An old friend phones him out of the blue: Come to this address and prepare for an unimaginable new future. Indeed, no sooner has Hamilton entered the building (couriered there from a meat-packing plant, naturally) than he has become a customer, willing or not, of "the organization," which provides a radical plastic surgery regemin to cut about 30 years off the looks of its clients. Oh, and it also fakes the death of the client and provides a new identity -- and the client's new life is paid for with backdated insurance policies (after the organization takes its cut, of course).
Continue reading: Seconds Review
One evening, Howard Beale (Peter Finch), a network news anchor, becomes fed up with the pablum of network news, decides he's mad as hell, he can't take it any more, and he's going to start telling the truth (or kill himself). Panicked producers fire him, but not before his ratings soar; so he's brought back as a commentator. Over the next few weeks, Beale becomes increasingly unstable and even delusional, but continues to tell the truth. The network's ratings soar, driving events forward to a tragic conclusion.
Continue reading: Network Review
The Vault lets loose its first unreleased material.
Ocean's two albums, ‘Blonde’ and ‘Endless’, both missed the Grammy deadline.