In this two-hour documentary, made for PBS and feeling a lot like... it was made for PBS, there's surprisingly little content germane to its title. Mostly, the film talks about the life of Hearst and the life of Orson Welles, separately. It isn't until the last half-hour when Citizen Kane is actually made and discussed, particularly as it relates to Hearst's hatred of it. And rightly so -- Welles was skewering the media magnate in the film; who could blame him for doing everything in his power to stop its release?
Continue reading: The Battle Over Citizen Kane Review
As a point of fact, when I actually got into the business I heard of those movies. And I heard more about those movies. And more. And, when the AFI named Citizen Kane as the best film of all time, I decided that it might just be a good idea to see it.
Continue reading: Citizen Kane Review
Creature from the Black Lagoon was one of many B-movies that found its way into cult status mainly through steamy-car sessions at the drive-ins and the beginning of popcorn projectile throwing as an art (I still think that should be an Olympic event).
Continue reading: Creature From The Black Lagoon Review
Almost 50 years ago, this pioneering sci-fi film (Universal's first of many sci-fi flicks, based on Ray Bradbury's story) took a look at the genre that would become unpopular in later years -- instead of working as an anti-communist allegory where the aliens possess wholesome Americans and slowly converted our Great Nation to something awful, we got one of our first looks at aliens as the good guys, and we're the ones messing things up.
Continue reading: It Came From Outer Space Review