Johnny’s inked tribute to his estranged wife appears to have undergone an alteration.
Johnny Depp appears to have made his feelings about estranged wife Amber Heard very clear, by altering the tribute tattoo he had inked for her. The tattoo, which goes across Depp’s right knuckles, originally spelled out Heard’s nickname ‘Slim’, but it now appears to read ‘Scum’.
Johnny Depp appears to have altered his Amber Heard tattoo.
Recent pictures of Depp, obtained by gossip site TMZ, show that the L now looks like a C and the I has been turned into a U. Depp got the inking last year, shortly after the couple’s wedding. Heard and Depp announced their separation in May and shortly after Heard accused her ex of domestic abuse and was granted a temporary restraining order.
Continue reading: Has Johnny Depp Taken A Dig At Amber Heard And Altered His Tattoo?
Ryder and Depp dated for three years in the early nineties.
Winona Ryder has spoken out in defence of her ex-boyfriend Johnny Depp amid allegations that he was physically abusive towards estranged wife Amber Heard. Ryder told Time that Depp was never abusive towards her and although their relationship was decades ago she finds the allegations “unimaginable”.
Winona Ryder has defended ex-boyfriend Johnny Depp.
"I can only speak from my own experience, which was wildly different than what is being said," Ryder told said. ”He was never, never that way towards me. Never abusive at all towards me. I only know him as a really good, loving, caring guy who is very, very protective of the people that he loves."
Continue reading: Winona Ryder Defends Ex Johnny Depp: "He Was Never Abusive Towards Me"
Is 'Heathers: The Musical' as good as the movie original?
With Idina Menzel's 'If/Then' scoring strong reviews following its opening on Broadway this week, the pressure was on Laurence O'Keefe and Kevin Murphy's Heathers to follow suit. The new musical is based on the much-loved 1988 movie starring Winona Ryder and Christian Slater about four girls in a clique at a fictional Ohio high school.
Carly Rae Jepsen At The Opening of the 'Heathers' Musical
A cult classic, the movie regularly ranks as one of the greatest coming-of-age movies of all time, despite being a box-office failure. So far, the reviews for the musical have been decidedly mixed.
Continue reading: 'Heathers' Musical Fails To Recapture Majesty Of Movie Original
Jessica Chastain and Jennifer Lawrence battle over Best Actress, Denzel Washington and Daniel Day-Lewis meet over Best Actor And Anne Hathaway favorite for Best Supporting Actress. While Iceman (James Franco, Winona Ryder) and Mud (Matthew McConnaughey and Reese Witherspoon) Trailers Hit The Web.
It's awards season for the film industry, so it's no coincidence that most stories this week centre on actors and filmmakers who are up for a variety of statuettes. Last Sunday's Golden Globes are increasingly seen as a little more than a promotional opportunity for hopeful Oscar nominees, and since they have winners in both drama and musical/comedy categories, they can spread the love around more than other groups. Unlike most years, there is no movie poised to sweep the Oscars this year.
Although Jessica Chastain for Zero Dark Thirty is gaining on her, Jennifer Lawrence for Silver Linings Playbook is the front-runner for Best Actress. Facing a huge crowd of fans, she stopped to sign autographs and pose for photos on her way to David Letterman's show this week.
Chris Evans and Winona Ryder - Chris Evans, Winona Ryder, Ariel Vromen, and Ariel Vromen Monday 10th September 2012 2012 Toronto International Film Festival - 'The Iceman' premiere arrival at the Princess of Wales Theatre.
Victor Frankenstein is a young fanatic of science and loves making home movies with his pet bull terrier and best friend, Sparky. On discovering that his dog has died, he is devastated and will do anything to bring him back. His mother tries to offer comfort, telling Victor that Sparky will always be in his heart, but nothing she says makes him feel any better; that is, until, she says, 'If we could bring him back, we would' which triggers an idea in Victor's head - even more so after a science class at school shows how you can use electricity to stimulate muscle movement in deceased animals. He takes a trip to the cemetery and sets up a makeshift laboratory in which he attempts to rouse Sparky using various pieces of scientific equipment. When there is no movement from the dog, Victor is disappointed but, suddenly, Sparky starts moving and leaps off the table to his owner's utter delight. Victor has to hide him away in the attic of his house to avoid suspicion from his parents. However, Sparky escapes into the streets terrifying the neighbours and revealing secrets to the world that are probably best left undiscovered.
Continue: Frankenweenie Trailer
Best buddies Ronny and Nick (Vaughn and James) are trying to get their business off the ground, creating muscle-car effects for electric vehicles. One day Ronny spots Nick's wife Geneva (Ryder) kissing another man (Tatum). He's afraid to tell Nick because they're bidding for their first big contract. And he can't tell his own girlfriend Beth (Connelly), because he's planning to propose. So he confronts Geneva, who tells Ronny that her marriage is complicated. So what should Ronny do next?
Continue reading: The Dilemma Review
In a noted ballet company, Nina (Portman) is a rising star who's up for the lead in a new production of Swan Lake. She's fiercely aware of the fact that the previous lead ballerina (Ryder) has been casually discarded while younger newcomer Lilly (Kunis) is already threatening Nina's position. Or is Nina just being paranoid? As opening night approaches, Nina begins to clash with everyone around her, from Lilly to her mercurial director (Cassel) and domineering mother (Hershey). And reality starts slipping out of her grasp.
Continue reading: Black Swan Review
Nina has always strived to be the best dancer in the New York City ballet company she belongs to, driven by the company director and her mother, Nina starts to feel like she's moving in the right direction. When the company decide they're going to perform Swan Lake, the director, Thomas Leroy, must choose a girl to play the innocent White Swan and one to play the Black Swan who's an altogether darker character.
Continue: Black Swan Trailer
Natalie Portman, Darren Aronofsky, Mila Kunis, Vincent Cassell and Winona Ryder - Producer Scott Franklin, Natalie Portman, Mila Kunis and Vincent Cassell, director Darren Aronofsky and Winona Ryder Tuesday 30th November 2010 at Ziegfeld Theatre New York City, USA
Ronny and Nick are best buddies and business partners, their partners are good friends and they all spend a lot of their lives together in one way or another. When Ronny catches Nick's wife passionately kissing a younger and very attractive guy, he can't believe his eyes.
Continue: The Dilemma Trailer
Pippa (Wright) is married to the much-older Herb (Arkin), a publisher who hates that he's now retired. But it's Pippa whose world is starting to unravel, as she reaches the point where she needs more than being a trophy wife and mother to two now-grown kids (Kazan and McDonald). Her sleepwalking antics indicate that her subconscious has already figured this out, but it'll take a look at her childhood (played by Lively and youngster Madeline McNulty) to help her see what she needs to do next.
Continue reading: The Private Lives Of Pippa Lee Review
Like a soap opera, Informers introduces multiple characters and touches on their issues. The nicest ones are stoners, voyeurs, and adulterers. On the flip side, we get kidnappers, drug dealers, and pedophiles.
Continue reading: The Informers Review
Waters dropped out of Hollywood for nearly a decade before reviving himself to write and direct the largely forgotten Happy Campers. After another six year hiatus he returned again with Sex and Death 101, which has the distinction of reuniting Waters with Heathers star Winona Ryder... who's been through her own travails, as well.
Continue reading: Sex And Death 101 Review
Throughout the course of one night, we are driven around in five separate taxi cabs that range from familiar ports of L.A. and New York City to the echoing streets of Paris and Rome to the final ride through the frozen-over metropolis of Helsinki, right as the sun is rising. In Los Angeles, a big-time agent (Gena Rowlands) tries to seduce her rough-and-tumble cab driver (an insolent Winona Ryder) into becoming an actress. While in New York, a jerky Brooklynite (the superb Giancarlo Esposito) teaches his German cab driver (Armin Mueller-Stahl) how to drive, talk, and jive correctly while also trying to escort his sister-in-law (Rosie Perez) home.
Continue reading: Night On Earth Review
Four years later, Taylor drops another oddball flick on us, and the trouble is obvious before frame one. For starters, the name of the movie is The Darwin Awards, which sounds like it's going to be a documentary about those nutty people who kill themselves doing stupid things, thus earning posthumous "Darwin Awards" (as written up in a series of books of the same name) for ridding the gene pool of their DNA.
Continue reading: The Darwin Awards Review
With a few celebrities on board, the group assembles (with a few exceptions) for key member David Wain's The Ten, a foul-mouthed, dirty-as-diapers, Republican-baiting retelling of the Ten Commandments. The stories are stitched together by a loose narrative thread involving a man (Paul Rudd) serving as narrator who is leaving his wife (Famke Janssen) for a younger ditz (Jessica Alba).
Continue reading: The Ten Review
Sandler fills the title role in Mr. Deeds (a remake of the ancient Gary Cooper film), playing an unassuming New Hampshire resident and aspiring greeting card writer who learns he's the heir to a $40 billion media conglomerate. Since happiness isn't tied to financial gains in the Granite state, the newfound fortune doesn't faze Deeds, though he does agree to accompany two shareholders (Peter Gallagher and Erick Avari) back to Manhattan to sign what he's told is required paperwork. Once in N.Y., the "big city vs. big country" gags march down Park Avenue with mixed results.
Continue reading: Mr. Deeds Review
When Richard Linklater released Waking Life in 2001, he became the granddaddy of a whole new kind of filmmaking process. The film had been shot and edited like a normal feature, then sent to computer jocks who basically painted over each frame, giving the images a surreal quality of undulating colors that fell somewhere between photography and animation -- an acid-trip philosophy lesson.
Linklater returns to the same technique once again (and for the last time, from what he has said, due to rampant production difficulties) for a much more literal acid trip. Based on the Philip K. Dick novel of the same name, A Scanner Darkly is a feature-length PSA on the evils of drugs and the potentially-as-damaging efforts to ferret them out of society.
Continue reading: A Scanner Darkly Review
Ryder plays the cheeky Finn, a precocious grad student pondering a marriage proposal. Having second thoughts, she decides to spend the summer with a gaggle of quilting relatives and their friends, just to sort things out. Well, we see right off the bat that this probably wasn't such a great idea, because each and every one of these people is completely insane.
Continue reading: How To Make An American Quilt Review
The reality of Reality Bites is that it's simply too lightweight a romantic comedy to succeed at being emblematic; and, as far as I can see, it never was really meant to carry such heft. This directorial debut of then-green Ben Stiller portrays twenty-somethings floundering in dead-end jobs, nursing big dreams, or simply trying to find themselves as they enter the real world. In the least, it's a slice of life; and at its best, it's an often funny and very endearing little movie.
Continue reading: Reality Bites Review
Autumn in New York, directed by Joan Chen (Xiu Xiu: The Sent Down Girl), is the recycled love story of a man who has it all but nobody to share it with. The tacky promo, "He taught her how to live, she taught him how to love," basically explains the plot in a nutshell. Flourishing Manhattan restaurant owner Will Keane (Gere) sees something in the beauty, wit, and innocence of young Charlotte (Winona Ryder), despite the fact that he dated her deceased mother in the past. On the flip side, Charlotte has merely a year to live and is not afraid to die because she has nothing truly worth living for. The two find sustenance in one another, but as all love stories go, they endure trying times. Winona is either too young or too sick, and he can't control his libido or escape his shady past. So they're meant for one another, but how long can it last?
Continue reading: Autumn In New York Review
Shot in black and white and filled with about 30 big-name stars, Celebrity is a welcome return to old-school Allen, his first really good film since 1994's Bullets Over Broadway.
Continue reading: Celebrity Review
Hopefully the last in a line of man vs. devil movies let loose by Y2K hysteria coupled with the success of The Sixth Sense (which wisely steered clear of religious metaphors altogether), Lost Souls actually ranks below End of Days and just about ties the pitiful Bless the Child for sheer badness.
Continue reading: Lost Souls Review
Never before has murder been so much fun than at the hands of Winona Ryder and Christian Slater, perfectly cast as foils for one another in one of the blackest comedies on film. A must-see for the Gen-X set, Heathers is a scathing lambasting of the American teen in the late 1980s, but its presence will be timeless.
Continue reading: Heathers Review
Sigourney Weaver's Ellen Ripley died in Alien3, the movie that was supposed to put the nail in the Alien coffin, but thanks to the miracles of next-millennium cloning, she's back, and full of alien DNA to boot (thus making her invincible, giving her acid for blood, and generally a pretty creepy chick). This new twist has great potential, as Ripley's alien side gives her a strange kinship with the creatures... creatures that once again are loosed by idiot scientists trying to tame them.
Continue reading: Alien: Resurrection Review
The reality is a bit different.
Continue reading: Girl, Interrupted Review
Beetlejuice is really a simple fairy tale. Two newly dead newly weds, Adam (Alec Baldwin) and Barbara Maitland (Geena Davis), want to rid their rustic home of the gaudy yuppie transplants, the Dietz's, who've taken up residence. When old-fashioned ghost moves like rattling chains in the attic fails, they find they need the help of a "bio-exorcist," a grungy specter named Betelgeuse (Michael Keaton), who will guarantee to rid the home of unwanted occupants. That is, for a price.
Continue reading: Beetlejuice Review
Teen angst gets the "One Flew Over the Cuckoo's Nest" treatment in "Girl, Interrupted," James Mangold's disappointingly common and commercial follow-up to his earlier, low-budget wonders "Heavy" and "Cop Land."
Poor Winona Ryder -- in her late 20s and still playing teenagers -- stars as 1960s suburban college drop-out Susanna, a compulsive writer stuck in an upscale asylum for a "rest" after mixing booze and a bottle of pain killers.
Borderline Personality Disorder is the maddeningly vague diagnosis of her psychological bugaboos -- the movie seems to want to make a point about our culture's tendency to seek scapegoats for our neuroses -- so Susanna is packed off to a New England psychiatric hospital where, in between the pill dole from the nursing staff, she writes endlessly in her dog-eared journal and fills it with tell-tale drawings the camera can cut to for moments of cheap insight.
Continue reading: Girl, Interrupted Review
If spooky movies based on tenets of Catholicism are your bag, you can do a lot worse than "Lost Souls," in which Winona Ryder stars as a once-possessed woman trying to find and save a man destined to become Satan incarnate.
It's no "Exorcist" -- although it is cashing in on that film's rerelease -- but at least this faith-based frightener doesn't invent "missing" books of the Bible to advance its plot like the pathetic action hybrid "End of Days." At least it's not inundated with shopworn demonic clichés like the pathetic "Bless the Child." At least it's not just an exercise in style over substance, like the Goth/MTV genre entry "Stigmata."
No, "Lost Souls" actually has quite a bit going for it before narrative loose ends begin to unravel the whole picture.
Continue reading: Lost Souls Review
As someone who watches upwards of 500 movies a year, I've seen more than my fair share of bad remakes. But I've never seen one do anything as stomach-turning as the way Adam Sandler's new movie rapes, pillages and incinerates Frank Capra's classic "Mr. Deeds Goes to Town."
Entitled just "Mr. Deeds" and punctuated with elementary dialogue and the worst kind of feel-good muzak score, it doesn't contain a single sincere moment, a single performance that would pass muster in an elementary school play or a single scene without glaring continuity problems. Different takes within the same conversations don't even sync up -- ever.
As in Capra's very funny and heartfelt hallmark, the story is about a modest, idealistic small-town schnook named Longfellow Deeds (Sandler) who inherits a fortune from a distant uncle and is swept away to New York City, where ruthless tabloid scrutiny turns him into an object of both scorn and laughter. Leading the smear campaign is an ambitious female reporter (Winona Ryder), who poses as a fellow wide-eyed out-of-towner. But while trying to railroad Deeds into splashy front-page behavior, she falls for the guy, has a change of heart and decides to help save him from the urban wolves.
Continue reading: Mr Deeds Review
In "Autumn In New York," terminally tumor-bound Winona Ryder and her seriously senior lover Richard Gere have a whole conversation about what it means to be "unique" as opposed to "typical."
Oh, the irony.
An utterly typical movie lacking even a hint of uniqueness, "Autumn" is a Hallmark card redeaux of the "Love Story"-style tragic romance with a September-May twist.
Continue reading: Autumn In New York Review
"The fashion industry has been behind every major assassination in the last 200 years," says a bearded and scruffy, conspiracy-mad David Duchovny in Ben Stiller's ludicrously amusing "Zoolander" -- and only the world's most vapid male model can break his brainwashing and to put a stop to it all.
No, not Fabio. "Too smart," says the Karl Lagerfeld-like leader of a shadowy international syndicate of couture designers, while picking "a beautiful self-absorbed simpleton who can be molded like Jell-O" to kill the prime minister of Malaysia. I mean, the man plans to end slave wages for sweatshop garment workers in his country. He simply must be stopped!
Enter pouty, super-superficial mannequin man Derek Zoolander (Stiller). Desperate to rescue his career after losing the Male Model of the Year Award (insert oh-so-VH-1 ceremony here) to his up-and-coming rival, the dreaded, sexy surfer stud Hansel (Owen Wilson), Derek is ripe for reprogramming. Hired by the industry's designer de jour -- played by Will Ferrell in a poodle wig, charcoal eyeliner and a leather corset -- Derek is brainwashed to snap at a runway show for a new line of homeless bum-inspired ready-to-wear, called Derelicte (that's derelict with an "e" on the end). Ferrell has invited the Third World leader to sit in the front row.
Continue reading: Zoolander Review
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