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Video - Sylvester Stallone And Jason Momoa Among Arrivals At 'Bullet To The Head' NY Premiere

'Bullet To The Head' stars arrive at the New York premiere for the movie. They include 'Game of Thrones' actor Jason Momoa, 'X-Men: First Class' star Zoe Kravitz, Sarah Shahi from 'Fairly Legal', 'Rocky' star Sylvester Stallone and 'Fast & Furious' actor Sung Kang. Director Walter Hill also makes an appearance.

Continue: Video - Sylvester Stallone And Jason Momoa Among Arrivals At 'Bullet To The Head' NY Premiere

Bullet To The Head Premiere

Jason Momoa and Walter Hill - Bullet to the Head Premiere New York City New York United States Tuesday 29th January 2013

Jason Momoa and Walter Hill
Zoe Kravitz and Jason Momoa
Zoe Kravitz and Jason Momoa
Jason Momoa
Zoe Kravitz and Jason Momoa
Zoe Kravitz and Jason Momoa

Bullet To The Head - Trailer Trailer

Jimmy Bobo is a brutal hitman; the best of his kind, an expert in the convenient disposal of unwanted individuals. When his partner is killed in a ruthless attack by the formidable ex-mercenary Keegan, he vows to take him out but things get serious when he is approached by WDCPD detective Taylor Kwon who seeks his help to investigate the killer who has also murdered his colleague. Although reluctant and apprehensive at first, Jimmy accepts to work with him especially after his tattoo fanatic daughter Lisa is kidnapped by the enemy to lure him into the hands of Keegan who, not content with slaughtering Jimmy's partner, wants to kill him too.

This action thriller is based on the French graphic novel 'Du Plomb Dans La Tete' (which translates to the movie's title) by Alexis Nolent. Out of their usual main areas of filmmaking expertise, the movie has been directed by Walter Hill (producer of the 'Alien' film series and 'Prometheus') who co-wrote the screenplay with Alessandro Camon (co-producer of 'American Psycho' and executive producer of 'Bad Lieutenant'). 'Bullet To The Head' is sufficiently action packed, with a grand portion of humour thrown in there as Sylvester Stallone drops in the characteristic one-liners. It is set to be released on February 1st 2013.

Starring: Sylvester Stallone, Jason Momoa, Christian Slater, Sarah Shahi, Adewale Akinnuoye-Agbaje, Sung Kang, Jon Seda, Brian Van Holt, Holt McCallany, Weronika Rosati

Prometheus Review

There are clear echoes of Scott's last outer space thriller (1979's Alien) in this big, bold film, but this is something very different. It's certainly not a clear prequel. And even if the plot is full of holes, it's utterly mesmerising.

When archaeologists Shaw and Holloway (Rapace and Marshall-Green) figure out that ancient civilisations share a map to a specific star system, the Weyland CEO (Pearce) funds a two-year mission to get answers about the origin of humanity. Led by Weyland crony Vickers (Theron) and Captain Janek (Elba), Shaw and Holloway are accompanied by a helpful android (Fassbender) and a team of not-so-enthusiastic scientists. But what they find on this distant moon isn't what they expected, and the remnants of this civilisation aren't as dead as they seem.

Continue reading: Prometheus Review

Aliens Vs. Predator: Requiem Review

Coming on the heels of 2003's disastrously pedestrian Alien vs. Predator (or AVP), Aliens vs. Predator: Requiem (or AVP:R) is a perfect example of how studio stupidity and fanboy obsession can ruin cinema. Why Fox chose to destroy one of its best franchises will be debated for decades to come, but there is no doubt that the Alien saga (and to some extent the perpetually fledging Predator series) is effectively over. What was once a playground for inventive directors with clever scripts has quickly devolved into a wasteland of lowbrow rubbish. Sure, blame Fox, blame the producers (Walter Hill, have you no shame?), but don't forget to put a pudgy, popcorn-flaked finger at the comic and computer jockeys who have been slavering for another cosmic smackdown between the two titular baddies. They screamed, the studio heard, and now, well, now we have this.

AVP:R starts off on what should be an engaging note. We're aboard a predator spaceship zooming away from Earth when the body of a deceased predator (killed in AVP) bursts open to reveal an alien baby. Only, and here's where things start to slide downhill, this chestburster has predator-styled dreds. Or maybe those are Hasidic payos. This little booger tears the crew apart and the ship crashes into the mountains of Colorado (though the forest is decidedly deciduous). Within minutes the woods are teeming with alien spawn and the human population of Gunnison, Colorado is minutes from annihilation. Good thing the predators have sent their equivalent of John Wayne to clean up the mess. Is he powerful enough to stop not only the wave of xenomorphs overrunning the town but also the "predalien" hybrid (seriously, I wish I made that up) leading the invasion? It only takes 86 minutes to find out.

Continue reading: Aliens Vs. Predator: Requiem Review

Ritual Review

Fun fact here: Ritual was meant to be the third film in the Tales from the Crypt movie series, but after Bordello of Blood bombed, the trilogy was scrapped and the film was sold to Miramax. I'm not sure it ever got released theatrically, but five years later, it's back on DVD... with the Tales from the Crypt tag reinstated.

And thus the trilogy comes to a sweaty, silly end, with this remake of, believe it or not, 1943's I Walked with a Zombie. Here we have Jennifer Grey, still sporting the same hairdo from Ferris Bueller after all these years, as a disgraced medical doctor who, out of desperation, takes a job in Jamaica as a personal physician to a wealthy tycoon (Craig Sheffer) and his mysteriously sickly brother (Daniel Lapaine). What follows is -- you guessed it -- a ridiculous swirl into the world of voodoo done up the way only Hollywood can.

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Alien 3 Review

Since Alien and its sequel Aliens received universal praise, Fox just had to make a trilogy (which later became a quadrilogy). Trilogies (and especially quadrilogies) can pose some risk since a premise can lose its edge and outlast its welcome. Ironically, Alien 3 doesn't suffer from the trilogy syndrome as much as it suffers simply from bad writing.

Alien 3 continues with the series tradition, beginning exactly where Aliens concluded. When we left Lt. Ripley (Sigourney Weaver), the android Bishop (Lance Henriksen), Cpt. Hicks (Michael Biehn), and Ripley's surrogate daughter Newt (Danielle Edmond), they managed to destroy the creature, board a spacecraft, set course for Earth, and fall into deep sleep. Unfortunately, another alien has found its way onboard with them.

Continue reading: Alien 3 Review

Streets Of Fire Review

A bizarre take on West Side Story, Streets of Fire gives us Paré and Lane as the beast and the beauty in the music scene of "another time, another place" -- a time that manages to muddle the hair styles, attire, and vehicles of the 1930s, 1950s, and 1980s. Needless to say, it's an ugly time, an ugly place. The "rock-and-roll fable" of Streets of Fire doesn't have much to say, culminating in a pick-axe fight between Paré and bad-boy Dafoe, which I think says just about all you need to know.

Undisputed Review

The last of his breed of filmmakers, Walter Hill is a prolific, old-school screenwriter/director who's worked in everything: sci-fi, westerns, musicals, noir thrillers, comedies, and action. Over the last couple decades, Hill has produced a plethora of notable gems such as Streets of Fire, 48 Hours, The Warriors, and Southern Comfort. His latest flick - Undisputed - falls smack dab in the middle of cinematic quality: A straightforward tale of two lone, boxing warriors going head to head (and toe to toe) inside a microcosm of violence, power, and greed fueled by the almighty dollar.

Ten years ago, rising boxing superstar Monroe Hutchen (Wesley Snipes) was sent up for life imprisonment due to a fit of passionate and murderous rage. He's serving time in Sweetwater Prison in the Mojave Desert and continues to box in the Inter-Prison Boxing Program with a flawless record and the title of undisputed champion. To prove that he could have amounted to something outside the prison walls, Hutchen unexpectedly gets his chance to fight the undisputed World Heavyweight Champion, George "Iceman" Chambers (Ving Rhames), an arrogant megalomaniac who has recently been sent up for six to eight years for a charge of rape. Hmm, who does that sounds like?

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Alien Review

The good news: Sigourney Weaver's famous underwear shot, which probably launched millions of now middle-aged men straight into puberty and beyond, has survived Ridley Scott's keen eye in his digitally remastered 2003 director's cut of Alien.

As for the bad news, well, there really isn't any. Alien, first released in 1979 and in theaters right now, has stood the test of time remarkably well. The beautiful and ballsy Weaver is a heroine for all seasons, the movie is suspenseful in all the right spots and it plays beautifully on the big screen with big sound.

Continue reading: Alien Review

The Driver Review

No names. Literally. The Driver is one of those films where no character's name is ever given, and its too-cool-for-school sentiment bleeds through the entire production. Ryan O'Neal is the title character, a heist getaway driver with mad skills like you wouldn't believe. (The scene where he proves his merit in a parking garage -- all but demolishing the ride along the way -- is worth the price of admission alone.) Sadly, there's a plot attached to this, with Bruce Dern the cop who's always one frustrating step behind the driver, but this movie excels so greatly during its chase scenes that you'll forget about all that business.

The Getaway Review

"The end of a picture is always the end of a life." - Sam Peckinpah

Sam Peckinpah made action cool.

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Southern Comfort (1981) Review

Curious cross between Deliverance (which came out nine years earlier) and Predator (which came out a lot later) has National Guardsmen on a boring weekend exercise in a Louisiana bayou, only to find themselves under attack from local redneck Cajuns, all due to the troop's own stupidity. The dysfunctional group dynamic is far more compelling than the traps the group will face en route to death or freedom (and there's a lot of the former), with a solid cast of notable faces that eventually add as many corpses to the body count as their attackers. Very intriguing film.

Alien: Resurrection Review

I'm not entirely sure how to begin a review of the highly-anticipated (at least for me) fourth installment of the Alien series except to say... what a letdown.

Sigourney Weaver's Ellen Ripley died in Alien3, the movie that was supposed to put the nail in the Alien coffin, but thanks to the miracles of next-millennium cloning, she's back, and full of alien DNA to boot (thus making her invincible, giving her acid for blood, and generally a pretty creepy chick). This new twist has great potential, as Ripley's alien side gives her a strange kinship with the creatures... creatures that once again are loosed by idiot scientists trying to tame them.

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The Warriors Review

There are certain films that by some unforeseen circumstance tap into a generation, a culture, a time, perfectly. The Warriors is just such a film. It is by no means a perfect movie. It is well crafted and dramatic, but what moves it beyond cult adoration and fanboy drooling is its epic storyline and intensely rendered narrative.

The Warriors isn't really a movie about a gang trying to get home. It's an archetypal tale of survival, of revenge, of power and corruption and the human spirit. Sounds like a load of over-educated/under-paid horseshit, I admit. But The Warriors really does have that kind of power.

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