During the Second World War, many Russian men were able to make a name for themselves as heroes. Returning home to their victorious country, many discovered that the Communist utopia they had fought to defend may have been more fictitious than they originally thought. For Leo Demidov (Tom Hardy), this truth comes harshly. Having become a hero for his efforts in the war against Germany, Demidov is given the job as a secret policeman. But when he comes across the case of a potential serial killer that hunts children, his superiors refuse to acknowledge the crime, maintaining that they live in a perfect world. After being exiled from Moscow for refusing to drop the case, Demidov must search for the real truth behind the killings, despite knowing that the truth could be dangerous.
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Danny Boyle is obviously having a ball with this thriller, deploying every cinematic trick he can think of to throw the audience off the track. But sometimes too much of a good thing is annoying. And while this film holds our interest, it also reveals early on that we simply can't trust anything we see on-screen. So while it's expertly shot and edited, and the actors make the most of their shifty characters, it's not easy to just sit back and enjoy the show.
McAvoy stars as Simon, an auctioneer presiding over the sale of a £30 million Goya painting, which promptly goes missing after an elaborate heist. Simon suffers a head injury in the assault, and can't remember anything, which is a problem when it turns out that he was working with criminal mastermind Franck (Cassel). Now Franck and his goons (Sapani, Cross and Sheikh) want to know where the painting is, so they enlist hypnotherapist Elizabeth (Dawson) to help Simon recover his memory using a series of unconventional methods. But she wants her share of the cash.
Yes, the further they travel into Simon's mind, the stranger things get. McAvoy has little to do here but look dazed in between moments of lucidity that generally spark something horribly violent. Opposite his understated performance, Cassel can hardly help but be a lot flashier as a menacing charmer. And Dawson has a fierce presence as a woman who quickly takes control of every situation she's in. Although Dawson also has to contend with a couple of leery nude scenes that go further than what was strictly necessary.
Continue reading: Trance Review
Simon is a successful auctioneer of fine art who gets tracked down by a ruthless gang of organised criminals after an extremely valuable painting seen at one auction gets lost. He is subject to brutal torture as they fruitlessly try to uncover the artwork and he finds himself teaming up with the professional hypnotherapist Elizabeth to access the information in his brain that he can't quite reach. His life depends on him making the right choice between forcing himself to remember and letting himself forget the location of the painting but soon he finds that reality, suggestion and general delusions are becoming distorted putting more than just his life at stake, but also his sanity.
When he was a baby, Ambrosio was raised by Capucin monks in a Spanish monastery. He becomes a devout monk and, as an adult, his sermons are among the most popular in the country, if not the most popular. However, most of his fellow monks are jealous of Ambrosio's success.
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