Wendy Crewson

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Winnie Mandela Trailer


When young Winnie Madikizela first set eyes on lawyer and anti-apartheid activist Nelson Mandela in 1957, it was love at first sight and it wasn't long before she became Mrs Winnie Mandela. However, their idyllic life was soon to be torn apart when he was arrested five years later and later charged with life imprisonment for conspiring to overthrow the state. Winnie did anything but give up though. She embarked on an activism campaign of her own, determined not to let her husband's voice be forgotten and tirelessly working on winning his freedom. Even in spite of numerous scandals that were thrust against her, her loyalty and fighting spirit never wavered.

Continue: Winnie Mandela Trailer

Antiviral Review


Very Good

It may be style over substance, but Brandon Cronenberg cleverly blends his father David's love of medical yuckiness with an elusive Lynchian-style mystery to keep us unnerved all the way through this low-key thriller. And the film also works as a dark satire on today's celebrity-obsessive culture, in which fans will go to any lengths to be closer to their idols. So imagine if they had the chance to share a star's illness.

This is the work done by the gleaming, futuristic Lucas Clinic, where clinician Syd (Jones) works. He injects one patient (Smith) with an STD taken from mega-star Hanna Geist (Gadon). But Syd has secretly given himself a more powerful virus, which he learns is killing Hannah. Now everyone wants to get their hands on him, even as he realises that he needs to find a cure before it's too late. So he gets in touch with Hannah's assistant (McCarthy) and doctor (McDowell), and discovers that there's a conspiracy afoot involving his clinic's main rival.

The idea that fans would go to this kind of extreme isn't actually that unbelievable in a culture in which we watch their every move on reality TV and feel like their friends through Twitter. And Cronenberg's idea goes beyond sharing viruses, including cloned skin grafts and even a butcher (Pingue) who sells meat grown from celebrity cells. While the ideas echo some of David Cronenberg's films (mainly Videodrome and eXistenZ), this is also a strikingly original approach. The imagery looks amazing, with all-white surfaces and a spare use of colour, against which Syd's unravelling physicality looks increasingly garish.

Continue reading: Antiviral Review

The Vow Review


OK
Inspired by a true story, this film is watchable mainly because of the extraordinary events, which are genuinely involving and moving. Although typically, Hollywood has ramped up the emotions while avoiding subtlety at all costs.

Goofy recording engineer Leo (Tatum) and adorable artist Paige (McAdams) had a cute romance, quirky wedding and four happy years together before a car crash changed everything. Leo only has minor injuries, but Paige has lost some five years of memories. Crucially, she has no idea who Leo is. And she doesn't remember turning her back on her law course, smirking fiance (Speedman) and wealthy parents (Lange and Neill). They're all she remembers now, so Leo tries to remind her of who she became after she left them behind. If they'll let him.

Continue reading: The Vow Review

Wendy Crewson and Grauman's Chinese Theatre Monday 6th February 2012 'The Vow' Los Angeles Premiere at Grauman's Chinese Theatre

Wendy Crewson and Grauman's Chinese Theatre
Wendy Crewson and Grauman's Chinese Theatre
Wendy Crewson and Grauman's Chinese Theatre
Wendy Crewson and Grauman's Chinese Theatre
Wendy Crewson and Grauman's Chinese Theatre

The Santa Clause 3: The Escape Clause Review


Weak
Of the many things I dislike about the Santa Clause series, the one that bothers me the most, the very very most, is this: Now, whenever any of the critics on this site tries to write the name "Santa Claus" they almost invariably spell it "Santa Clause." That extra "e" is absolutely maddening, and it is everywhere I look, unintentionally.

Against all odds, the e-happy Santa Clause series is back with a third installment, which involves Santa (Tim Allen) facing off against the Napoleon-complexed Jack Frost (Martin Short), who's got his eyes on the prize of being the supremo wintertime icon. His idea is to take advantage of a rare "escape clause" which lets Santa step down willingly if he says a certain phrase, so Frost can sieze the big red suit. Naturally, trickery is involved. Apparently Jack Frost is a very bad boy. You can tell by the fright wig hairdo.

Continue reading: The Santa Clause 3: The Escape Clause Review

Away From Her Review


Good
The act of being forgotten becomes pop-Bergman fair in Sarah Polley's Away from Her. If Polley's name rings a few bells, its because she was a rather prominent ingénue of independent cinema in the early '00s, her range swinging from Doug Liman's rollicking Go to Atom Egoyan's solemn, sublime The Sweet Hereafter. Here, director Egoyan serves as executive producer and gives the floor to Polley as she translates Alice Munro's short story "The Bear Came Over the Mountain" to the screen.

Fiona (Julie Christie) has begun to lose her memory as an effect of Alzheimer's. Grant (Gordon Pinsent), her husband, can only sigh heavily as he watches her slip away; at one point, she puts a frying pan in the freezer. Begrudgingly, Grant signs Fiona into a home for people with Alzheimer's and other diseases incurred through aging. There's a catch: He can't see her for a month, allowing her to settle in without any debilitations. He returns to find Fiona's memory thickly veiled, only remembering him as a figure without nuance. It also happens that Fiona has become cozy with a catatonic, wheelchair-bound man named Aubrey (Michael Murphy). While attempting to get his wife to remember him, Grant makes time to visit with Aubrey's wife Marian (a fantastic Olympia Dukakis) to see what her side is like.

Continue reading: Away From Her Review

The Covenant Review


Terrible
If nothing else, The Covenant is a testament to successful -- albeit misleading -- advertising. From the trailers, The Covenant looks like a sexy supernatural thriller, a cross between The Craft and The Lost Boys, about four attractive young men -- born from a family of witches -- with extraordinary powers, who must confront an ancient rival right before their 18th birthday. Pretty cool, huh?

Upon father investigation, we learn the MPAA rated The Covenant PG-13 for "intense sequences of violence and action, some disturbing images, sexual content, partial nudity and language." What more can you ask for in a guilty pleasure? With alleged intense action, sex appeal, and supernatural qualities, The Covenant just has to be a treat for the senses--right?

Continue reading: The Covenant Review

What Lies Beneath Review


Weak

Robert Zemeckis' self-indulgent direction hangs like an albatross around the celluloid neck of "What Lies Beneath," a soft-peddled yuppie horror flick that could have been -- with some fine tuning -- a sharp and genuinely scary thriller.

Forty minutes longer than necessary and featuring a cry-scream-and-run climax so drawn out that every ounce of tension evaporates from the screen half an hour before the credits roll, it's a frustrating movie to watch because of all the wasted potential.

Anything but a standard teens-in-peril slasher movie, "What Lies Beneath" stars Michelle Pfeiffer as a New England mom with empty nest syndrome after packing her daughter off to college in the opening scenes. Now alone in the house a lot, she becomes a busy body, spying on the new next door neighbors and witnessing what she thinks is a murder.

Continue reading: What Lies Beneath Review

THE CLEARING Review


Weak

One simple thing a filmmaker can do to make a picture better is to clearly establish time and place. You'd think that such a thing would be a given, but it's surprising how many filmmakers disregard this simple concept.

For the new film "The Clearing," writer Justin Haythe and writer/director Pieter Jan Brugge (a producer on "Bulworth," The Insider" and other films, making his directorial debut) probably intended to play with time, to bend it and stretch it to serve their purposes. But in the end, they only serve to alienate us by deliberately confusing us.

The film begins like a standard-issue kidnapping story, similar to 2000's "Proof of Life" and a dozen others. The filmmakers cut back and forth between the kidnap victim and his fretting wife, trying to build an equal amount of suspense within each storyline.

Continue reading: THE CLEARING Review

The 6th Day Review


Weak

Underneath "The 6th Day's" Schwarzenegger schmaltz of expensive explosions, showpiece stunts and utterly extraneous jet-helicopter chases, there's an intelligent cautionary thriller about science run amuck which has been trampled to death.

Taking place in a future that is "sooner than you think" -- a high-gloss world of virtual girlfriends, self-driving cars and illegal cloning -- the plot is basically a rehash of "Total Recall" in which Arnold plays a seemingly average joe whose life is turned upside-down by the cogs of a giant conspiracy.

Schwarzenegger is Adam Gibson, an oh-so-suburban dad who owns a souped-up helicopter charter service. On the day he's been hired to drop a paranoid billionaire (Tony Goldwyn) on a mountain top for a day of skiing, Adam switches chopper duties with his business partner (Michael Rapaport) so he can go to the mall and get a RePet -- a genetic copy of the family dog -- before his daughter finds out the critter died.

Continue reading: The 6th Day Review

The Santa Clause 2 Review


OK

At least one of the seven credited writers of the sequel-for-sequel's-sake holiday kiddie flick "The Santa Clause 2" clearly felt obliged to try to remedy the picture's contemptibly contrived premise by writing some really funny dialogue. And at least for-hire director Michael Lembeck (a sitcom vet making his screen debut) managed to infuse the movie with a fun, touching, sweet spirit.

But these acts are akin to Christmas miracles, coming as they do under the burden of a plot -- scratch that, a gimmick -- that revolves around finding even more fine print on the calling card of a dead St. Nick, which turned divorced suburban dad Scott Calvin (Tim Allen) into Santa Claus in the original family comedy from 1994.

It seems the elves waited eight years to inform their new Santa that he has until this Christmas to find a Mrs. Claus -- or else. "The de-Santafication process has already begun," frets head elf Bernard (David Krumholtz) as he shoos Scott off to find a wife. Meanwhile cherubic techie-elf Curtis (played by Spencer Breslin, one of those child actors who runs all his lines together without taking a breath or showing a hint of inflection) clones a big, rubbery toy Santa automaton (played by Allen in heavy prosthetic makeup) to stand in for Scott (unconvincingly) so the other elves won't learn of his predicament and panic at his absence.

Continue reading: The Santa Clause 2 Review

Wendy Crewson

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Wendy Crewson Movies

Winnie Mandela Trailer

Winnie Mandela Trailer

When young Winnie Madikizela first set eyes on lawyer and anti-apartheid activist Nelson Mandela in...

Antiviral Movie Review

Antiviral Movie Review

It may be style over substance, but Brandon Cronenberg cleverly blends his father David's love...

The Vow Movie Review

The Vow Movie Review

Inspired by a true story, this film is watchable mainly because of the extraordinary events,...

The Santa Clause 3: The Escape Clause Movie Review

The Santa Clause 3: The Escape Clause Movie Review

Of the many things I dislike about the Santa Clause series, the one that bothers...

Away From Her Movie Review

Away From Her Movie Review

The act of being forgotten becomes pop-Bergman fair in Sarah Polley's Away from Her. If...

The Santa Clause 2 Movie Review

The Santa Clause 2 Movie Review

Eight years ago, Scott Calvin (Tim Allen) inadvertently caused the death of Santa Claus....

The Covenant Trailer

The Covenant Trailer

Privilege and beauty abound at Spenser Academy, a New England boarding school for the region's...

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The Covenant Movie Review

The Covenant Movie Review

If nothing else, The Covenant is a testament to successful -- albeit misleading -- advertising....

Better Than Chocolate Movie Review

Better Than Chocolate Movie Review

To paraphrase Bob Dylan, Hollywood knows when something is happening, though it seldom knows what...

The 6th Day Movie Review

The 6th Day Movie Review

You've seen the ads. You know the story. So is The 6th Day...

Air Force One Movie Review

Air Force One Movie Review

When one sees Glenn Close portraying the vice-president, one begins to realize just how much...

Bicentennial Man Movie Review

Bicentennial Man Movie Review

Robin Williams wants -- and needs -- nothing more than to have his own The...

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