Sam Elliott - Special screening of 'I'll See you in My Dreams' held at the Tribeca Grand Screening Room - Arrivals at Tribeca Grand Screening Room - New York City, New York, United States - Monday 11th May 2015
Alex Murphy is a hard-working police officer who lives an ordinary life with his beautiful wife Clara and young son David. However, his life is swiftly turned upside down when a bomb in his car explodes leaving him with 70% burns all over his body. Meanwhile, the multinational corporation OmniCorp who have been sending out robot technology abroad for warfare purposes are now coming up with other ideas; namely to deal with the increased crime rate of Detroit. They create a robot with the intention of programming it to target major wanted criminals, but on discovering Murphy's predicament and seeing how he has lost two limbs from his accident, they decide to kill two birds with one stone by fixing him into the suit so that he's able to continue working as a cop, but with more power than he could ever have imagined. The suit has been created to give him the illusion of free will while being externally controlled, however that changes when Murphy begins to use the suit for his own means.
'Robocop' is the upcoming remake of the 1987 sci-fi action flick of the same name directed by Paul Verhoeven. This adaptation has been helmed by Jose Padilha ('Elite Squad', 'Bus 174') and written by Nick Schenk ('Gran Torino'), James Vanderbilt ('The Amazing Spider-Man') and Joshua Zetumer. It will be reaching UK cinemas on February 7th 2014.
Zach Grenier - Zach Grenier and Adam Driver New York City, USA - Opening night of the Broadway play 'Man And Boy' at Roundabout Theatre Company's American Airlines Theatre - After Party. Saturday 8th October 2011
Francesca Faridany, Frank Langella and Zach Grenier - Brian Hutchison, Francesca Faridany, Adam Driver, Frank Langella, Michael Siberry, Zach Grenier, and Virginia Kull New York City, USA - Opening night of the Broadway play 'Man And Boy' at Roundabout Theatre Company's American Airlines Theatre - Curtain Call. Sunday 9th October 2011
This isn't to say Rescue Dawn isn't good. It's often great, and in all the ways that Herzog's cinema can be great. As in Aguirre: The Wrath of God and Fitzcarraldo (his undisputed masterpieces) Herzog plunges himself (and the rest of us) once again into the jungle, in all its deceptive beauty. The jungle is that twilight zone, the border between life and death that is the domain of Herzog's cinema, and cinematographer Peter Zeitlinger (who also shot Little Dieter) ably carries the torch that his predecessor Thomas Mauch held aloft so heroically in those aforementioned Conradian tales of men endeavoring to overcome nature (and failing). Herzog lives in awe and terror of the natural world (he goes into this at length in Grizzly Man), and nowhere is that paradox more palpable than in Rescue Dawn, in which the jungle can be jaw-droppingly gorgeous one moment, and a stultifying prison the next.
Continue reading: Rescue Dawn Review
Director Dominic Sena seems to fancy himself some kind of John Woo Jr. But John Woo ("The Killer," "Hard Boiled" and more recently "Face/Off" and "M:I-2") is an action genius who has a gift for turning gun battles into ballet and explosions into art.
Sena ("Gone in 60 Seconds") couldn't care less about art as long as his computer-enhanced mega-blasts are as big, as orange, as slow-motion and as debris-filled as possible. And if he can throw in an innocent hostage being blown apart, so much the better.
After beginning with an ironic but incredibly smug speech by film buff bad guy John Travolta about how Hollywood makes such crappy movies, the opening sequence of "Swordfish" fulfills all Sena's high-gloss, low-brow requirements -- pretty much proving Travolta's point.
Continue reading: Swordfish Review