William Friedkin , Sherry Lansing - Vanity Fair Oscar Party 2016 held at the Wallis Annenberg Center for the Performing Arts in Beverly Hills - Los Angeles, California, United States - Sunday 28th February 2016
Sherry Lansing and William Friedkin - A host of stars were photographed as they attended the Vanity Fair Oscar Party which was held at the Wallis Annenberg Center for the Performing Arts and The Beverly Hills City Hall in Los Angeles, California, United States - Monday 23rd February 2015
William Friedkin and Sherry Lansing - The Music Center's 50th Anniversary Spectacular - Arrivals at The Dorothy Chandler Pavilion at the Music Center - Los Angeles, California, United States - Saturday 6th December 2014
New book from Exorcist director reveals his struggles with his lead actors in the past
William Friedkin’s career rose to pretty heady heights in the 1970s, with the highly revered French Connection, followed by The Exorcist – one of the most successful horror movies of the era (though Friedkin himself refuses to classify the movie as ‘horror’). However, his career plummeted quite dramatically, with the critical and financial failure of 1977’s ‘Sorcerer,’ which only recouped around half of its then-staggering $22 million production budget. In a new book from the director, he reveals in brutally honest account of his own successes and failures.
In the book, Friedkin also describes the struggles that he had with some of the best known actors with whom he worked throughout his career. Having clashed with the star of his controversial movie, Cruising – Al Pacino – he tells The Wrap that he never really got a chance to make amends with the actor. “I have not seen him a lot. We never moved in the same circles. I wanted Richard Gere for the role. Having seen the film at special screenings, I've come to realize he is still pretty damn effective in it, but he gave me a rough time for reasons other than the normal actor-director relationship. He wasn't on time and often didn't know what we were doing on a particular day.”
And it wasn’t just Pacino that gets a pasting from Friedkin. There’s not much love lost between him and Gene Hackman either: “I had a strained relationship with Gene. The important thing is he gave a damn good performance even though we had a rocky time of it.” Friedman also revealed in the interview that a new BluRay version of The Exorcist will be released this year, with an hour and a half of new extras.
Continue reading: William Friedkin Book Reveals Struggles With Al Pacino, Gene Hackman
Thank god for James Franco, huh? Everyone's favourite actor-turned-student-turned-performance-artist had two films premiering at the Sundance Film Festival on Saturday evening (January 19, 2013), though one of them caused more of a stir than the other. Franco is co-director of Interior. Leather Bar, a movie purporting to be a re-creation of "40 minutes of hardcore gay sex that director William Friedkin cut out of his controversial 1980 movie Cruising," reports Hollywood.com.
The original film starred Al Pacino who goes undercover in the New York leather scene to resolve a number of grisly murders. Had Friedkin kept in the gay scenes, the movie would have almost certainly been rated X and not reached an extensive audience. With "oral sex, masturbation, and erect penises galore," it seems Interior, Leather Bar is going to be pretty hard to screen too.
Though not as controversial as 'Interior..', James Franco's other Sundance effort still contained plenty of pornography. The actor serves as co-producer of Christina Voros' Kink, a straightforward documentary about the porn website Kink.com. The film explores how the multi-million dollar company goes about managing the world's largest collection of BDSM (bondage, discipline, sadism and masochism.)
Continue reading: Sundance 2013: James Franco Brings The Leather-Clad, X-Rated Gay Scenes
The story is, by and large, traditional serial killer fare: Someone is stabbing gay men to death, often in lewd situations. The NYPD captain (Paul Sorvino) sends in Steve Burns (Al Pacino) undercover to ferret out the killer. The straight-edge Steve learns all about gay culture, in which pocket to put bandanas to indicate your proclivities, and so on. But by and large he's just supposed to "go out there and find the killer." But the undercover activity takes its toll on his psyche, most notably in his (non-gay) relationship with Nancy (Karen Allen, virtually the only woman in the film at all).
Continue reading: Cruising Review