RT @shondarhimes: Some #midweekmotivation for you. https://t.co/OL6n1orZ5v
Mahershala Ali in the press room with Emma Stone, Viola Davis and Casey Affleck at the 89th Annual Academy Awards (Oscars 2017) held at the Dolby Theatre at the Hollywood & Highland Center - Los Angeles, California, United States - Sunday 26th February 2017
Viola Davis who plays Amanda Waller in 'Suicide Squad' seen at the world premiere of the movie held at the Beacon Theater in New York. 2nd August 2016
The annual issue’s cover features 13 of the most important women in Hollywood, photographed by Annie Leibovitz.
From Lupita Nyong’o and Jennifer Lawrence to Viola Davis and Diane Keaton, Vanity Fair’s annual ‘Hollywood issue’ cover is a celebration of diversity. Released against the backdrop of the growing diversity debate after this year’s Oscar nominations, the cover shows the variety of women making their mark in Hollywood today, breaking barriers for age and race.
Viola Davis - 22nd Annual Screen Actors Guild Awards at The Shrine Expo Hall - Press Room at Shrine Auditorium, Screen Actors Guild - Los Angeles, California, United States - Saturday 30th January 2016
Viola Davis - 22nd Annual Screen Actors Guild Awards at The Shrine Expo Hall - Outside Arrivals at Shrine Auditorium, Screen Actors Guild - Los Angeles, California, United States - Saturday 30th January 2016
When there's nowhere left to turn, the bad guys might just turn out to be your only option. Amanda Waller is the leader of a task force who keeps on losing members of her team, she comes up with an idea to form a specialised task force formed with some of the most dangerous criminals that are currently in jail.
Continue: Suicide Squad Trailer
Viola Davis - ELLE's Women In Television Celebration presented by Hearts on Fire Diamonds and Olay held at the Sunset Tower Hotel at Sunset Tower Hotel - Los Angeles, California, United States - Wednesday 20th January 2016
Elana Pianko-Ginsburg, Susan Whitting, Viola Davis , Joan Wages - National Women's History Museum presents the 4th Annual Women Making History Brunch - Arrivals at Skirball Cultural Center - Los Angeles, California, United States - Saturday 19th September 2015
Another year of epic geekdom is over - but the excitement remains.
As usual the San Diego Comic-Con International was the place to be for comic and movie fans across the globe. Not only were a ton of new trailers unveiled, but loads of questions were answered and there were some pretty interesting moments in between.
Superman isn't feeling the love in the 'Batman v Superman: Dawn Of Justice'
Comic-Con 2015 was, as usual, a roaring success with attendees desperate to learn more about the upcoming 'Star Wars' movie and, of course, 'Batman v Superman'. But that wasn't all that gripped the world at this year's event; and here are but a few moments of pure joy from SDCC 2015.
Betsy Beers, Viola Davis and Pete Nowalk - 'How To Get Away With Murder' ATAS event held at Sunset Gower Studios - Arrivals at gower studios - Hollywood, California, United States - Thursday 28th May 2015
For the production of 'Blackhat', writer/director Michael Mann had to brush up on his knowledge of hacking in order to put together a film on the subject. Actor Chris Hemsworth had to undergo a master class on hacking and the use of computers. Mann also discusses how terrifying the idea of a cyber-criminal being able steal whatever they please from anywhere in the world at any time.
'Blackhat' follows the story of a hacker that can target anywhere in the world, stealing money and amassing wealth before causing a string of terrorist attacks upon the world. The US and China form a specialist taskforce to discover the identity of the hacker and find him before he is able to strike again. When they find themselves unable to trace the source, they turn to Nicholas Hathaway (Hemsworth), a convicted hacker serving jail time for hacking. If Hathaway is able to find and expose the mysterious hacker before it's too late, he will be free to live his life. 'Blackhat' is due to be released in the US on 16th January 2015, with a UK theatrical release following on 20th January in the same year.
'Ender's Game' has received mixed reviews ahead of its US release today (1st November).
Ender's Game, due to be released in the US today (1st November), has received a series of mediocre reviews from critics.
Ender's Game is released in US cinemas today.
The film, based on Scott Orson's book of the same name, is set in the future after an alien-human war. Ender Wiggin is a talented young boy studying at a military space academy where the students prepare for the next alien invasion of Earth.
Continue reading: 'Ender's Game', Released In US Today, Receives Mixed Reviews
The Oscar race was thrown into a spin last weekend by two guilds, professional groups that make movies and vote for the Academy Awards. First, the Producers Guild of America (PGA) gave its Best Picture award to Ben Affleck's Argo, a surprise because Affleck isn't even nominated for a directing Oscar. Then the Screen Actors Guild (SAG) named Argo for Best Ensemble, which is considered their Best Picture prize. Films only rarely win the Best Picture Oscar if their director isn't nominated. But Affleck is nominated for a Directors Guild of America (DGA) award on Saturday, which will no doubt further muddy the waters leading to Bafta night February 10th and the Oscars two weeks later.
Meanwhile, Oscar contenders dominate the box office, with Les Miserables, Django Unchained and Zero Dark Thirty in the Top 10 both in America and Britain. In addition, Life of Pi and Lincoln are in the UK chart, while Silver Linings Playbook is holding firm in the US. These are the most money-making Best Picture nominees in years.
The Fashion Group International's 29th annual Night Of Stars event at Cipriani Wall Street saw numerous glamorous guests including 'The Help' star Viola Davis with her husband Julius Tennon, 'Sex and the City' star Sarah Jessica Parker, 'Bridget Jones's Diary' actress Renee Zellweger and 'Saturday Night Live' writer Seth Meyers with his girlfriend Alexi Ashe.
The stars of upcoming education drama 'Won't Back Down' arrive at the New York premiere for the movie at the Ziegfeld Theater with loud protest style chanting in the background. Among them are Maggie Gyllenhaal, Viola Davis with her husband Julius Tennon and sister Deloris Gran, Rosie Perez, Dante Brown, Emily Alyn Lind with her mother Barbara Alyn Woods and sisters Natalie Alyn Lind and Alyvia Alyn Lind, Ned Eisenberg and his family, Lance Reddick, Oscar Isaac and director Daniel Barnz.
An underprivileged mother (Gyllenhaal) determined to do the best for her child, takes action on discovering the failing situation of her daughter's inner city school. Her daughter cannot read and even comments that the school doesn't care about punctuality or the fact that many students are suffering and struggling with learning difficulties. After her daughter is punished and locked in a closet by an incompetent teacher because she didn't 'follow the rules', the mother decides enough is enough and enlists the help of a desperate teacher (Davis), whose son is also struggling to learn to read and write, to help her take over the school. They put everything on the line to battle through the teacher's union, challenging and incapable teachers, and a sceptical principal and make the school (and therefore the violent gang and drug ridden neighbourhood) a better place for underprivileged children.
Continue: Won't Back Down Trailer
After graduating from university, Skeeter (Stone) returns home to Jackson, Mississippi, to seek work as a journalist. But one theme from her childhood haunts her: the maid (Tyson) who actually raised her. But her similarly raised close friends (Howard, O'Reilly and Camp) now take their own maids for granted, and Skeeter wonders why this story has never been told from the help's point of view. After finding an interested New York editor (Steenburgen), it takes awhile to convince Aibileen (Davis) to tell her story, especially as both know it will upset the status quo.
Continue reading: The Help Review
Will and Lynn (Owen and Keener) are parents of three lively, independent-minded kids. Peter (Curnutt) is just heading off to university, 14-year-old Annie (Liberato) is starting high school and Katie (DeButch) is still too young to understand much of what happens next. Annie is chatting online with Charlie, a teen in another city who slowly becomes her closest confidant. So she's a bit startled when he confesses that he's 20. Then 25. Then he agrees to meet her and turns out to be closer to 35 (Coffey). But he loves her and makes her feel beautiful.
Continue reading: Trust Review
Skeeter has always dreamt of becoming a writer; fresh out of college she attempts to get a job at one of New York's best publishing houses but unfortunately isn't successful at landing the job. Returning home she starts to write a column for the local news paper but is distracted by personal matters when she learns that the family maid, who raised Skeeter, has gone missing.
Continue: The Help Trailer
Craig (Gilchrist) is a 17-year-old overwhelmed by thoughts of suicide. So one night he heads to the emergency room for help, then talks the doctor into admitting him for observation. He's a bit shocked that he'll be there for at least five days, but quickly becomes friends with Bobby (Galifianakis) and Noelle (Roberts). His parents (Graham and Gaffigan) are supportive, and his doctors (Davis and Davies) help him work through his issues. But the biggest challenge is to sort out his feelings for Nia (Kravitz), the girlfriend of his best pal (Mann).
Continue reading: It's Kind Of A Funny Story Review
When New York writer Liz (Roberts) decides she's tired of her loving-but-aimless husband (Crudup), she has a rebound romance with a young actor (Franco) before deciding to travel the world to find herself. Her sassy friend Delia (Davis) thinks she's crazy, but Liz takes off for Rome, where she discovers food and friends (Novotny and Argentero). In India she seeks inner peace with a fellow traveller (Jenkins). And in Bali she studies with a guru (Subiyanto) and falls for a Brazilian (Bardem) who has baggage of his own.
Continue reading: Eat Pray Love Review
After June (Diaz) bumps into Roy (Cruise) in the airport, she finds herself in a mid-air shootout and a cornfield crash-landing. But she wakes up at home as if everything is fine. And so continues her adventure, as Roy turns out to be a possibly rogue federal agent trying to stay one step ahead of the spies chasing him (Davis and Sarsgaard) and keep June safe from the bad guys as they dart to the Azores and across Europe, where they meet a technology nerd (Dano) and a smirking arms dealer (Molla).
Continue reading: Knight And Day Review
Liz Gilbert always thought that being successful in her work and home life would be enough to keep her content throughout her life but can't help but feel confused want more. Now divorced and ready to take a new approach to life, Liz decides to embark on a worldwide trip of self discovery. In each country she visits she learns more about herself and finds the inner peace and balance that her life has been missing.
Continue: Eat Pray Love Trailer
Clyde (Butler) has his happy life destroyed when a psycho (Stolte) kills his wife and daughter, but his lawyer Nick (Foxx) accepts a plea bargain that lets the killer out of jail in three years. A decade later, Clyde starts his revenge. A spot of brutal torture and murder lands him in prison, but he continues from behind bars with his violent mission to take down the legal system. It's up to Nick and a cop (Meaney) to figure out how he's doing this before he kills them too.
Continue reading: Law Abiding Citizen Review
When presented with the challenge of adapting his own play, Doubt, for the screen, John Patrick Shanley takes an alternate approach. Gone are Cherry Jones and Brian F. O'Byrne, award-claiming talents who'd shaped Shanley's four-person narrative into a Pulitzer, Tony, and Drama Desk Award winner in 2005. He replaces them here with marquee Hollywood names who have heavy-lifting abilities, and the casting works, though a part of me still wishes Shanley had invited Jones and O'Byrne to usher Doubt to its filmed incarnation.
Continue reading: Doubt Review
It's hard to fault director George C. Wolfe, however. His Nights in Rodanthe adaptation merely adheres to a blueprint provided by best-selling author Nicholas Sparks, who makes use of a tempest in his source novel but also provides earnest human connections and palpable heartache.
Continue reading: Nights In Rodanthe Review
Whatever the case may be, Matt Tauber's The Architect is a promising but fundamentally flawed effort to use architecture as a metaphor for larger realities; in this case, the yawning chasm between one wealthy and white Chicago family (that of the architect's, natch) and a black South Side community living in a falling-down housing project designed by the architect. Leo Waters (Anthony LaPaglia, playing it gruff but a bit cooler than his usual hot-head persona) is the man of the title, living in pristine wealthy isolation with his bored and resentful children Christina (Hayden Panettiere) and Martin (Sebastian Stan) and his desperately unhappy wife Julia (Isabella Rossellini). While Leo tries to keep his family from imploding around him -- Julia practically wishes him dead, Martin despises him only slightly less, and Christina is a 15-year-old budding painfully and rebelliously on the verge of womanhood -- a mother in the project he designed, Tonya Neely (Viola Davis), is circulating a petition among her neighbors to have the place torn down. When Tonya comes to confront Leo about it in a university class he teaches, not surprisingly, the architect refuses to admit that the problems in the project, whether it's the hopelessness or violence, has anything to do with his design. It's the implementation or people, he insists from his ivory tower.
Continue reading: The Architect Review
A thinly veiled biopic of 50 Cent's road to gangsta rap success, Get Rich or Die Tryin' is at times a wildly successful portrait of human perseverance and at others a weakly plotted study in cinematic cliché.
Continue reading: Get Rich Or Die Tryin' Review
The story is relatively faithful to Tarkovsky's flick. Distraught widower/shrink Chris Kelvin (Clooney) receives a distress call of sorts from a friend aboard a distant space station, then gears up to go to his rescue. Once he arrives at the station, orbiting a mysterious, glowing-pink planet called Solaris, Kelvin encounters a skeleton crew of surviving crewmembers, including the not-quite-right Snow (Jeremy Davies) and the ultra-paranoid Gordon (Viola Davis). It's not spoiling much to reveal that before his first night on the space station is over, Chris also encounters his dead wife Rheya (Natascha McElhone).
Continue reading: Solaris (2002) Review
Steven Soderbergh takes a crack at melding his commercial sensibilities with his esoteric soul in "Solaris," an abstract, ultrastylish, philosophical science fiction film designed to leave you mulling over its meaning for hours, if not days, afterwards.
Adapted by the director from a book by Stanislaw Lem, the film is also a remake of a meditative, three-hour long 1972 Russian film of the same name, in which scientists on a distant space station start going mad when their private mental obsessions are turned corporeal by the apparently sentient planet they're orbiting.
The new film is a much briefer 99 minutes and stars George Clooney as Chris Kelvin, a shrink recovering (poorly) from his wife's death, who is desperately summoned by an old friend to an outpost space lab where the crew has mysteriously cut off all contact with Earth.
Continue reading: Solaris Review
An extraordinary homage to, and deconstruction of, Douglas Sirk's melodramas of the 1950s, "Far from Heaven" is a layer cake of potent emotion, puritanical taboo, composed anguish, and forbidden affections festering below the idealistic facade of an Eisenhower-era New England family.
Operating on three levels at once while giving each a rich, resonant texture, writer-director Todd Haynes ("Safe," "Velvet Goldmine") ensnares the audience in the idyllic Technicolor fiction of the period in which it takes place -- right down to the sweeping, cursive title credits so corny they get a laugh. He plumbs the highly sensitive, highly secretive true hearts of his characters, who desperately try to plaster over cracks in the perfect-family facade as their lives unravel. But at the same time he discredits the halcyon image of a time that demanded such concealment by exposing its rampant, acute discrimination and its all-consuming importance of keeping up appearances.
Julianne Moore gives an intense, captivating, flawless performance as Cathy Whitaker, a consummate '50s housewife with a seemingly perfect husband named Frank (Dennis Quaid) who is a sales executive for a line of televisions, and two obedient children who never need scolding for infractions any worse than saying "Aw, jeez!" when told it's time for bed.
Continue reading: Far From Heaven Review
Most "inspiring true story" movies have their truth panel-beaten into a prefabricated formula and served up like a Sunday School lesson. But "Antwone Fisher" is something special. Part old-fashioned Hollywood up-by-the-bootstraps plot and part angry young product of the ugly underbelly of foster care, it's a film that delves far deeper than expected and packs a real emotional punch.
Antwone Fisher is a first-time screenwriter who sold his autobiographical script while working as a security guard on the Sony Pictures lot. But that was the end of a long journey that began with his birth in prison two months after his father was murdered. His early childhood was spent in an orphanage, where his mother failed to come claim him when she was released. His adolescence was spent being beaten, berated and sexually abused at the hands of his foster family in a Cleveland ghetto.
His teens were spent in reform school and on the street after his foster mother gave him $67 and dumped him off at a men's shelter. And when the film catches up with Fisher, he's a quiet and modest but defensive Navy petty officer with a hair-trigger temper who has just been busted down to seaman and docked $200 a month for six months after beating up another sailor.
Continue reading: Antwone Fisher Review
Date of birth
11th August, 1965
RT @shondarhimes: Some #midweekmotivation for you. https://t.co/OL6n1orZ5v
Genesis met an idol today❤️ https://t.co/Mv2ttU5UHG
RT @TIME: .@violadavis on @ReginaKing: “We’re on the battlegrounds together as women and women of color. We connect as people who see other…
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RT @EmanuelTheMovie: Yet another reason to experience Emanuel in movie theaters June 17 or 19. "The producers will donate their share of pr…
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RT @KimberleiDavis: Raise your hand if you've purchased your ticket(s) to @EmanuelTheMovie from executive producers @StephenCurry30 and @vi…
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RT @Variety: Amazon Prime Video launches shorts festival for underrepresented filmmakers https://t.co/GAjR1yu5C8
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RT @EmanuelTheMovie: Four years ago, the unthinkable happened. Then the amazing followed. Coming to theaters on June 17 & 19, Emanuel tells…
RT @DEADLINE: ‘Emanuel’ Trailer: Steph Curry & Viola Davis-Produced Docu Honors Shooting Victims Of Emanuel A.M.E. Church https://t.co/SPxJ…
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After winning Tony Awards on Broadway, Denzel Washington and Viola Davis reteam for a film...
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