Shot over thirteen months by Jacquet and expert cinematographers Laurent Chalet and Jérôme Maison (during which time the crew lived, without respite, in the Antarctic), March of the Penguins finds beauty and poignancy in simplicity. Though released in its native France with humorous, slightly surreal dialogue for its penguin protagonists and Emilie Simon's Björk-esque music, this American release instead opts for Morgan Freeman's elegant, understated narration and Alex Wurman's pleasant score, both of which work in tandem with Jacquet's stunning images to make clear the similarities between bird and human culture. Its narrative is an uncomplicated one, tracing the arduous yearlong procreation process during which hundreds of penguins (led by the leader-of-the-line male emperor penguins) travel 70-plus miles to a solid stretch of ice. There, they engage in an amusing courtship dance to find a desirable mate, a routine that can end in romantic beak-to-beak snuggling or, in certain cases, female-on-female violence when a bitchy femme attempts to steal an already-taken man.
Continue reading: March Of The Penguins Review
Anima Animus is the third album from Siouxsie Sioux's The Creatures, released exactly 20 years ago today.
Peter Doherty once again highlighted his talent as a musician, lyricist and performer during a very entertaining evening.
The eleven tracks that make up Feels' latest release combine a raw garage band authenticity with a self-assured swagger.
Edinburgh four-piece Gypsy Circus talk about their inspirations and their music in exclusive interview.
It doesn't take long to appreciate you are in the presence of rock music royalty when you are offered an audience with Paul McGuinness.
Doillon's latest release is self-assured, positive and empowered; it is not trying to be something it's not.
With her new album 'Head Above Water' out this February, Avril Lavigne teams up with Nicki Minaj for a new song entitled 'Dumb Blonde'.
'Won't Let Go' is the first single of the year for London-based folk-rock musician Jamie N Commons, and it's quite the departure from his early sound.