B-lister Aimee Graham gets a rare starring role here as a good girl who gets caught up in a random and dumbass crime (with LeBlanc), then gets sent to reform school where she spends her time swabbing floors, inciting food fights, exploring lesbian love (natch!), and throwing the big race at the "school" track meet.
Continue reading: Reform School Girl Review
Who cares!? This movie is so bad that the ending (which, by the way, is just about the worst part of the film) slips out of mind as soon as the disc pops out of your DVD player. Made for TV way back in 1994 and only now getting its DVD and home video release because Wagner and Cruz have become minor stars, you won't see any hint of the performing ability you might find from them today, simply because the story is so poorly written it couldn't have been saved by Cary Grant. Just about the only joy to be found in the film is from a grizzled Traci Lords, playing the hooker next door whom our scruffy hero likes to spy on through the enormous hole in the wall.
Continue reading: Dragstrip Girl Review
Doherty's "Angel" plays a 1950s rising-star student/actress/cheerleader who suddenly falls in love with a wrong-side-of-the-tracks type named Tony (Antonio Sabato Jr.). Trouble inevitably strikes when she and Tony go on a crime spree, landing him in jail again and forcing her family to split town. A daring (read: incomprehensibly stupid) escape courtesy of Tony's pal (Adrien Brody) gets him out of jail... so he can track down Angel in her new life!
Continue reading: Jailbreakers Review
Ever wonder what became of Ralph Bakshi -- who made those weird Lord of the Rings videos in the '70s along with Fritz the Cat? Well, among other atrocities he's responsible for this film, Jared Leto's first film and one of Alicia Silverstone's earlier appearances, too.
Continue reading: Cool And The Crazy Review
A virtually identical film to John Waters' Hairspray, Shake, Rattle & Rock! Tells us of teens obsessed with a 50's-era dance show, the parents that disapprove, and the struggle of minority chanteuses to get through the door. Unfortunately, Shake doesn't bear nearly the pleasures of a Waters' movie. While director Allan Arkbush is wise in casting the charming Patricia Childress and Max Perlich into supporting roles as Renée's friends (and later bandmates as she starts her own rockin' group), the movie is just plain dull and invariably predictable, an after-school special at best. And there's so much slow-motion nonsense that film comes off as padded and lifeless, despite a spare 83-minute running time.
Continue reading: Shake, Rattle & Rock! Review
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