The great thing about early John Carpenter films is their purposeful, deliberate intention of setting up and paying off genuinely scary moments. Ti West's The Roost embraces that spirit, eschewing extensive character and plot development in favor of delivering a series of scary set pieces. West, a recent film school graduate embarking on his first feature, shows an uncanny knack for camera placement, eerie and evocative lighting, and timing. In much the same way the good comedian knows how to time out a joke, West understands the nature of fright.
The Roost follows four kids en route to a wedding, lost during the dead of night in some rural backwoods. In time-honored horror movie tradition, their car breaks down and they're left near an abandoned farmhouse and barn with no resources at their disposal -- their cell phone is dead from over-use. West dallies a bit too much during this part of the movie, since we never really get to know any of these characters very well.
Continue reading: The Roost Review