Kenshin Himura (Takeru Satoh) was once a legendary swordsman throughout the civil war that swept across Japan through the 19th Century. After making a name for himself as 'Battosai the Killer', Himura has settled down and taken on the life of a lone wanderer who serves whoever needs his help, although he never kills anymore. But when his successor, Makoto Shishio (Tatsuya Fujiwara), is found to have survived being burnt alive, he begins a bloodthirsty attack on the Japanese government. Himura is called back into service to save Japan, but he must ensure he never kills anyone ever again. But can he fulfil that promise?
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In 1844 Japan, young Lord Naritsugu (Inagaki) is such a sadist that he's about to end a long period of peace. And his merciless rampage of rape, torture and death goes unchallenged because he's the Shogun's half-brother. Shocked by where this is heading, top samurai Shinzaemon (Yakusho) assembles a team of 12 warriors to take him out. It's clearly a suicide mission. And they pick up a wild-eyed 13th colleague (Iseya) on the way to setting an elaborate trap for Naritsugu and his 200-strong entourage.
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The woman (Julianne Moore) tags along with her ophthalmologist husband (Mark Ruffalo) when he is struck by the blindness and sent to the initial holding facility for the infected. Visually plagued by random flashes of pure white, the film hams up Saramago's eloquent metaphor as the wards of the facility become factions. One splinter supports a dictator (Gael García Bernal) and an accountant (Maury Chaykin) who garner the entirety of the rations supplied by the army. Possessions and eventually women are traded for meager portions as the nameless woman begins to consider her tolerance in the face of a shadowy, violent orgy that even Argentine provocateur Gaspar Noé might find a little too much.
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Ringo engages in some mighty fancy gunplay concerning a rattlesnake and an egg in front of a blatantly false campfire set that looks like it came out of the old kids' show Riders in the Sky. He then commences to tell the tale of a pale rider (Hideaki Ito) with a garish gun who appears through a howling Kurosawa haze in a western town lorded over by two rival clans -- the red-garbed Heike clan, led by the psychotic Kiyomori (Koicho Sato), who insists that everyone call him Henry, and the white-garbed Gengi clan, led by the cool, sleek, walking-manga illustration Yoshitsune (Yusuke Iseya). Before this cryptic Man With No Name can utter, "You going to come at me or whistle Dixie?" he commences to play one clan against the other, and soon bullets, bodies, and blood fly through the air like an in-progress Jackson Pollock painting. As the schizophrenic town sheriff sings at one point as the cast reloads, "I die. You die. She dies. He dies. We all die."
Continue reading: Sukiyaki Western Django Review
'Smalls Change (Meditations Upon Ageing)' arrives in April.
The two awards have made for a great 72nd birthday present for the country music icon.
Kenshin Himura (Takeru Satoh) was once a legendary swordsman throughout the civil war that swept...
Carefully paced to draw out the internal warfare as much as the blood-and-guts variety, this...
Watch the trailer for BlindnessWhat would you do if a virus was spreading blindness so...
Fernando Meirelles' Blindness was adapted from the novel written by Portuguese Nobel-laureate Jose Saramago. The...
Takeshi Miike's spaghetti western mash-up, Sukiyaki Western Django, is a mystery wrapped in a riddle...