A cinematic collection of slightly exaggerated memories from Lucas' senior year in high school (1962), Graffiti was well-timed; it caught a wave of fifties nostalgia that would crest with Happy Days, Grease, etc. While the iconoclasm of the sixties and seventies would continue to take youth culture in a very different direction, Graffiti helped spark a cultural backlash (or at least a flashback) after the free-love/acid-rock/anti-war era.
Continue reading: American Graffiti Review
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