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Screening Of Amazon's 1st Original Drama Series 'Bosch' - Arrivals

Sarah Clarke and Xander Berkeley - Shots of a variety of stars as they attended a Screening Of Amazon's first Original Drama Series 'Bosch' which was held at the ArcLight Theater in Hollywood, Los Angeles, California, United States - Tuesday 3rd February 2015

Sarah Clarke and Xander Berkeley
Sarah Clarke
Sarah Clarke
Sarah Clarke

8th Annual BritWeek Launch Party

Xander Berkeley and Sarah Clarke - 8th Annual BritWeek Launch Party - Los Angeles, California, United States - Tuesday 22nd April 2014

Xander Berkeley and Sarah Clarke
Xander Berkeley and Sarah Clarke

Small Time Trailer


Al Klein is a used car salesman who works with his best friend and business partner Ash Martini at Diamond Motors. Together, the duo utilise every selling method in existence from complimenting the customer to telling white lies - and it's not always morally sound. Klein misses his former wife Barbara and wishes he could spent more time with his high school graduate son Freddy. Luckily for him, Freddy wants the same thing and decides to drop his college prospects and become a salesman like his father. He moves in with Al but the pair soon find themselves under the wrath of Barbara, who wishes for a more successful life for her son than what Al could offer and is desperate that Freddy doesn't turn out like him. As much as Al loves having him around, he is the one that needs to decide what's best for Freddy.

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Old Hollywood Celebrates BritWeek 2013

Xander Berkeley - "A Salute to Old Hollywood Party" to Celebrate the Launch of BritWeek 2013 - Los Angeles, California, United States - Tuesday 23rd April 2013

Xander Berkeley
Xander Berkeley
Xander Berkeley

GREAT British Film Reception To Honor The British Nominees

Xander Berkeley - GREAT British Film Reception to honor the British nominees of the 85th Annual Academy Awards at British Consul General’s Residence - Los Angeles, California, United States - Friday 22nd February 2013

Xander Berkeley
Xander Berkeley
Xander Berkeley

Seeking Justice Trailer


Wil and Laura Gerard are a married couple who are still very much in love with each other. Shortly after celebrating their wedding anniversary, Wil gets horrifying news: his wife was brutally assaulted and raped while walking home one night.

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Opening Night Of Harry Potter Parody, 'Potted Potter: The Unauthorized Harry Experience' At The Panasonic Theatre - Arrivals

Xander Berkeley and Sarah Clarke - Xander Berkeley and wife Actress Sarah Clarke Tuesday 14th February 2012 Opening Night of Harry Potter Parody, 'Potted Potter: The Unauthorized Harry Experience' at the Panasonic Theatre - Arrivals

Xander Berkeley and Sarah Clarke
Xander Berkeley and Sarah Clarke
Xander Berkeley and Sarah Clarke
Xander Berkeley

Faster Review


Good
With a comically masculine vibe, this grisly rampage of revenge is inventive enough to hold our interest. Although even a tiny flicker of knowing dry humour would have made it a lot more entertaining.

After his release from prison, a driver (Johnson) is reunited with his beloved muscle-car and immediately puts a bullet in a man's head, which is only the beginning of his vengeance after being set up and left for dead. The police (Thornton and Gugino) are on his trail, as is a hot-blooded killer (Jackson-Cohen) who's distracted by his gun-happy girlfriend (Grace). But the driver is moving so fast that he doesn't need to hide. He's also brazenly unswerving in his mission to settle this old score.

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Kick-Ass Review


Excellent
The team behind Stardust brings us the superhero movie we always wanted: brazen, raucous and without a single politically correct moment from start to finish. And yes, it's both wildly rude and great fun.

Dave (Johnson) is a shy New York teen who wonders why no one sticks up for each other. So he creates a secret alter-ego, Kick-Ass, and sets out to make a difference. Of course he gets beaten to a pulp. But he also catches the city's imagination. The problem is that gangster Frank (Strong) thinks he's to blame for a series of setbacks and helps his son (Mintz-Plasse) create a rival hero, Red Mist. But Frank's nemesis is actually a man (Cage) who has turned his 12-year-old daughter (Moretz) into a killing machine.

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Kick-Ass Trailer


Watch the trailer for Kick-Ass

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Taken Review


Weak
Of all the men you would expect to tear through Europe to save his daughter, leaving a trail of dead like Jonestown in his wake, Liam Neeson would be relatively low on the list, coming in somewhere between Chevy Chase and Zero Mostel. Neeson has always been known for playing men of impassioned rhetoric, guys whose tongues are more powerful than their physical prowess. So, watching the man who played Alfred Kinsey, Jean Valjean, and Michael Collins take two large nails and slam them into a another man's thighs before connecting jumper cables to said nails might leave a viewer understandably flabbergasted.

This is just one of the actions taken by Bryan Mills (Neeson) when he receives a call from his daughter (Maggie Grace) as she is being kidnapped by Albanian sex-traffickers while on vacation in France. An ex-CIA man, Mills uses a few decades worth of weapons knowledge, intelligence training, and fighting styles to basically purge France of any and all Albanian abducters to find his sugarplum and return her to the loving arms of his ex-wife (Famke Janssen) and her absurdly rich second husband (Xander Berkeley).

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Walker Review


Excellent
Following his one-two punch of cultic cinema, Repo Man and Sid & Nancy, director Alex Cox went on to make two more films that consecrated his reputation as, well, a malcontent. It was 1987 and Cox's latest film, Straight to Hell, was universally panned, not completely unfairly. But just five months later, Cox returned with Walker, an equally-batty spectacle built on the last years of the late-19th-century soldier-of-fortune William Walker and his conquest of Nicaragua. Given only a paltry release in December '87, Cox's film maudit was banished to the realm of VHS for two decades before Criterion took an interest and decked it out with all the trimmings.

Far too crazy to be fatalist, Walker strangely begins on a moment of near-defeat for the titular batshit commando (the phenomenal Ed Harris) and his madcap battalion. Saved by a sandstorm and his lawyer, Walker finds himself back in the arms of his love Ellen Martin (Marlee Matlin). The fact that Ephraim Squier (Richard Masur) holds the keys to Walker's future in politics doesn't stop Ellen from asking Squier to fornicate with swine. Soon enough, Walker is trading away his future with Ellen for a mission to Nicaragua at the behest of Squier and Cornelius Vanderbilt (Peter Boyle).

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Persons Unknown Review


Grim
While I futilely try to figure out the ending of Persons Unknown means, I'm left to wonder why this film saw no real theatrical release, and why it took 11 years to make it to DVD. Maybe the fact that it's fairly ludicrous or nonsensical? The circuitous plot gives us a kind of cool beginning, with a security pro (Joe Mantegna) being hustled by a girl (Kelly Lynch) who's heading up a big heist. Eventually he tracks her down, figures out what's going on, runs off with their loot, and watches bodies pile up in the mountains. The last half of the film is alternately filled with typical shoot 'em up/run 'em down scenes and kind of silly plot twists. The top shelf cast is uniformly wasted, including Naomi Watts in an early role.

The Cherry Orchard Review


Good
Actors understandably welcome the opportunity to perform Chekhov, whose plays are painfully funny in their quiet observation of human folly. In Uncle Vanya and The Three Sisters, we recognize some part of ourselves. Renowned director Michael Cacoyannis, who helmed Zorba the Greek in 1964, assembles a powerhouse international cast for his screen interpretation of The Cherry Orchard, including Alan Bates (Gosford Park), Katrin Cartlidge (Breaking the Waves), and Melanie Lynskey (Heavenly Creatures). That great horror actor Michael Gough is well typecast as an ancient butler, and grand dame Charlotte Rampling's timeless iconic presence lends itself beautifully to the tragic Madame Lyubov Andreyevna Raneskaya.

Despite the remarkable assemblage of talent, Cacoyannis' Cherry Orchard feels self-aware of adapting a renowned classic from stage to screen. The cinematography is handsome and stately, but more appropriate to the colorful orchards and vast family estate, the 1900 costumes, the theatrical entrances and exits, than to the intimacy of Chekhov's vivid characters. (It almost makes one long for the hand-held documentary treatment of Louis Malle's seminal Vanya on 42nd Street.) The stylistic choices here take a while to get used to, especially during a drawn-out prologue, absent in the original text, as Madame Lyubov and her buoyant teenage daughter Anna (Tushka Bergen) make elaborate preparations to return to their Russian estate after a self-imposed exile. Some may be exhausted by this Masterpiece Theater treatment (lingering over every piece of luggage) before Chekhov's social entanglements kick in -- which happens shortly after the dozen major characters have assembled at their estate.

Continue reading: The Cherry Orchard Review

Time Code Review


OK
Sorry, Mr. Lynch, your place at the head of the avant-garde experimental filmmaker table has been given away. Messrs. Jarmusch, Toback, Korine, and Cronenberg, you'll all be eating outside. Mike Figgis will be taking over for all of you, and don't come back.

Figgis, who earned a Best Director Oscar nomination for Leaving Las Vegas in 1996, appears to have gone a little funny in the head last year with his inexplicable and nearly dialogue-free The Loss of Sexual Innocence. Now he's fully gone off the deep end with what may be the most ambitious experiment ever: Time Code.

Continue reading: Time Code Review

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