When Leonidas and his valiant army of 300 Spartans were wiped out by the vast forces led by Persian God King Xerxes, the rest of Greece now feel that their country has gained honour following their tragic loss. However, their battle is not over yet as Persia is rapidly sailing in for another invasion. Rival cities Sparta and Athens are forced to set aside their bitterness towards each other if they have any hope of victory - though with Xerxes on their tail with immortal power, their lives teeter on the edge. Nonetheless, the Greeks remained filled with a fierce determination following Leonidas' heroism and so Themistocles of Athens leads his naval fleet to war while Sparta's army prepares for another fight. How can they survive against a seemingly impervious God King and his female ally, the just as ruthless, sword-wielding Artemisia? Outnumbered and overpowered once again, there is still hope.
Continue: 300: Rise Of An Empire - Clips
Following Leonidas' honourable though inevitable death alongside his Spartan army of 300 at the hands of Persian God King Xerxes, the rest of Greece cannot help but feel a certain pride at the valiant effort. Now, with Persia quickly threatening invasion, rival cities Sparta and Athens must throw aside their differences and rally together to defeat their forces - but with an all-powerful king like Xerxes, their chances of survival look minimal. Nonetheless, filled with a newfound determination after Leonidas' heroic venture, Athens' naval fleet led by the admiral Themistocles set out to bring Persia down, as Sparta's army prepares another brave attack. They may be outnumbered yet again, but hope is the last thing Greece is going to give up.
After a valiant but ultimately unsuccessful attack by Leonidas' army of 300 Spartan men on Persia's much larger army led by the 'God-King' Xerxes, the rest of the Greeks are at war with Persia determined to end their invasion and bring down their so-called God once and for all. Athens and their strong naval fleet, led by the admiral Themistocles, are forced to team up with Sparta, their civil rivals, and their formidable army though the Greeks are still ultimately outnumbered on a massive scale by Persia. However, with a determination instilled by a national pride in the sacrifice of Leonidas and his men, the Greeks enter in their new battle gladly and with a significantly reduced fear of their enemy.
'300: Rise Of An Empire' is the gritty, action-fuelled follow-up to 2007's '300' directed by Zack Snyder ('Dawn of the Dead', 'Watchmen', 'Man of Steel'). This sequel has been adapted from the graphic novel 'Xerxes' by Frank Miller and directed by Noam Murro ('Smart People'), though Snyder does make his return alongside Kurt Johnstad ('Act of Valor') on the screenwriting credits. With a multi-award winning epic to beat, 'Rise Of An Empire' looks to be a thrilling addition to this war saga and it is set to hit screens in the US on March 7th 2014.
Astutely combining sharp comedy with complex political and theological issues, this film is packed with strong themes and vivid characters that keep us interested even as the plot drifts into silly slapstick.
London cabbie Mahmud (Djalili) is a loving family man and a relaxed Muslim whose son Rashid (Shah) wants to marry the step-daughter (Radford) of a radical Imam (Naor). But just as Mahmud is trying to behave like a better Muslim, he discovers that his birth parents were Jewish. Suddenly, his whole world shifts on its axis, and he turns to rival Jewish cabbie Lenny (Schiff) for advice.
He's also understandably terrified to tell his family the truth, although his wife (Panjabi) suspects that something's up.
While Baddiel's smart, funny script probes the comical possibilities, Appignanesi's direction continually looks for sight gags and rude jokes. The result is a little uneven: even though these two elements come together often, the wacky physical humour sometimes undermines the more provocative themes. On the other hand, this approach keeps us nicely off-balance, never quite sure where the story might go while allowing the cast to make the most of their characters.
Most enjoyable, and telling, is the way this news causes Mahmud to see the world through different eyes. Not only is this amusing, but it also challenges our own perspective on the world around us. Djalili plays this cleverly; we can understand why Mahmud finds it impossible to continue hating Jews. Watching him try to become a better Muslim even as he's studying Judaism is pretty intense, although it's basically played for laughs. When Lenny welcomes Mahmud to "the worldwide conspiracy", it's a joke. Right?
These elements make the film much more meaningful than most comedies, and add offbeat details to the characters and situations. So it's a bit frustrating when the plot takes over in the final act, weaving in a side-story from early on that we knew would come back later, then heading for a big showdown that feels like it was grafted on from Hollywood script-writing software. This milks the emotions more than was necessary, but even here the corny slapstick is intermingled with theology, giving the whole film a potent kick.
Miller (Damon) is a military officer charged with locating weapons of mass destruction, but every site he visits is a dead end. When he voices doubts about the intelligence, he gets in trouble with the Pentagon chief (Kinnear).
On the other hand, the CIA director (Gleeson) is sympathetic, and encourages him to dig around. So with the help of a local translator (Abdalla), Miller dives in. And he's quickly caught between two factions in his own government as he searches for an Iraqi general (Naor) in hiding.
Continue reading: Green Zone Review
CIA watchdog Corrine Whitman (Streep) sets up the titular protocol when evidence is uncovered against Chicago family man and chemical engineer Anwar El-Ibrahimi (Omar Metwally), Egyptian by birth. Whitman suspects that El-Ibrahimi had a hand in a recent bombing of an unnamed North African tea house; an attempt on the life of North African security head Fawal (Igal Naor). Fawal heads the "interrogation" with CIA analyst Douglas Freeman (Jake Gyllenhaal) there as counsel while they electrocute, drown, beat, and strangle Anwar to give up information on the attack.
Continue reading: Rendition Review
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