Will Yun Lee - The Warner Bros. Pictures world premiere of 'San Andreas' held at the TCL Chinese Theatre - Arrivals at TCL Chinese Theatre - Hollywood, California, United States - Tuesday 26th May 2015
Susan Cooper works as an analyst for the CIA; rarely out where the action is and working entirely from the office, advising some of the organisation's top agents during their most deadly assignments. However, following a serious lapse in judgement at the hands of her partner during a bomb disposal mission, the agency are forced to enlist another member of the team to uncover the location of the nuclear weapon. Deciding now is the time to drop her boring persona and become the super keen spy she always wanted to be, Susan volunteers to go undercover - to much derision from her colleagues who barely know her name let alone her position in the CIA. She's allowed to prove herself on the task though, with no appropriate alternative, but can she show that Susan Cooper is just as deadly as her team?
Continue: Spy - Teaser Trailer
It's only been four years since 2009's X-men Origins: Wolverine, and it's hard to see how this film does anything to correct that film's messy plot, harsh editing and uninteresting action. This one has a much more interesting Japanese setting and some great characters, but its focus on action over depth leaves it feeling gratuitous and empty. We may be entertained by the whizzy chaos of it all, but we never feel much suspense.
It begins in Alaska, where Logan (Jackman) is still licking his wounds after the death of his lover Jean Grey (Janssen), who appears regularly to him in sexy, soft-focus dreams. Then a young woman (Fukushima) turns up, insisting that he return to Japan to see Yashida (Yamanouchi), whose life Logan saved in the A-bombing of Nagasaki. But in Tokyo, Logan finds that the near-dead Yashida wants to relieve him of his healing immortality with the help of a sinister blonde doctor named Viper (Khodchenkova). Meanwhile, Yashida's son Shingen (Sanada) is miffed that his daughter Mariko (Okamoto) is the heir to his father's fortune. And there are armies of tattooed goons and arrow-shooting ninjas chasing Logan wherever he goes.
The film has a brisk pace, barely pausing to regain its breath before plunging into another massive action set-piece. But none of these sequences stands up to even the slightest scrutiny: laws of logic and physics are abandoned as the hugely muscled Logan battles everything in sight. Even after Viper steals his powers, he still has those retractable adamantium claws, which come in handy when you're fighting tenacious thugs on top of a speeding bullet train.
Continue reading: The Wolverine Review
Logan is the mutant Wolverine who, along with a skeleton of adamantium, retractable claws and heightened senses, possesses a healing power that renders him ageless and immortal. To most, this would be a gift, but to Logan it is the biggest curse he could possibly suffer following the death of his beloved Jean Grey and his isolation from other mutants. He is visited by Mariko Yashida who takes him to Japan where her employer insists on repaying him for saving his life many years ago. Logan is offered the chance to surrender his life-saving powers in order for him to live out his life and take comfort in its natural end but, when it comes down to it, it may not have the consequences he hoped for as he is once again deceived and forced to fight to defend the name of the X-Men. Only this time, his chances are running out.
Carrying on from events in 2006's 'X-Men: The Last Stand', 'The Wolverine' returns in a more intense and testing story than ever before. It is the sequel to the 'X-Men' film series based on the Marvel comic books by Chris Claremont and Frank Miller and has been directed by James Mangold ('Girl, Interrupted', 'Walk the Line', 'Cop Land') who also co-wrote the screenplay with Mark Bomback ('Total Recall', 'Die Hard 4.0'), Scott Frank ('Minority Report', 'Marley & Me') and Christopher McQuarrie ('The Usual Suspects', 'The Tourist'). It will come to UK cinemas everywhere on July 15th 2013.
Logan's mutant ability to survive almost anything is beginning to take its toll. After alienating himself from his X-Men peers and being forced to kill the love of his life Jean Grey to save everyone else, he feels he has nothing left to live for. Immortality has become a curse, so much so that even the most dangerous of proposals to make him mortal are tempting. He attempts to abandon his Wolverine identity, but he is approached by Mariko Yashida who takes him to Japan where her employer, who is on his death bed, wants to repay him for saving his life by offering him a cure for his mutant powers. However, as he enters into yet another battle to the death, it becomes obvious that his newfound vulnerability is a force to be reckoned with as, while eternal life forced him to face the emotional trauma of the past, mortality forces him to face the biggest torment of his life as the limits of his body and soul are truly tested.
'The Wolverine' is a sequel to the 'X-Men' film series based on the Marvel comic books by Chris Claremont and Frank Miller and follows the timeline of events from 2006's 'X-Men: The Last Stand'. It has been directed by James Mangold ('Girl, Interrupted', 'Walk the Line', 'Cop Land') who co-wrote the script alongside Mark Bomback ('Total Recall', 'Die Hard 4.0'), Scott Frank ('Minority Report', 'Marley & Me') and Christopher McQuarrie ('The Usual Suspects', 'The Tourist'). See this stunning superhero action flick as it hits cinemas on July 26th 2013.
That one good character is Doug, played with real depth by Farrell. After a chemical war has left just two inhabitable spots on earth (Britain and Australia), Doug is working as a robotics engineer and living a quiet life with his wife Lori (Beckinsale). But he keeps dreaming about running for his life with another woman (Biel), so he heads to a Rekall memory-implant centre to clear his mind. Of course he instead opens a can of worms, discovering that he's not who he thinks he is. But what's the truth? And who's side he really working for - the totalitarian chancellor (Cranston) or the violent rebel leader (Nighy)?
Continue reading: Total Recall Review
Jed Eckert is a marines soldier visiting his police officer father and football playing younger brother Matt. All seems well in their normal American town before the blackout. There is a sudden mass powercut across a large chunk of the country and before long, a squadron of aircrafts fill the sky with hundreds of North Korean soldiers parachuting from them. It's an invasion rendering the country powerless and under the threat of a powerful weapon that the Korean government has somehow obtained. Jed and Matt's father order them to hide out in a small cabin that they own in the wilderness; they do so and gather a group of likeminded teenagers along the way. Their father gets captured by the military forces while they hide and he uses a megaphone to bravely tell his sons to kill the soldiers holding him prisoner and he is subsequently shot and killed. The teenagers later find the cabin has been torched and Jed vows to fight back. The others join him and call themselves the Wolverines after their high school mascot. They make plans, along with experienced American soldiers, to steal back the weapon and win back their homeland.
Continue: Red Dawn Trailer
It is an uneasy period in human history, with the nation states of Euromerica and New Shanghai vying for supremacy a factory worker, Douglas Quaid, begins to question this new world order. With the questions mounting in his head it seems that the only thing that can clear his head is a decent vacation and Rekall looks to be the company to help him out with this desire.
Continue: Total Recall Trailer
Among the group is Susie Carter (Sophie Okonedo), who quickly reunites with her husband Ian (Chiwetel Ejiofor) but is devastated to learn their four-year-old daughter slipped out of her father's arms and has disappeared. Meanwhile, Kim Peabody (Gina McKee) has lost her husband but finds her teenage son horribly injured.
Continue reading: Tsunami: The Aftermath Review
Elektra, a needless spin-off from Mark Steven Johnson's already flawed 2003 Daredevil film, might have had a fighting chance if it stayed within the boundaries of Miller's rich source material. Instead, it can't even stay consistent with the lackluster film that inspired it.
Continue reading: Elektra Review
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