Wilson Jermaine Heredia

Wilson Jermaine Heredia

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Wilson Jermaine Heredia , Daphne Rubin-Vega - Day one of BroadwayCon at the New York Hilton Midtown Hotel. at New York Hilton Midtown Hotel, - New York, New York, United States - Friday 22nd January 2016

Wilson Jermaine Heredia and Daphne Rubin-vega

Wilson Jermaine Heredia Saturday 28th April 2012 2012 Black & Gold Gala held at The L.A. Studio Center

Wilson Jermaine Heredia

Wilson Jermaine Heredia and Flea Sunday 26th September 2010 The 24th Annual Broadway Cares/Equity Fights AIDS Flea Market and Grand Auction held in Shubert Alley New York City, USA

Wilson Jermaine Heredia and Flea
Wilson Jermaine Heredia and Flea
Wilson Jermaine Heredia and Flea
Wilson Jermaine Heredia and Flea
Wilson Jermaine Heredia and Flea

Christopher J. Hanke and Wilson Jermaine Heredia - Christopher J. Hanke, Mandy Gonzalez, Wilson Jermaine Heredia, Karen Olivo New York City, USA - The final performance of the landmark Broadway musical 'Rent' - Afterparty Inside arrivals Sunday 7th September 2008

Christopher J. Hanke and Wilson Jermaine Heredia

Rent Review


Excellent
Whatever happened to the glut of movie musicals that the success of Moulin Rouge and Chicago was supposed to have unleashed upon us? Although the door for the long-moribund genre was indeed nudged open by those films, it fortunately never opened wide enough to subject us to the like of Mamma Mia! The Film or Chitty Chitty Bang Bang: Reloaded. Instead, studios have been fairly scrupulous about what they'll let through, and with the arrival of Rent, that's proved to be a good thing.

When Chris "Mrs. Doubtfire" Columbus was announced as the director of the evergreen 1996 rock musical - which updated Puccini's starving-artists opera La Bohème to the East Village in the late 1980s - it seemed like a bad joke. Spike Lee and Martin Scorsese had been buzzing around the project for years and getting the show's fans all excited, only to run into the usual budget/artistic/Miramax problems, not to mention a cast that was slowly getting past its prime. Handing the play over to the family-friendly Columbus seemed like admitting that the subject matter - a welter of squatting artists, homosexuality, heroin addiction, AIDS, and untimely deaths - was going to get watered down. Somehow, that didn't happen. While he's made the musical considerably cinematic, Columbus has also shown a surprising appreciation and fidelity to the source material; he should have tried directing something without children years ago.

Continue reading: Rent Review

Rent Review


Excellent
Whatever happened to the glut of movie musicals that the success of Moulin Rouge and Chicago was supposed to have unleashed upon us? Although the door for the long-moribund genre was indeed nudged open by those films, it fortunately never opened wide enough to subject us to the like of Mamma Mia! The Film or Chitty Chitty Bang Bang: Reloaded. Instead, studios have been fairly scrupulous about what they'll let through, and with the arrival of Rent, that's proved to be a good thing.

When Chris "Mrs. Doubtfire" Columbus was announced as the director of the evergreen 1996 rock musical - which updated Puccini's starving-artists opera La Bohème to the East Village in the late 1980s - it seemed like a bad joke. Spike Lee and Martin Scorsese had been buzzing around the project for years and getting the show's fans all excited, only to run into the usual budget/artistic/Miramax problems, not to mention a cast that was slowly getting past its prime. Handing the play over to the family-friendly Columbus seemed like admitting that the subject matter - a welter of squatting artists, homosexuality, heroin addiction, AIDS, and untimely deaths - was going to get watered down. Somehow, that didn't happen. While he's made the musical considerably cinematic, Columbus has also shown a surprising appreciation and fidelity to the source material; he should have tried directing something without children years ago.

Continue reading: Rent Review

Flawless Review


Bad
Oh. My. God. Who came up with the idea for this piece of junk? Robert De Niro as a bigoted, half-paralyzed stroke victim who takes speech & singing lessons from cross-dressing Philip Seymour Hoffman? Of course they're going to learn to love one another, if only they can get through the inane subplots involving gangsters and a gay beauty pageant. De Niro has never been worse. Hoffman has never looked scarier. It would be hard to imagine a worse-written or -directed movie. One of the absolute worst films of 1999, and that's being generous.
Wilson Jermaine Heredia

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Wilson Jermaine Heredia Movies

Rent - Trailer Trailer

Rent - Trailer Trailer

Jonathan Larson's Pulitzer Prize-winning revolutionary rock opera Rent tells the story of a group of...

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