Thank you Köln! #karlscorner https://t.co/sK4AyA0PkE
Weezer (formed 1992)
Weezer is an American alternative pop-rock band. The original line-up of the band was: Rivers Cuomo on guitar and vocals, Matt Sharp on bass and backing vocals, Patrick Wilson on drums and backing vocals Jason Cropper on guitar and backing vocals. Matt Sharp was later replaced by Mikey Welsh, who himself was replaced by Scott Shriner.
Weezer: The Early Years
After forming in 1992, Weezer played their first gig as the opening band for Keanu Reeves' Dogstar. Their debut album was produced by Ric Ocasek at the legendary Electric Lady Studios in New York.
Weezer was released in May 1994, with 'Undone - The Sweater Song' being the first single. Spike Jonze directed the video for the single, which became hugely popular on MTV.
The second single from Weezer was 'Buddy Holly.' Jonze directed this video as well, which spliced footage from Happy Days, the 1970s sitcom, with footage of the band playing in the setting of the diner from the series. The third single was 'Say It Ain't So.'
The second Weezer album was titled Pinkerton and was released in September 1996. In comparison to the success of the first album, Pinkerton performed badly.
Following the release of Pinkerton, the band disbanded temporarily and its members followed up their various side projects; Matt Sharp returned to The Rentals, Patrick Wilson worked on The Special Goodness and Brian Bell worked with his group Space Twins. Rivers Cuomo returned to Boston and put together The Rivers Cuomo Band, which played a number of gigs, with Mikey Welsh being a constant member of the ever-changing lineup.
In April 2000, Weezer were offered a lucrative deal to play the Fuji Festival. This spurred on a renewed creativity for the band. For a while, they only played under the name Goat Punishment but returned to using Weezer when they joined the Vans Warped Tour.
In 2001, the band released another album entitled Weezer. The debut would soon become known as 'The Blue Album' and the latter as 'The Green Album', due to their distinctive colouring. The singles 'Hash Pipe' and 'Island In the Sun' proved to be hits for the band.
Scott Shriner filled in for Mikey Welsh in 2001 when Welsh went AWOL and later checked into a psychiatric hospital.
Maladroit, the band's fourth studio album, was released in 2002 and was met with positive reviews, if not as many sales as its predecessor. The band released the singles 'Dope Nose' and 'Keep Fishin'', the video to which featured The Muppets.
In May 2005, Weezer released Make Believe. The album received a mixed response from the music press and online music communities. Due to MTV refusing to play the song, Weezer changed the title and lyrics of 'We Are All On Drugs' to 'We Are All In Love.'
In 2007, Rivers Cuomo released a number of home recordings, including the songs that never made it onto Weezer's second album. The release was called Alone: the Home Recordings of Rivers Cuomo.
Weezer released a third album entitled Weezer in 2008. This one is known alternatively as the Red Album. The album features Rick Rubin on production and songwriting credits to band members other than Cuomo.
Weezer: Online Ventures
In September 2008, Weezer fans launched a site called Weezerpedia, a take on the popular encyclopedic site Wikipedia. Weezerpedia is an online community site based on facts about the band. In-depth articles about the band are included, as well as song lyrics and details of side projects.
2016 has been an interesting year for music, often making headlines for the wrong reasons instead of the right ones.
Some great bands made awful albums and other surprising bands put out great work.
Putting this list together was pretty hard work and near misses on the top ten go to CRX, Banks and Steelz, Suede and We Cut Corners who all produced decent records. Next year is already shaping up to be a cracking year with releases planned for Queens of the Stone Age, Soundgarden, Beck and Father John Misty, but for now, here are my top records of 2016:
Continue reading: Ben Walton's Top Ten Albums Of 2016
Weezer may not have become as gigantic as other American 90's bands such as Nirvana or Pearl Jam, but they're every bit as important setting a new standard for poppy rock music. Their earliest records 'Blue Album' and 'Pinkerton' married strong emotions, intimate and personal lyrics and raw power with huge, catchy melodies. Thus making for a sound that simultaneously felt like Weezer where singing just for you and for millions. Across the several albums they've released this century, they've never lost their knack for writing memorable songs and tonight in Manchester they play their first show on U.K soil in five years, but was it worth the wait?
Before we can find out though, we have Dinosaur Pile-Up who are an example of Weezer's huge influence on guitar music as they too merge relatable lyrics with feisty, fuzzy guitars. They're solid with dirty riffs and forceful hooks, but there's a feeling people just want to get onto the main event, given who's following.
When Weezer do hit the stage, opening with newie 'California Kids' they get off to a decent start. Even though this song has been out for a few months now it doesn't exactly have the crowd going wild, but it's a cool song with a riff that's both warm and galloping. What does ignite joy amongst people is the following 'My Name Is Jonas' which sees almost everyone amongst these few thousand people singing along to every single word of this classic escapist anthem. The moment the iconic opening jovial guitar noodling is played you can feel a ton of smiles suddenly growing in the room. This tends to be how it goes for the majority of this gig. People singing their hearts out to Weezer's instantly infectious songs as the band have many in their arsenal.
Continue reading: Weezer - Manchester Academy-April 3rd 2016 Live Review
Sometimes song-writing is all about the preparation.
When it comes to writing music, influences don't always come from other musicians; sometimes it's a movie, a book, a piece of art... or a decorated surgeon. For Weezer frontman Rivers Cuomo, it was the latter as he found inspiration in the work of Dr. Atul Gawande.
Rivers Cuomo is an unlikely fan of Dr. Atul Gawande
New York professor and writer Atul Gawande is a self-confessed music-lover who most certainly would have gone on to write music had he not graduated from Harvard Medical School. He's been a ground-breaking figure in the medical industry with his unique outlook on surgery affecting many of his peers; one of his most famous movements was the introduction of the checklist, i.e. the art of proper pre-planning, about which he released New York Times bestseller 'The Checklist Manifesto' in 2009.
Continue reading: Weezer's Rivers Cuomo Finds Inspiration In Unlikely Places
The amusing mash-up emerged on Bandcamp on Tuesday, and quickly went viral.
As everybody knows, mash-up albums are so 2005, right? Well, they might enjoy a little revival with the online release of Yeezer, the work of a university student who has spent three years cross-breeding a selection of Kanye West’s hits with tracks by pop-punk veterans Weezer.
19 year old Alex Hodowance from Ohio spent three years, on and off, working on the 34 minute collection of mash-ups, ranging from the bizarre to the highly entertaining. It was uploaded to Bandcamp on Tuesday (October 6th), and quickly gained attention on Reddit before going viral.
Nobody knows if Kanye's heard 'Yeezer' yet, or what he thinks of it
Continue reading: Mash-Up Album Of Kanye West And Weezer Emerges Online - Called 'Yeezer'
Many years ago, I was working in a recording studio with a guy who'd engineered Weezer's classic 1996 album 'Pinkerton'. On learning of his involvement with the record - a longtime favourite of mine - I probed the guy to spill the anecdotal beans on what it was like to work with the band and to be involved in such a project. He said that it was a thoroughly pleasant experience but that one thing he always remembered about it was that when he and Rivers Cuomo were playing around with guitar tones and effects, Rivers would be cranking out old Slayer riffs and doing some serious skiddly-widdle shred. I was very surprised to hear this, mainly due to the relatively straight-forward style of the band's music, and I wondered why Rivers had never let this 'metal-axe-god' element really come through in Weezer's music, particularly since he apparently is highly proficient in this area. I guess he just likes to keep his cards close to his chest.
Fast forward to Weezer's new record entitled 'Everything Will Be Alright in the End' - their 9th! - and Rivers still seems to leave everyone second-guessing about where the band is going to venture next, at least sonically speaking. For years, a large portion of the band's fanbase have hoped that Weezer would one day return to the crushing overblown despair and triumph of 'Pinkerton' but instead the band have stayed in fairly safe territory over the last few albums, generally sticking to the saccharine pop formula perhaps better associated with the two self-titled albums. Perhaps sensing that they had been treading increasingly shallow water with the last two - 2009's 'Raditude' and the following year's 'Hurley' - 'Everything Will Be Alright in the End' marks quite a departure into unexpected theatrical 'rock musical' territory.
Irregular Weezer collaborator Ric Ocasek has returned to the producer's chair behind the desk on this one, perhaps to inject the record with some of the spark and vivaciousness they'd lost in recent years. Opener 'Ain't Got Nobody' is pleasant enough - pretty typical Weezer fare - and the production is killer. Really powerful and, in contrast with most major-label rock records made in Los Angeles in 2014, they actually just sound like a band playing in a room. The second jam and lead single 'Back to the Shack' is an early low-point on the album, revisiting the kind of mid-paced 'Weezer arena-arm-waving' vibe a la 'Beverly Hills'. They pull it all back together with 'Eulogy for a Rock Band', however, which hints at the odder, positively Eurovision-istic moments to feature later in the record. There follows, a double whammy of two unprepossessing pop tunes which you wouldn't be surprised to hear in some Jason Segal movie or such.
Continue reading: Weezer - Everything Will Be Alright In The End Album Review
Ex-Weezer bassist Matt Sharp and his collaborative band The Rentals re-group with The Black Keys' Patrick Carney and unveil new album 'Lost In Alphaville'.
Newly signed to Polyvinyl Records, Matt Sharp's pop supergroup The Rentals are back after fifteen years with a new line-up featuring The Black Keys' Patrick Carney and their brand new album 'Lost In Alphaville'.
The Rentals are back with 'Lost In Alphaville'
The Rentals are the latest addition to the Polyvinyl roster, along the likes of Xiu Xiu, Generationals and Japandroids, with a line-up that has been shaken up and now includes Matt Sharp from Weezer, The Black Keys drummer Patrick Carney, Lucius vocalists Jess Wolfe and Holly Laessig, Ozma frontman Ryen Slegr and The Section Quartet viola player Lauren Chipman. Like a revolving door, artists are constantly leaving and joining the band with Sharp making an effort to surround himself with a variety of new musicians with each release. With Patrick Carney and the Lucius girls becoming some of the latest members, the new set-up seems especially exciting.
Continue reading: The Rentals Are Back With Members Of The Black Keys And Lucius [Listen]
Weezer - Budweiser presents Made In America Festival 2014, the event was founded by American rapper Jay-Z the even is held in Philadelphia and L.A. - Los Angeles, California, United States - Sunday 31st August 2014
We hit the Minnesota music scene in the run-up to Jay-Z's new summer festival.
Budweiser Made In America Press Conference at Los Angeles City Hall on April 16, 2014 in Los Angeles, California - Photo by Michael Buckner/Getty Images for Budweiser
Budweiser Made in America festival is on its way and, to celebrate, the beer brand unveil a series of music documentaries in different States: this week we explore Minnesota!
Being such a huge part of the world, America has always borne a massively diverse music ethos. In almost every part of the country you can come across a different musical culture and it's with this idea in mind that world famous rap star Jay-Z decided to create Budweiser Made in America festival. It's sole purpose is to bring together a choice selection of both up-and-coming and well-established artists spanning all genres including rock, hip hop, R&B, electronic, punk... the list goes on.
Metallica are choosing to replicate Jay Z in performing a version of Wonderwall at their Glastonbury headline slot, but what are the best Oasis covers?
In a similar fashion to the announcement of Jay Z in 2008, metal titans Metallica’s headline slot at the iconic Glastonbury Festival has been met with a wave of criticism and derision from commentators who have deemed the Metallica’s headline position as both a lazy, predictable booking and one that is incompatible with Glastonbury’s demographic. However, whereas criticism towards Jay Z in the vein of what was unleashed by the Gallagher brothers was a scathing attack on hip hop as a genre, laced with a degree of barely concealed racism, Metallica’s backlash largely stems from elsewhere.
Oasis frontman Liam Gallagher performing at the Universal Ampitheatre in 2000. [Photo: Getty Images, Credit: Dan Callister]
Firstly, this is a band that hasn’t produced an album of any merit for well over a decade and what’s more, considering they were announced long after tickets had sold out, how many of Glastonbury’s middle class bohemians will actually want to watch the band? Metallica have themselves responded to the criticism by announcing they may open their set with a cover of “Wonderwall”, copying Jay Z’s act of protest back in 2008. However, it does appear that Jay Z’s version carried a greater amount of symbolism, given that it was the Gallagher brothers who were the most vocal opponents of his appearance.
Music Midtown is growing once again with a new stage and a bigger and better line-up.
It looks like Atlanta's Music Midtown festival is on its way back up as 2013 brings us the biggest line-up since its return from a six year hiatus.
We are back to where we started with Midtown, which takes place on September 10th - 21st at Piedmont Park, as we see a 2 day, 2 stage event just like its debut in 1994. We've still got a long way to go before it's back at its peak with 3 days and 6 stages, but the line-up hasn't far off doubled from last year and another stage has been added too. The excitement when it was announced that Midtown was making its return in 2011 is hard to beat, but we reckon this year's line-up could reel in an even more impressive overall ticket sale.
Continue reading: Music Midtown Festival Continues To Grow After Successful Rebirth
Having only just released their latest album Hurley earlier this year, it is an odd decision on Weezer's part to then put out the Deluxe Edition of Pinkerton and this, Death to False Metal - A collection of outtakes from the band's fifteen year tenure with DGC records. Given the disparity between the time periods these songs were originally written and recorded, it is a wonder that the collection does not sound disjointed at all, and given that it is a collection of songs that never made it onto an official release - A-side or B-side - there is a surprising number of highlights on offer here.
Continue reading: Weezer, Death to False Metal Album Review
Thank you Köln! #karlscorner https://t.co/sK4AyA0PkE
Happy Hour starts on tomorrow at 9:15am PT/12:15pm ET. We’re hanging with @ZaneLowe on @Beats1, see you then?… https://t.co/uNlCUnJEIf
LA, we're kicking off the holiday fun at @KROQ's #KROQXMAS 12/10 at @TheForum! Get tickets Friday @ 12pm… https://t.co/r3SlCqXOF6
RT @kroq: #KROQXMAS 2017 lineup and details are here! [MORE INFO] https://t.co/DVcHKJH06J https://t.co/eCiobl7vm8
Something's missing... oh, that's right, the audience! See you soon, Köln! #karlscorner https://t.co/vlG1XVnAMf
RT @947fm: I wouldn't believe it unless I was the one saying it: WEEZER. Yes, seriously. December 12th at @CrystalPortland @Weezer #dec2rem…
Portland bound for @947fm's #dec2rem on 12/12 at McMenamins Crystal Ballroom! Get tickets this Saturday at 10am PST… https://t.co/cWAUK7eWhi
Join us for happy hour on October 18th https://t.co/MpJFVCzwGk
Surprise! Gonna perform a bunch of songs (new & old) stripped down at @AmoebaMusic in LA on 11/1. Get in on the fun… https://t.co/n7g2bpuZi1
Hanging with @xambassadors preshow at @redrocksco #karlscorner https://t.co/lAj2T7zCPM
@redrocksco tonight with the @xambassadors (!!!!!) see you soon! #karlscorner https://t.co/MHNsADMKsJ
All I want is to hear my Weekend Woman https://t.co/koH4JK2w2G
Get your Pacific Daydream fix, album comes out in 3 weeks https://t.co/n8dDfY5IVU https://t.co/ZezUCrGn3v
RT @magpie_cc: Weekend Woman // @Weezer 🙌 Need that new album ASAP 🎶 https://t.co/5eyW71lDE3
Hey look who's here, Weekend Woman is out now worldwide - https://t.co/Nwt8QePN7E
RT @knightsofmars42: This song is amazing 😍 @Weezer https://t.co/YhawJIi1Tk
RT @VyingForMyTime: @weezer’s #weekendwoman is perfect. Put on your headphones and give it a listen! https://t.co/KBap825BBq
RT @stereogum: Listen to @Weezer's new single "Weekend Woman" https://t.co/tnPmEW7Jrf https://t.co/5bvPW6P7O5
RT @Gabba1234: Weezer - Weekend Woman Even on a cold October morning in northern England new @Weezer makes it feel like sunshine. https://t…
RT @diymagazine: Ahead of the release of 'Pacific Daydream', @Weezer have shared another new track! Hear 'Weekend Woman'. https://t.co/Eg9A…