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We're The Millers Review


Consistently amusing but never uproariously funny, this comedy plays it relatively safely by gently subverting our expectations of Aniston and Roberts, while making rising-star Poulter the butt of most jokes. There's just enough rude humour to keep fans of adult-oriented comedies happy, even if the movie continually reveals a squidgy-soft underbelly of sentimentality. But it's fun while it lasts.

The chaos begins when happy small-time Denver pot dealer David (Sudeikis) is robbed, leaving him indebted to his supplier Brad (Helms). Then he's offered a way out: travel to Mexico and collect a "smidge" of weed to smuggle back across the border in an RV. To increase his chances of getting through without an inspection, he creates a fake family from his neighbours: desperate stripper Rose (Aniston), lonely geek Kenny (Poulter) and homeless tough-girl Casey (Roberts). And the fact that they struggle to act like a convincing family is the least of their problems as they're chased by two vicious goons (Sisley and Willig) and befriended by a too-friendly couple (Offerman and Hahn) along the road.

Yes, this is one of those road comedies in which something unexpected happens every step of the way. Sudeikis rides out the film relatively unruffled, while Aniston's big scene is a scorchingly over-the-top striptease performed to distract a drug kingpin. Roberts' only subplot is a silly liaison with a moronic skater (Young). These sequences are carefully calculated to be mildly funny but never embarrassing to the big American stars. On the other hand, acclaimed British actor Poulter (see Son of Rambow and Wild Bill) dives in to his humiliating scenarios with gusto, from an awkward romance with another girl (Quinn) to kissing practice with his "mother" and "sister" to a ghastly spider bite. In the process, he walks off with the whole film.

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Sol Goode Review

I know what you're thinking: Balthazar Getty! Carmen Electra! Tori Spelling!? This movie's gonna rock!

From first-time writer/director Danny Comden, an erstwhile actor who has starred in some of Hollywood's biggest duds (Fast Sofa, Highway, Urban Legend), comes the oh-so-cleverly-titled Sol Goode, with Getty starring as an unemployed actor type by the titular name. Say it out loud.

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A Man Apart Review

After muscling his way through films like The Fast and the Furious and XXX, Vin Diesel has quickly become the new poster boy for the action genre. Along with this new title, he has developed a cult following of obsessed Diesel fanatics who live to see him blow things up. However, those expecting A Man Apart to be a wild romp like XXX could be disappointed. While Man does have it's share of exploding cars and gun battles, the film is much more subdued than his previous works.

Diesel plays seasoned DEA agent Sean Vetter, who is part of a group of agents that have spent the last seven years assigned to halt the Mexican drug pipeline headed by kingpin Memo Lucero (Geno Silva). Despite the eventual success Vetter and his partner Demetrius (Larenz Tate) have at putting Lucero behind bars, they soon face a greater challenge when a hit meant for Vetter is botched and his wife is killed. This lights a raging fire under Vetter's ass, and he is now hell-bent on avenging his wife's murder and putting an end to the newest cartel headed by a man named Diablo.

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Poolhall Junkies Review

Deceptive advertisements aside, there's very little Christopher Walken in Poolhall Junkies, a dull and lifeless film about a down-and-out underdog overcoming adversity to triumph in the end. The legendary actor (who seems to dominate every frame of the film's television commercials) shows up for only two notable scenes - his introduction, and the film's climax - and, when he's on screen, this middling B-movie displays some sizzle and pizzazz that's otherwise all too conspicuously missing from its "kind-hearted hustler makes good" blather. Walken has made a career out of rejuvenating shoddy clunkers like this one and, despite his limited screen time, he devours his scenes with the kind of gleeful voraciousness that his co-stars would be wise to study.

Star/writer/director Gregory "Mars" Martin has certainly taken a few lessons from watching Walken. As pool prodigy Johnny Doyle, Martin sports bouffant Walken-esque hair and mimics the actor's famously off-kilter verbal cadence, but has no idea how to craft a performance aside from these affectations. As an orphaned kid, Doyle was taken under the wing of a mobster named Joe (Chazz Palminteri) who taught him to be a pool-playing con man. Years later, Doyle learns that Joe screwed him out of a chance to go professional, and he turns on his former benefactor - a decision that comes back to haunt him when Joe returns looking for revenge with a professional ringer (a surprisingly convincing Rick Schroder) in tow. Doyle is trying to keep his relationship with girlfriend Tara (Alison Eastwood) afloat despite her disapproval over his pool shark ways, and also attempting to steer his eager brother Danny (Michael Rosenbaum) and his gang of straight-out-of-central-casting wisecracking buddies away from a life of hustling.

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