Billy Wilder made Ace in the Hole as a follow-up to the acclaimed Sunset Boulevard, essentially writing his own ticket in Hollywood. The story he opted to make was a cruel indictment of the American media, one which has only become more accurate and biting over the years. The film opens with reporter Chuck Tatum, a refugee from big city newspapers who's now stuck in a desolate New Mexico town. Desperate to get back on top (and earn enough money to feed his drinking habit), he stumbles upon the perfect story after toiling away for a miserable year in the sticks: A treasure hunter (a looter, if you will) has gotten stuck in a cave-in in some old Indian caves. Guy in a well: That'll sell papers, right?
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Things don't turn out too well for Frankie Machine (Sinatra), as the sauce is constantly calling (and causing his drummin' arms to jitter), he has to resort to cheating at card games, and then there's his wife (Eleanor Parker), who's bound to a wheelchair, not to mention her many neuroses.
Continue reading: The Man With The Golden Arm Review
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