This documentary is precisely what it's title purports to be, an in-depth and instructive look at movie editing that literally spans 100 years of film history, from The Great Train Robbery to Cold Mountain. Through interviews with a copious number of directors and editors, The Cutting Edge covers everything from basic editing techniques like the matching of cuts to modern editing theory as inspired by MTV and The Matrix. The film goes into extreme detail in parts, like when we get to see James Cameron's trick of removing one frame per second out of Terminator 2 to give it more momentum and realism. It's all a little bit insidery and self-congratulatory, but the movie works far more often than not. Any film buff will find it hard not to like.
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An angry, idealistic film that draws more from the Huxley/Orwell side of science-fiction than the Buck Rogers-style space operas that Lucas would later be associated with, THX 1138 is an impassioned howl against the dehumanization of modern society. The film presents a futuristic scenario in which all humans are tagged, numbered and drugged, shuffling along down corridors in a labyrinthine underground city, shaven-headed automatons who exist only to work and consume. Robert Duvall plays the eponymous hero, a worker who, like all protagonists in such tales, is starting to feel as though something is wrong in this putatively perfect world. He can't concentrate at his job and is starting to feel a strange attraction to his roommate, LUH 3417 (Maggie McOmie), even though all nonregulated sexual activity appears to be illegal. The pressure of the state is brought to bear after THX stops his mandatory pill-popping (resulting in "prosecution for criminal drug evasion") and another worker, SEN 5241 (Donald Pleasence) tries to come between THX and LUH, he has to make a break for freedom.
Continue reading: THX 1138 Review
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