Debuting before uncaring audiences in 1993, director Rachel Talalay's (Tank Girl) Ghost in the Machine is a derivative sci-fi/horror hybrid that adds nothing new to the old "amok machine" genre that is represented best by director Donald Cammell's Demon Seed. The plot concerns Karl, the "Address Book Killer," (the horror!) played by Ted Marcoux (Dark Blue), who is killed in a freak accident and has his ever-living and ever-evil soul transferred directly into the power supply. (Don't even ask.) Karl roams the electric highway, possessing all manner of gadgets and kitchenware, as he stalks lovely Karen Allen and her son.
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Johnny English (Atkinson) is a third-string spy working for British intelligence. When his uncontrollable bungling blows up all of England's first- and second-string spies, English is the only hope to save the precious crown jewels (and his country) from the plot of evil French mastermind Pascal Sauvage (John Malkovich). Along the way, fellow spy Lorna Campbell (Natalie Imbruglia -- okay, so English isn't really the last spy in Britain, which raises questions best left unanswered) steps in to give English and his less moronic assistant, Bough (Ben Miller), a hand.
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Tristan Corrigan on the difficulties of making music within a genre that is so popular.
From 'Happy' to 'Banana Pancakes', these are soaked in positivity.