Such an honor to join our Director Steve McQueen and this phenomenal cast at the #ChiFilmFest for #WidowsMovie! https://t.co/Zj5uMIucBL
She's now won an Oscar, an Emmy and a Tony Award.
Viola Davis has just landed Best Supporting Actress at the 89th Academy Awards for her role in the 1950s African-American drama 'Fences'. The win was almost too much for the star though, who looked and sounded deeply overwhelmed as she accepted her prize.
Viola Davis and Denzel Washington star in 'Fences'
The actress is now a fully-fledged member of the Triple Crown Club having already won a Tony for 2001's 'King Hedley II' and an Emmy for 'How To Get Away With Murder' in 2015. Her Oscar has tied up those three gongs and made her one of the few people ever to manage the remarkable feat, and the second black person to do so after Whoopi Goldberg.
Continue reading: The Academy Awards Serve Up Viola Davis' Third Major Acting Gong
Mahershala Ali in the press room with Emma Stone, Viola Davis and Casey Affleck at the 89th Annual Academy Awards (Oscars 2017) held at the Dolby Theatre at the Hollywood & Highland Center - Los Angeles, California, United States - Sunday 26th February 2017
Viola Davis won the Best Actress BAFTA for her 'Fences' role on Sunday night.
Although she’s pretty much the nailed-on favourite to win at The Oscars later this month, having swept the awards season in all the Best Actress categories for her role opposite Denzel Washington in Fences, Viola Davis has warned against a possible future backslide in the diversity seen in this year’s film awards nominations.
Having scooped the BAFTA for her role as the beleaguered Rose on Sunday night (February 12th), Davis sounded a note of caution at the press conference afterwards, as predictions for the 2018 awards season have already started “and very few African American names are in there.”
Viola Davis with her BAFTA on Sunday night
Continue reading: Viola Davis Unsure About '#OscarsSoWhite' Success
After winning Tony Awards on Broadway, Denzel Washington and Viola Davis reteam for a film version of August Wilson's Pulitzer Prize-winning play. First staged in 1983 (the Washington-Davis revival was in 2010), the story explores the experience of an African-American working class family in the 1950s. And its most powerful kick is in the balance of power between husband and wife, something that easily transcends the racial themes.
In Pittsburgh, trash collector Troy (Washington) is proud to be able to support his wife Rose (Davis) and teen son Cory (Jovan Adepo), who wants to attend university on a football scholarship. But Troy thinks this is unnecessary, forbidding him from playing on the team. Troy and Rose's other son Gabriel (Mykelti Williamson) is disabled but living on his own, and Troy has an older son, Lyons (Russell Hornsby), who regularly needs cash to top up his income as a musician. As he slowly builds a fence in the back yard, Troy is beginning to resent having to give in to all of these people, blaming his problems on white-majority culture. But Rose has had enough of his complaining.
Wilson's dialogue is heightened and gorgeous, with a poetic ring like modern-day Shakespeare as it explores enormous issues using clever wordplay and epic monologues. While Troy continually rants at how hard life is for a black man, the interaction points out that his main problem is actually his need to be in control of everyone around him. This makes Troy increasingly unlikeable, and Washington goes for broke in the performance. It often feels like he's playing to people sitting in the top of the theatre balcony, but it's impossible not to be moved by his words. By contrast, Davis' much more intimate Rose is the film's heart and soul. As the story progresses, she becomes the lead character, and Davis delivers a series of devastating scenes with raw power.
Continue reading: Fences Review
Viola Davis, winner of the Outstanding Female Actor in a Leading Role award for 'Fences' at the 23rd Annual Screen Actors Guild Awards (SAG) 2017 held at The Shrine Auditorium Media Complex - Los Angeles, California, United States - Sunday 29th January 2017
She speaks about the significance of race in the movie.
After winning a Tony award for her performance in the 2010 revival of August Wilson's Pulitzer Prize-winning play Fences, Viola Davis didn't hesitate to reteam with Denzel Washington for the film adaptation. From the first time she read the play, she knew she had to play Rose.
Viola Davis and Denzel Washington in Fences
"It could not be any more perfectly written," Davis says. "I think the best part of Rose is, when she's introduced in the play, she's in the background. She really is. She's cooking! She's sitting! It's not that she's not enjoying the banter, but you kind of feel like this is how it's going to be. It's Troy's story. And then, when she steps forward and she's betrayed, then you hear her voice. You don't get that often. Sometimes, women are in the background and they stay in the background. When she really taps into her voice, she really taps into it. I like that about her."
Continue reading: Viola Davis Loved Emerging From The Background In Fences
Viola Davis seen alone and with Julius Tennon at the 22nd Annual Critics' Choice Awards held at Barker Hangar, Critics' Choice Awards - Santa Monica, California, United States - Sunday 11th December 2016
Troy Moxson works hard as a garbage collector to support his family. He has two sons, one who lives in his home with his wife and one from a previous marriage who is older but still turns to his father for support. Set in the 1950's, racial discrimination is still rife and Troy and his family are just one of thousands of families who live a life surrounded by enforced limitations.
In his younger years, Troy was scouted to be a baseball player but being a black man once again worked to his disadvantage and his dream was over before it even really began. Despite everything, Troy stands strong in adversity and instils a few words of wisdom in to his son, 'Don't go through life worrying about if someone likes you or not, you best be sure they're doing right by you.'
Troy's wife, Rose is a strong woman who's stuck by her husband's side through many hardships, she's also a constant support for their son Cory who wishes to gain a place on the football team.
Continue: Fences Trailer
DC Comics' villains team up for an overcrowded action movie that never quite finds its tone. Writer-director David Ayer takes a serious approach to an absurd premise, while the actors inject sparks of bitter humour. But with a thin plot and characters that are only superficially developed, the film struggles to grab hold of the audience. At least there's plenty of whizzy action mayhem.
With everyone worried that the next Superman might turn out to be a terrorist, government agent Amanda (Viola Davis) has a crazy idea to turn the most violent criminals in prison into an elite black ops team. These include gruff marksman Deadshot (Will Smith), mentally unstable sexpot Harley Quinn (Margot Robbie), archaeologist-turned-enchantress June (Cara Delevingne), Aussie killer Boomerang (Courtney), fire-maker Diablo (Jay Hernandez), swordswoman Katana (Karen Fukuhara) and man-monster Croc (Adewale Akinnuoye-Agbaje). Each of these psychos has a personal weakness Amanda and team leader Rick (Joel Kinnaman) plan to leverage to keep them under control. Meanwhile, Harley's main squeeze Joker (Jared Leto) is trying to help her escape. Oh, and a meta-human wants to decimate humanity.
Ayer introduces each character with his or her own mini-montage, including snippets of back-story and cameos from the likes of Batman (Ben Affleck). These flashbacks continue throughout the movie, stirring emotion into various characters' decision-making processes. But that's about it as far as depth goes, and the script never imagines anything more original than pining after a lost love, missing a child or feeling guilty about past mistakes. While this adds a bit of interest, it never generates any proper connections, either between the characters or with the audience.
Continue reading: Suicide Squad Review
Viola Davis who plays Amanda Waller in 'Suicide Squad' seen at the world premiere of the movie held at the Beacon Theater in New York. 2nd August 2016
The annual issue’s cover features 13 of the most important women in Hollywood, photographed by Annie Leibovitz.
From Lupita Nyong’o and Jennifer Lawrence to Viola Davis and Diane Keaton, Vanity Fair’s annual ‘Hollywood issue’ cover is a celebration of diversity. Released against the backdrop of the growing diversity debate after this year’s Oscar nominations, the cover shows the variety of women making their mark in Hollywood today, breaking barriers for age and race.
When there's nowhere left to turn, the bad guys might just turn out to be your only option. Amanda Waller is the leader of a task force who keeps on losing members of her team, she comes up with an idea to form a specialised task force formed with some of the most dangerous criminals that are currently in jail.
Continue: Suicide Squad Trailer
Another year of epic geekdom is over - but the excitement remains.
As usual the San Diego Comic-Con International was the place to be for comic and movie fans across the globe. Not only were a ton of new trailers unveiled, but loads of questions were answered and there were some pretty interesting moments in between.
Superman isn't feeling the love in the 'Batman v Superman: Dawn Of Justice'
Comic-Con 2015 was, as usual, a roaring success with attendees desperate to learn more about the upcoming 'Star Wars' movie and, of course, 'Batman v Superman'. But that wasn't all that gripped the world at this year's event; and here are but a few moments of pure joy from SDCC 2015.
For the production of 'Blackhat', writer/director Michael Mann had to brush up on his knowledge of hacking in order to put together a film on the subject. Actor Chris Hemsworth had to undergo a master class on hacking and the use of computers. Mann also discusses how terrifying the idea of a cyber-criminal being able steal whatever they please from anywhere in the world at any time.
'Blackhat' follows the story of a hacker that can target anywhere in the world, stealing money and amassing wealth before causing a string of terrorist attacks upon the world. The US and China form a specialist taskforce to discover the identity of the hacker and find him before he is able to strike again. When they find themselves unable to trace the source, they turn to Nicholas Hathaway (Hemsworth), a convicted hacker serving jail time for hacking. If Hathaway is able to find and expose the mysterious hacker before it's too late, he will be free to live his life. 'Blackhat' is due to be released in the US on 16th January 2015, with a UK theatrical release following on 20th January in the same year.
'Ender's Game' has received mixed reviews ahead of its US release today (1st November).
Ender's Game, due to be released in the US today (1st November), has received a series of mediocre reviews from critics.
Ender's Game is released in US cinemas today.
The film, based on Scott Orson's book of the same name, is set in the future after an alien-human war. Ender Wiggin is a talented young boy studying at a military space academy where the students prepare for the next alien invasion of Earth.
Continue reading: 'Ender's Game', Released In US Today, Receives Mixed Reviews
Since this entire story centres on virtual-reality gaming, it's tricky to feel any sense of what's at stake here. But a strong cast and above-average effects work help hold our interest until the requisite dramatic shift takes hold. Along the way, the movie explores some punchy issues such as the nature of true leadership and the morality of war.
It's set in a distant future: Earth has regrouped after an alien invasion, turning to children to harness their quick gaming reflexes and inner fearlessness. Ender (Butterfield) is a 12-year-old who's sure he'll crash out of training like his older sister Valentine (Breslin). But Colonel Graff (Ford) and Major Anderson (Davis) see something in him and send him on to battle school in an orbiting space station. As he shows true leadership potential and a sharp mind for warfare, he's promoted even further, training with iconic hero Rackham (Kingsley) on one of the aliens' former planets. And as he approaches his final exam, there's the sense that the fate of Earth hangs in the balance.
Yes, everything Ender does throughout his training is game related, either with digitally created environments or in a weightless battle globe with other cadets. This adds huge possibilities for the script to grapple with moral issues as Ender faces some staggering decisions. But since it's just a simulation, does it really mean anything? Thankfully, Butterfield is a terrific actor who lends the character a steely interior life that catches our interest. And being surrounded by the terrific Ford, Kingsley and Davis helps. As do some intriguing fellow recruits played by Steinfeld, Arias and others.
Continue reading: Ender's Game Review
What makes this thriller extraordinary is its willingness to make us scratch our heads and ask questions as the tense, fable-like story patiently unfolds. This creates an almost unbearably involving vibe, from the slow-burn pacing to the unusual character detail. And all of this allows the cast members to dig deep inside their characters.
It starts as two families in rural Pennsylvania get together to celebrate Thanksgiving, then discover that their two young daughters are missing. Keller and Grace Dover (Jackman and Bello) and Franklin and Nancy Birch (Howard and Davis) search the neighbourhood frantically, then try to help local detective Loki (Gyllenhaal) with his investigation. He settles on an oddball (Dano) who seems unable to provide any information at all. With no evidence against him, he's released. But Keller can't bear to think of this man being free while the girls are missing, so he hatches his own plan to sort things out.
There's a lot of symbolism in this screenplay, as everyone reacts to the situation in his or her own way (clearly echoing the world's response to the War on Terror). But it's also a riveting personal story of the desperate need for justice and revenge. Jackman is terrific as the deeply religious man whose love of guns informs his decision-making. He impulsively reacts like Liam Neeson in Taken, charging to the rescue. By contrast, Gyllenhaal's Loki is more measured and observant, while Howard's Franklin struggles with his own moral decisions. The women are a completely different story, and equally provocative: Davis is feisty but helpless, while Bello crawls into her shell.
Continue reading: Prisoners Review
The final trailer Ender's Game has been released. The film is due to be released later this year and stars a host of young actors, supported by more established cast members such as Harrison Ford and Ben Kingsley.
The final trailer for Ender's Game has been released. Set in the future years after an alien-human war, the movie follows Ender Wiggin, a talent young boy who is sent to a military space academy in order to prepare for when aliens next invade Earth.
Asa Butterfield at the 2013 San Diego Comic-Con.
Ender's Game teaser trailer, released earlier this year, gave an indication of what can be expected from the film. The final trailer, however, features a dramatic narrative by Harrison Ford who promises the aliens "will be back". It's all very visually appealing in a Star Wars-Superman-Terminator way and with the melodramatic music, intense exchanges and wild landscapes: it certainly appears to be a film fans of science fiction will love.
Continue reading: Harrison Ford Narrates 'Ender's Game' Final Trailer [Trailer]
'Prisoners' is based on tried and tested crime-drama conventions, though Hugh Jackman is an engaging presence, as always.
The trailer for Denis Villeneuve's hard-hitting crime-drama Prisoners has rolled out online, showing Hugh Jackman in his first post-Les Miserables role, and a good one at that. The Australian plays Keller Dover, a regular guy from Boston whose life is turned upside down after his young daughters go missing.
Watch the Prisoners trailer:
Panic ensues as Keller and his wife (Maria Bello) scour the neighbourhood in search of their children, though the only clue is a banged up RV parked nearby. A young detective played by Jake Gyllenhaal gets the case and makes an arrest on an assuming man who is the driver of the vehicle, though with no solid evidence and no sign of the girls, he is forced to release the suspect. Keller subsequently takes matters into his own hands and kidnaps the suspect in a bid to extract information.
Though you've seen the plot - or something similar - a million times, Prisoners looks an entertaining piece of cinema about the horror of one of the worst situations a parent could possibly go through. Directed by BAFTA nominated Villeneuve and writer by Contraband scribe Aaron Guzikowski, Prisoners hits theaters in the U.S. on September 20, 2013 and in the UK on October 4, 2013. The supporting cast includes Viola Davis and Terrence Howard.
Keller Dover is just a regular guy from Boston who goes with his wife Grace and six-year-old daughter Anna to their neighbours' house on what seems like a routine social occasion. No parent blinks an eye when Anna asks if she can take the neighbours' daughter Joy to their house to play, but when there's no sign of them back home later on, panic ensues as the families scour the nearby streets trying to find their precious children. The only clue as to what may have happened to them lies with a banged up RV that had been parked nearby. When young Detective Loki gets involved with the case, he manages to make an arrest on the driver - a seemingly timid and quiet young man called Alex Jones. However, with no solid evidence against him for the cops to keep him in custody in the case for the missing girls, they are forced to release him after 48 hours. Keller, angry with the verdict and fearing for the life of his daughter who he believes is still alive, decides to embark on his own investigation and kidnaps Alex at gunpoint in an attempt to extract information. Though through his panic and frustration in his quest to find his daughter, he may lose himself along the way.
Continue: Prisoners Trailer
Ender Wiggin is the youngest in his family albeit with an astute mind and a powerful logic. It is seventy years since Earth was savagely attacked by the alien race the Formics, more commonly known as the Buggers, and he is exactly what the International Fleet are looking for as they scour their planet for a group of individuals powerful and clever enough to destroy their formidable foes once and for all. He is forced to leave his friends and family and join the Battle School in outer space, but his aptitude throughout all the challenges he is faced with has him upgraded by Colonel Graff to the prestigious Command School under the supervision of war hero Mazer Rackham. He is unaware, however, of just how much hope is being put on him to be Earth's saviour and his ability to make the right difficult decision leaves him with a sense of bitter self-loathing.
Continue: Ender's Game Trailer
While this package has all of the key marketing elements to reach the Twilight audience, the film itself is rather a lot more fun, made with some wit and intelligence, plus a cast that's happy to chomp on the scenery. Based on a four-novel series, this film actually has more in common with True Blood than Twilight, with its Deep South setting and the clash between religious fundamentalism and supernatural beings.
At the centre is Ethan (Ehrehreich), a 16-year-old who is bristling against the isolation of his small South Carolina town. His recently deceased mother instilled in him a love of books banned by the town's hyper-religious leaders, and the local librarian Amma (Davis) helps keep his interest alive. As a result, he's more open than the other teens when Lena (Englert) arrives at school. But she's shunned because her Uncle Macon (Irons) is the town's pariah, a landowner whom everyone thinks is a devil worshipper. Actually, the whole family are casters, people with special powers that are designated good or evil on their 16th birthday.
The plot stirs up some suspense as Lena's big day of reckoning approaches. She's terrified that she'll go over to the dark side like her man-eating cousin (Rossum) or, worse still, her spectral mother, who does her mischief by inhabiting the body of the town's most pious housewife Mrs Lincoln (Thompson). This of course gives Thompson two insane characters to play at the same time, and she has a ball with it. As does Irons with the shadowy, snaky Macon. And at the centre, Ehrenreich and Englert both show considerable promise, with their strikingly non-Hollywood good looks and a depth of character that makes the film more engaging than we expect.
Continue reading: Beautiful Creatures Review
The Oscar race was thrown into a spin last weekend by two guilds, professional groups that make movies and vote for the Academy Awards. First, the Producers Guild of America (PGA) gave its Best Picture award to Ben Affleck's Argo, a surprise because Affleck isn't even nominated for a directing Oscar. Then the Screen Actors Guild (SAG) named Argo for Best Ensemble, which is considered their Best Picture prize. Films only rarely win the Best Picture Oscar if their director isn't nominated. But Affleck is nominated for a Directors Guild of America (DGA) award on Saturday, which will no doubt further muddy the waters leading to Bafta night February 10th and the Oscars two weeks later.
Meanwhile, Oscar contenders dominate the box office, with Les Miserables, Django Unchained and Zero Dark Thirty in the Top 10 both in America and Britain. In addition, Life of Pi and Lincoln are in the UK chart, while Silver Linings Playbook is holding firm in the US. These are the most money-making Best Picture nominees in years.
Lena Duchannes is a Caster whose family has plenty of dark power between them, but rather than feeling empowered, Lena just wishes she can be mortal so she wouldn't have to hide and people wouldn't talk about her all the time. When she moves to the small and somewhat conservative town of Gatlin, South Carolina, she finds herself an outcast but is soon noticed by her school mate Ethan Wate who is enchanted by her and the excitement her arrival brings to this ordinary, unmoving town. However, their relationship is compromised by the fact that Lena only has a matter of days left before she is subjected to the Claiming; a process that will decide whether she will turn to the Light or the Dark side of magic. While her uncle does everything in her power to make sure she is claimed to the Light, the all-powerful Sarafine is convinced that she will have great magical supremacy which would better be served in the Dark.
'Beautiful Creatures' is the story of just how much love can conquer and, equally, the devastation it brings. It has been adapted to screen by Oscar nominated director and screenwriter Richard LaGravenese ('P.S. I Love You', 'The Mirror Has Two Faces') from the book of the same name by Kami Garcia and Margaret Stohl. The fantasy romance will be released in time for Valentine's Day on February 13th 2013.
Director: Richard LaGravenese
Continue: Beautiful Creatures Trailer
The Fashion Group International's 29th annual Night Of Stars event at Cipriani Wall Street saw numerous glamorous guests including 'The Help' star Viola Davis with her husband Julius Tennon, 'Sex and the City' star Sarah Jessica Parker, 'Bridget Jones's Diary' actress Renee Zellweger and 'Saturday Night Live' writer Seth Meyers with his girlfriend Alexi Ashe.
The stars of upcoming education drama 'Won't Back Down' arrive at the New York premiere for the movie at the Ziegfeld Theater with loud protest style chanting in the background. Among them are Maggie Gyllenhaal, Viola Davis with her husband Julius Tennon and sister Deloris Gran, Rosie Perez, Dante Brown, Emily Alyn Lind with her mother Barbara Alyn Woods and sisters Natalie Alyn Lind and Alyvia Alyn Lind, Ned Eisenberg and his family, Lance Reddick, Oscar Isaac and director Daniel Barnz.
An underprivileged mother (Gyllenhaal) determined to do the best for her child, takes action on discovering the failing situation of her daughter's inner city school. Her daughter cannot read and even comments that the school doesn't care about punctuality or the fact that many students are suffering and struggling with learning difficulties. After her daughter is punished and locked in a closet by an incompetent teacher because she didn't 'follow the rules', the mother decides enough is enough and enlists the help of a desperate teacher (Davis), whose son is also struggling to learn to read and write, to help her take over the school. They put everything on the line to battle through the teacher's union, challenging and incapable teachers, and a sceptical principal and make the school (and therefore the violent gang and drug ridden neighbourhood) a better place for underprivileged children.
Continue: Won't Back Down Trailer
Based on the Jonathan Safran Foer novel, this film holds its heavy emotional weight in check right up to a rather overwrought conclusion. But along the way, its characters worm their way under our skin.
Oskar (Horn) is the son of a jeweller (Hanks) who died in the World Trade Center on 9/11. A year later, he's still struggling to make sense of what he calls "the worst day", worrying that his sense of his father is fading away. So when he finds a key in his father's things, Oskar embarks on a quest to find the lock. His mother (Bullock) is lost in her own grief, but Oskar finds companionship in the mute stranger (von Sydow) who rents a room from his granny (Caldwell).
With a dense Alexandre Desplat score, textured Chris Menges cinematography and fluid editing by Claire Simpson, this film feels almost like a wave that engulfs us right from the eerily effective opening shot. Daldry has done this before (see The Hours), although this film also has a more manipulative plot in which each character and situation seem to be packed with deeper meaning.
Fortunately, Oskar's sense of yearning helps undermine the sentiment.
Horn is terrific in every scene, beautifully bringing out Oskar's autistic quirks without letting us feel any pity. The way he so brutally dismisses his mother is heartbreaking because it's so honest, and his growing bond with von Sydow's enigmatic, engagingly cheeky renter is fascinating to watch. Bullock gets her most complex role since Crash, and Davis gives yet another terrific supporting turn as one of the first people Oskar encounters on his journey.
Where the film wobbles is in its over-reverent treatment of 9/11 itself, as if Oskar's grief is any more intense because his father died in such a public way.
It's the quieter, more personal aspects of the story that are far more moving, especially as the plot takes some lovely twists in the final act. But Daldry and screenwriter Roth seem even more obsessed with finding a cathartic resolution than Oskar himself, leading to final scenes that feel tidy and a bit sappy. Even so, the film leaves us emotionally stirred in all the right ways.
Oskar Schell is an eleven year old genius who views the world differently to others. He is also a Francophile, an amateur inventor and a pacifist. He's very close to his father and together they make it their mission to find something from every decade of the twentieth century in what he called a 'reconnaissance mission.'
A thinly veiled biopic of 50 Cent's road to gangsta rap success, Get Rich or Die Tryin' is at times a wildly successful portrait of human perseverance and at others a weakly plotted study in cinematic cliché.
Continue reading: Get Rich Or Die Tryin' Review
Date of birth
11th August, 1965
Such an honor to join our Director Steve McQueen and this phenomenal cast at the #ChiFilmFest for #WidowsMovie! https://t.co/Zj5uMIucBL
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