An orphaned beggar at an early age in a highly class-stratified society, Ohwon can barely afford paper and ink to make drawings. But his need to do so leads to his using whatever materials he can scrape up, which in turn leads to early recognition of his above average talent. As depicted here, the local nobility are all art critics as well as collectors, and they are only too ready to take advantage of a new discovery. This attention to his work develops into a patronage for young Ohwon by Kim Byung-moon that provides him a means to pursue his art free from worries about basic necessities.
Continue reading: Painted Fire Review
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