Master filmmaker Ridley Scott is back to continue the story 10 years after the events of 2012's Prometheus. And while this film carries on with the bigger themes about creation and identity, at its heart it actually has much more in common with the film in which he kicked off the franchise, 1979's Alien. Yes, this is a horror movie. It's slickly made and packed with engaging characters, and it gets gruesomely scary too.
The setting is somewhere in space in 2104, as the colonising ship Covenant carries a few thousand sleeping earthlings to a new world, tended to by the android Walter (Michael Fassbender). Then a space flare awakens the 15-person crew, and they hear a rogue radio transmission from a nearby planet that's eerily perfect for colonisation. Captain Oran (Billy Crudup) thinks it's worth checking out, potentially shaving seven years off their journey. First officer Daniels (Katherine Waterston) isn't so sure. But off they go, exploring the spectacular mountainous terrain, where they find a crashed ship and a city populated only by the Prometheus' android David (also Fassbender) and some creepy, acid-salivating creatures that he has something to do with.
The plot plays out like a slasher movie, as the crew members are picked off one by one, starting with the ones we don't know and building up to the starrier cast members. Each main actor gets to invest some back-story into his or her role, establishing relationships and personality quirks that hold the interest. Waterston is clearly the protagonist from the start, grieving over the death of her husband (James Franco in video clips) and showing natural leadership skills. Crudup is the impulsive captain who mellows into someone much more intriguing as the story progresses. And McBride has the other standout role as a tenacious pilot. But of course it's Fassbender who walks off with the film, excelling in scenes in which Walter and David engage in a kind of twisted bromance with nasty sibling-rivalry undertones.
Continue reading: Alien: Covenant Review
'Bullet To The Head' stars arrive at the New York premiere for the movie. They include 'Game of Thrones' actor Jason Momoa, 'X-Men: First Class' star Zoe Kravitz, Sarah Shahi from 'Fairly Legal', 'Rocky' star Sylvester Stallone and 'Fast & Furious' actor Sung Kang. Director Walter Hill also makes an appearance.
Jimmy Bobo is a brutal hitman; the best of his kind, an expert in the convenient disposal of unwanted individuals. When his partner is killed in a ruthless attack by the formidable ex-mercenary Keegan, he vows to take him out but things get serious when he is approached by WDCPD detective Taylor Kwon who seeks his help to investigate the killer who has also murdered his colleague. Although reluctant and apprehensive at first, Jimmy accepts to work with him especially after his tattoo fanatic daughter Lisa is kidnapped by the enemy to lure him into the hands of Keegan who, not content with slaughtering Jimmy's partner, wants to kill him too.
This action thriller is based on the French graphic novel 'Du Plomb Dans La Tete' (which translates to the movie's title) by Alexis Nolent. Out of their usual main areas of filmmaking expertise, the movie has been directed by Walter Hill (producer of the 'Alien' film series and 'Prometheus') who co-wrote the screenplay with Alessandro Camon (co-producer of 'American Psycho' and executive producer of 'Bad Lieutenant'). 'Bullet To The Head' is sufficiently action packed, with a grand portion of humour thrown in there as Sylvester Stallone drops in the characteristic one-liners. It is set to be released on February 1st 2013.
When archaeologists Shaw and Holloway (Rapace and Marshall-Green) figure out that ancient civilisations share a map to a specific star system, the Weyland CEO (Pearce) funds a two-year mission to get answers about the origin of humanity. Led by Weyland crony Vickers (Theron) and Captain Janek (Elba), Shaw and Holloway are accompanied by a helpful android (Fassbender) and a team of not-so-enthusiastic scientists. But what they find on this distant moon isn't what they expected, and the remnants of this civilisation aren't as dead as they seem.
Continue reading: Prometheus Review
AVP:R starts off on what should be an engaging note. We're aboard a predator spaceship zooming away from Earth when the body of a deceased predator (killed in AVP) bursts open to reveal an alien baby. Only, and here's where things start to slide downhill, this chestburster has predator-styled dreds. Or maybe those are Hasidic payos. This little booger tears the crew apart and the ship crashes into the mountains of Colorado (though the forest is decidedly deciduous). Within minutes the woods are teeming with alien spawn and the human population of Gunnison, Colorado is minutes from annihilation. Good thing the predators have sent their equivalent of John Wayne to clean up the mess. Is he powerful enough to stop not only the wave of xenomorphs overrunning the town but also the "predalien" hybrid (seriously, I wish I made that up) leading the invasion? It only takes 86 minutes to find out.
Continue reading: Aliens Vs. Predator: Requiem Review
And thus the trilogy comes to a sweaty, silly end, with this remake of, believe it or not, 1943's I Walked with a Zombie. Here we have Jennifer Grey, still sporting the same hairdo from Ferris Bueller after all these years, as a disgraced medical doctor who, out of desperation, takes a job in Jamaica as a personal physician to a wealthy tycoon (Craig Sheffer) and his mysteriously sickly brother (Daniel Lapaine). What follows is -- you guessed it -- a ridiculous swirl into the world of voodoo done up the way only Hollywood can.
Continue reading: Ritual Review
Alien 3 continues with the series tradition, beginning exactly where Aliens concluded. When we left Lt. Ripley (Sigourney Weaver), the android Bishop (Lance Henriksen), Cpt. Hicks (Michael Biehn), and Ripley's surrogate daughter Newt (Danielle Edmond), they managed to destroy the creature, board a spacecraft, set course for Earth, and fall into deep sleep. Unfortunately, another alien has found its way onboard with them.
Continue reading: Alien 3 Review
Ten years ago, rising boxing superstar Monroe Hutchen (Wesley Snipes) was sent up for life imprisonment due to a fit of passionate and murderous rage. He's serving time in Sweetwater Prison in the Mojave Desert and continues to box in the Inter-Prison Boxing Program with a flawless record and the title of undisputed champion. To prove that he could have amounted to something outside the prison walls, Hutchen unexpectedly gets his chance to fight the undisputed World Heavyweight Champion, George "Iceman" Chambers (Ving Rhames), an arrogant megalomaniac who has recently been sent up for six to eight years for a charge of rape. Hmm, who does that sounds like?
Continue reading: Undisputed Review
The Warriors isn't really a movie about a gang trying to get home. It's an archetypal tale of survival, of revenge, of power and corruption and the human spirit. Sounds like a load of over-educated/under-paid horseshit, I admit. But The Warriors really does have that kind of power.
Continue reading: The Warriors Review
Labrinth has teamed up with Sia and Diplo to form a new supergroup: LSD.
The Struts teamed up with Kesha for a red and gold themed music video as part of their collaboration on 'Body Talks'.
Brody Dalle's band dropped their first new music since 2003's 'Coral Fang'.
Sometimes actors are not acting.
Master filmmaker Ridley Scott is back to continue the story 10 years after the events...
Jimmy Bobo is a brutal hitman; the best of his kind, an expert in the...
There are clear echoes of Scott's last outer space thriller (1979's Alien) in this big,...
Since Alien and its sequel Aliens received universal praise, Fox just had to make a...
The last of his breed of filmmakers, Walter Hill is a prolific, old-school screenwriter/director who's...
The good news: Sigourney Weaver's famous underwear shot, which probably launched millions of now middle-aged...
I'm not entirely sure how to begin a review of the highly-anticipated (at least for...
There are certain films that by some unforeseen circumstance tap into a generation, a culture,...