However strange the results may be, they're a joy to watch, which is why I said that Maddin's obscurantism is a small hurdle. It's still a hurdle, though, which is why his 2002 film Dracula: Pages from a Virgin's Diary may be the best place to get to know the man's work. After all, you already know the story, and goodness knows that Francis Ford Coppola's attempt to make a coherent tale out of it didn't help that particular take on it.
Continue reading: Dracula: Pages From A Virgin's Diary Review
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