idea from a Christian youth group raising funds for a mission trip to Hawaii: why not start a charity funding wells in Africa and keep some of the cash for himself? He enlists the help of his three best friends (Miles Fisher, Max Adler and Sinqua Walls), and before they know it they're headlining major events to adoring crowds across the country. This rock-star life is very lucrative too, especially as they continue to learn better ways to convince the crowd that they're true believers. But as the moral high ground becomes swamped by all that cash, they begin to have their doubts.
It's clear that writer-director Will Bakke and cowriter Michael B. Allen know only too well what they're talking about, as the film cuts a razor-like swathe right through church culture, from repetitive worship songs and cliche-ridden prayers to Christian-targeted movies. Even more pointed is the way the film deals with the vast amounts of money that have essentially turned the fundamentalist church in America into a mega-corporation that knows exactly how to deploy right-wing political sloganeering to get their followers on their feet cheering. These issues are actually integral to the story, as Sam and his friends discover the secrets to helping Christians feel better about themselves as they part with their cash.
Continue reading: Believe Me Review
After attempting to briefly educate us about the perils of driving, The Hitcher (a remake of the 1986 cable standby) then jumps straight into the action. A guy (Zachary Knighton) waits impatiently for his girlfriend outside her dorm with a 1970 Oldsmobile 442. As he sits by his muscle car and she (Sophia Bush) comes out with nothing but pajamas and a small backpack on, The Hitcher feels like it should turn into a Penthouse story at any moment. They hop in the car, and before we even get their names we get to see Bush changing in the car and going on the road.
Continue reading: The Hitcher Review
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