This quiet, buttoned-down man signs up for dancing lessons, which in Japanese culture is highly suspect. It becomes a guilty secret that he keeps from his wife and child, attracted to the rush of feeling that accompanies ballroom dance. Though initially drawn by the woman (Tamiyo Kusakari), who becomes his instructor, Sugiyama and his equally uncoordinated businessmen-by-day/dancers-by-night classmates are quickly swept up in the magic of the fox trot, the cha cha, the rumba, and, of course, classy ballroom.
Continue reading: Shall We Dance? (1996) Review
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