Wendy Hiller

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Separate Tables Review


OK
Extremely overrated, Separate Tables stands as a so-called "classic" of the 1950s (look at that cast!) but its story is so dull that it's hard to get interested in all the pendantic romances of a group of people at a sleepy off-season resort hotel. Lancaster steals the show, but that's not saying much. The over-emotional score is way too much, as well.

Murder On The Orient Express Review


Excellent
Classic Agatha Christie becomes a near-classic motion picture, as a dozen major stars are trapped on a snowbound train with what appears to be a killer on the loose. It's up to an absurdly made-up Poirot (Albert Finney) to unmask the murderer of a millionaire in this rich whodunit. Beautifully made and full of good one-liners, Ingred Bergman inexplicably won a Best Supporting Actress Oscar as a relatively forgettable "simple woman." Odd.

The Elephant Man Review


Excellent
Understated and masterful in its use of costumes, makeup, and low-budget camerawork, David Lynch's portrait of John "The Elephant Man" Merrick stands as one of the best biographies on film. From his discovery by Dr. Frederick Treves (Hopkins) in a carnival freakshow, to his rehabilitation in the hospital and acceptance into London society, to his ultimate demise by suffocating, John Hurt's vibrant portrayal of Merrick is an emotional tour de force that sheds much light on the man now best known for occupying Michael Jackson's mantel. Lynch may very well be the only director who could have done the subject justice, and despite a few forced scenes with Merrick meet-n-greeting various English socialites, the film stands as one of the highlights of his career.

Continue reading: The Elephant Man Review

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