After the murder of her husband, a widow and resident of the town of Rose Creek finds herself seeking revenge over the brutal methods of Bartholomew Bogue, the man responsible for the death of her partner. Bartholomew is a ruthless industrialist and has his sights set on the town of Rose Creek and will go to any lengths to take it from the residents.
The widow makes contact with a bounty hunter named Sam Chisolm who agrees to help her look for gun fighters to help protect the town. Though the money is little, Chisolm begins his search for skilled gun slingers who might be able to help lead the resistance against Bogue. Amongst the recruits are Josh Farraday, Goodnight Robicheaux, Jack Horne, Billy Rocks, Vasquez and Red Harvest. What begins as purely a monetary commitment for the men soon turns into something far more personal when they experience first-hand the lengths Bogue is willing to go to.
The Magnificent Seven is a remake of the 1960 movie which originally starred Yul Brynner, Eli Wallach and Steve McQueen. The new version of the movie follows a similar plot which has been adapted and written by True Detective writer Nic Pizzolatto and Richard Wenk. The score was composed by James Horner shortly before his death in 2015.
Daniel Lynch is a high ranking Navy fighter pilot and a respected member of the squadron; possibly one of the last people anyone would think of as becoming the subject of a scandal. However, he is harbouring a deep secret that only comes to light when he is discovered to be having a homosexual relationship with fellow aviator Matt Blackwood. This all comes about in the midst of a government investigation which has been launched to determine the cause of two fatal aircraft accidents believed to have come about over suspicious circumstances. Suddenly, Lynch and Blackwood find themselves treated like criminals as their relationship becomes the main subject of the investigation. Lynch's best friend Will Stephenson is hurt by their secret, while everyone else is doing what they can to quash this scandal before Naval reputations become tarnished.
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Six years after his Harvard cred, Hynes seems to have returned to more fertile and vital ground with The Go-Getter, his second full-length film and a minor hit at the 2007 Sundance Film Festival. Hynes, who also wrote the film, never shows up on screen but the nerdy impresario he embodied years ago can be seen in the guise of Mercer White (Lou Taylor Pucci), a high-school dropout who takes to the road with a stolen car not long after his mother's death. Initially, Mercer's voyage has two goals: to find and inform his half-brother Arlen (Jsu Garcia) of their mother's death, and to get all sweaty-like with Joely (Jena Malone), a thong-sporting, middle-school crush of Mercer's.
Continue reading: The Go-Getter Review
Ironically, this incident, where ship's cook Dorie Miller took charge and shot back during America's worst hour on December 7, 1941, is just about the only true event to be found in the entire, oppressive three-hour film. (And our producers are quick to remind us of just how ripped-from-history this little vignette is. Never mind that Gooding has a pitiful excuse for a role with maybe five minutes of screen time.)
Continue reading: Pearl Harbor Review
The hardest thing about an outsider trying to infiltrate a subculture and explain it to the masses is that the truth is often lost in the translation. Toback throws together a huge canvas of characters and actors in attempt to create a clear picture of why white kids are motivated to impersonate black rappers' lifestyles and why rich whit guys treat black rappers like Arnold and Willis from Diff'rent Strokes.
Continue reading: Black And White (1999) Review
Although "October Sky" is a film with no surprises from its soundtrack of '50s rock 'n' roll standards to its triumph over adversity themes, this teen-years biography of a NASA scientist who got his start building rockets in his basement is so full of spirit and letter-perfect filmmaking that I defy anyone to watch this movie without getting a tingle in his or her heart.
Thrilling in the best sense of the word, traditional without being corny and with a script, photography and symbolism that could be the basis of a film literature textbook, "October Sky" is a classic in the making. It's just a pity it wasn't released in time for Oscar consideration.
The picture stars Jake Gyllenhaal as Homer Hickman, a coal miner's son determined to break away from his assumed destiny following in his father's bleak and dangerous subterranean footsteps.
Continue reading: October Sky Review
In Spike Jonze and Charlie Kaufman's ingeniously idiosyncratic showbiz semi-farce "Adaptation" there is a running gag about a typically bogus Hollywood-thriller screenplay called "The 3," in which a preposterous, nonsensical twist ending reveals the three main characters to be different personalities in a schizophrenic's mind.
In this week's "The Butterfly Effect," a superficially chilling high-concept horror movie full of paradox-packed time-loop contortions, the entire plot depends on just such cursory twists, none of which stand up to much intellectual scrutiny.
Stoner-comedy staple Ashton Kutcher -- who, like a young Keanu Reeves, is hard to take seriously in any non-stoner role -- stars as Evan Treborn, a double-psychology major (snicker, snicker) working on an memory assimilation thesis inspired by blackouts he suffered as a child during several traumatic events.
Continue reading: The Butterfly Effect Review
The handful of battle scenes that make up a good hour of "Pearl Harbor" are adrenaline-pumping and hyper-realistic on a massive scale.
You feel the impact of every single 7.7mm round from dive-bombing Japanese Zeros as they rip through pavement, planes and people in the infamous attack around which the film in centered. Director Michael Bay's camera goes inside cockpits, rides along on bombs from release to explosion, captures the terror of a torpedo in the water from the deck of a ship and includes some of the best special effects ever put on film.
The money shot is a hull-buckling blast that rips through the USS Arizona. It makes being on a luxury liner hit by an iceberg look like a 25-cent carnival ride.
Continue reading: Pearl Harbor Review
"Dumb and Dumberer: When Harry Met Lloyd" couldn't be dumberer if Harry and Lloyd had written the script themselves.
A cash-in prequel to 1994's guilty-pleasure gross-out comedy starring Jim Carrey and Jeff Daniels as two low-IQ nincompoops on a cross-country trip, this movie is an obtuse, half-assed, meandering, slapped-together, pointless and nearly plotless journey back to the high school days of the same two dolts.
Twenty-something actors Derek Richardson (aping Daniels' blank stare and frazzled Einstein hair) and Eric Christian Olsen (doing a sporadically passable Carrey impression, with the character's bowl haircut and chipped tooth) don't have much to work with as Harry and Lloyd. Having been co-written and absentee-directed by Troy Miller ("Jack Frost"), "Dumberer" has no hint of the low-brow wit of the first movie -- which was the debut of the writing-directing Farrelly Brothers ("There's Something About Mary").
Continue reading: Dumb & Dumberer: When Harry Met Lloyd Review
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