Xavier De Guillebon

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Le Week-end Review


Extraordinary

Like a 20-years-later sequel to Before Midnight, this sharply observant comedy-drama follows a couple through a soul-searching weekend in which they evaluate their relationship with real wit and emotion. And transparent performances make it something to savour, as it offers us a rare grown-up movie about real issues we can identify with.

As the title suggests, the weekend in question takes place in France, and it's a 30th anniversary treat for Nick and Meg (Broadbent and Duncan). They can't really afford a trip to Paris, especially after ditching their dodgy pre-booked hotel in lieu of something far nicer, but they figure out ways to make their time special. Meanwhile, they talk about their years together, and the hopes and regrets that are haunting their thoughts. There are some hard questions to ask about their future, even as they haven't lost that spark of sexuality. Then they run into Nick's old Cambridge pal Morgan (Goldblum), who invites them to a party where they meet academics and artists just like them. Which only makes them think even more.

The key issues for them include Nick's early retirement (for an ill-timed comment to a student) and Meg's desire to change her life completely. As they consider the options, their conversations drive the film forward forcefully, flowing through cycles of flirtation and laughter to bitterness and cruelty. The depth of their love is never in doubt, even as they wonder how secure their relationship actually is. Broadbent and Duncan play these scenes effortlessly, taking our breath away because it's all so honest, often both funny and scary at the same time.

Continue reading: Le Week-end Review

Le Week-End Trailer


Meg and Nick are a seemingly devoted couple who venture to the romantic city of Paris on their thirtieth wedding anniversary in the hope of rekindling old feelings from their honeymoon. They may claim to love each other, but things are far from perfect in their relationship as their routine lifestyles have caused a dramatic rift between them without them even noticing. Their weekend is tainted by frequent arguments, though always warmed by frequent displays of affection and childish exploits. However, when they bump into old American friend who invites them for dinner at his Parisian apartment, they start to feel depressed that their lives are several shades less colourful than his with his gorgeous pregnant wife, success in the city and an impressive book deal. Will this long-devoted couple find peace within themselves to be content with one another? Or will Paris cause them to finally drift apart?

Continue: Le Week-End Trailer

The Page Turner Review


OK
Drained bourgeois chill is so 2001. Denis Dercourt's debut thriller The Page Turner has the ethereal calm of a "Sounds of the Ocean" mix tape and it doesn't seem the least bit interested in disrupting that tone. With its demented psychosexual ramblings and robust flourishes of music, this would-be Chabrol rip-off (without the humor and panache) has a certain charm about it, but that doesn't constitute a successful exercise necessarily.

As a young butcher's daughter, Melanie had talent at the piano. Her father would stay up and listen to her play while saving up enough money to possibly send her off to an academy that deals in gifted pianists. Her audition gets sabotaged when one of the instructors, Ariane Fouchecourt (Catherine Frot), allows an autograph hound into the recital, breaking her concentration. She goes home, locks up her piano, and puts her little Mozart statue in the closet.

Continue reading: The Page Turner Review

L'Auberge Espagnole Review


Good
A movie like L'Auberge Espagnole should feel like an embrace. You should be pulled into the close-knit environment of seven young, smart, sexy Europeans living together in a Barcelona flat (The title translates to "Euro Pudding"). You should feel the confusion of the movie's young protagonist as he struggles with his feelings for three women.

Though it is a solid movie with some astute observations, L'Auberge Espagnole constantly pushes you away like a busy parent on a deadline. The movie never makes a connection because it's too busy tackling too many subjects, instead of focusing on doing one thing well.

Continue reading: L'Auberge Espagnole Review

L'Auberge Espagnole Review


Good
A movie like L'Auberge Espagnole should feel like an embrace. You should be pulled into the close-knit environment of seven young, smart, sexy Europeans living together in a Barcelona flat (The title translates to "Euro Pudding). You should feel the confusion of the movie's young protagonist as he struggles with his feelings for three women.

Though it is a solid movie with some astute observations, L'Auberge Espagnole constantly pushes you away like a busy parent on a deadline. The movie never makes a connection because it's too busy tackling too many subjects, instead of focusing on doing one thing well.

Continue reading: L'Auberge Espagnole Review

Xavier De Guillebon

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Benedict Cumberbatch Joins David Gilmour Onstage For 'Comfortably Numb'

Benedict Cumberbatch Joins David Gilmour Onstage For 'Comfortably Numb'

The 'Sherlock' and 'Doctor Strange' star joined Gilmour onstage at the Royal Albert Hall for a rendition of the Pink Floyd classic.

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Xavier De Guillebon Movies

Le Week-end Movie Review

Le Week-end Movie Review

Like a 20-years-later sequel to Before Midnight, this sharply observant comedy-drama follows a couple through...

Le Week-End Trailer

Le Week-End Trailer

Meg and Nick are a seemingly devoted couple who venture to the romantic city of...

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L'Auberge Espagnole Movie Review

L'Auberge Espagnole Movie Review

A movie like L'Auberge Espagnole should feel like an embrace. You should be pulled into...

L'Auberge Espagnole Movie Review

L'Auberge Espagnole Movie Review

A movie like L'Auberge Espagnole should feel like an embrace. You should be pulled into...

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