Vibeke Windelov

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Love Is All You Need Review


Very Good

It's rare to find a romance that's actually based on such vivid characters as these, but then this is from Oscar-winning filmmaker Susanne Bier (In a Better World), who knows how to root films in people rather than plot structure. And even more important: this is a romance about middle-aged people we can genuinely engage with, as they have been beaten down by life and are in need of a fresh start.

It starts in Copenhagen, where hairdresser Ida (Dyrholm) has just finished cancer treatment when she discovers that her husband Leif (Bodnia) is sleeping with a young airhead (Schaumburg-Miller). Now she has to pack her son (Hansen) off to war before heading to Italy for the marriage of daughter Astrid (Egelind) to her boyfriend Patrick (Jessen). Then at the airport, Ida has an unlucky run-in with Patrick's tetchy father Philip (Brosnan), who has focussed only on his work since his wife died. And even as Ida catches his eye, he has to fend off the advances of his lovelorn sister-in-law Benedikte (Steen).

With a group of people gathering for a wedding on an idyllic Mediterranean island, the plot may seem like Mamma Mia without the music. But there are surprising details in the characters as the farce develops, and only a couple of the plot-lines get silly. The central love story is actually remarkably sweet, using Ida's and Philip's troubled histories to make their interaction both snappier and more deeply emotional than we expect. And Bier, working with her usual screenwriter Jensen, are free to let other narrative strands come and go around them.

Continue reading: Love Is All You Need Review

The Boss Of It All Review


Good
Lars von Trier seems like a smart fellow and to that end, I don't believe a word he says; at least not at face value. So, when he opens a film, in deconstructionist manor, with a proclamation that there is nothing up his sleeve and that he is trying to make a simple comedy, one can mull it over for a bit before realizing the man couldn't make a simple movie if he was handed the blueprints.

Ironically enough, the blueprints are handed straight to the audience: Von Trier's latest, The Boss of It All, basically lays out an office comedy while simultaneously instructing the audience on how a modern comedy should be made. Intermittently sprinkled through the narrative, von Trier's narration comes in to warn us of a change in plot that is "necessary," starting off falsely aloof and ending hopelessly irate. The man can't help himself.

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Open Hearts Review


Excellent
Anyone who has suffered the pain in the gut after the loss of a loved one will have a special connection to this story coming to us from Denmark. Loss can have many meanings and here it's a matter of a sudden change of destiny and the disappearance of emotional fulfillment as a result of an accident. Moreover, it's a story that evolves as life does. A horror occurs, the people involved react, the change in situation produces new needs which lead to changes and consequences.

The relationship between beautiful, sexy Cecilie (Sonja Richter) and her lover Joachim (Nikolaj Lie Kaas) is fun and endearing and we soon care about these people whose bond is expressed by the playful manner in which Joachim asks Cecilie to marry him and how she responds in the affirmative. The following morning, Cecilie drops Joachim off for a planned trip and, as he springs from the car on the traffic side, is hit by a car. Suddenly, what seemed so sure and positive is wrenched into another dimension.

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Dogville Review


Good
Evoking the age-old parable of human nature pillaging the likes of total goodness when it strangely pops up in town, Lars von Trier's much-anticipated Dogville has such intense extremes of useful experimentation and annoyingly repetitive patronization (a tendency throughout his respectable filmography) that the sum of its parts comes out evenly average.

Predictability reigns for much of the film, because we've seen the story far too often before. A stranger comes to town where the residents are skeptical of outsiders. She proceeds to go out of her way to ingratiate herself, they finally accept her, and then show their true colors against her of what they fear to inflict on one another due to extended co-habitation. The dysfunction turns into a gang of all versus one, regardless of any normal sense of morality, which they are able to slowly rationalize. On the one hand, the unhurried process through which this evolves respects the fact that nobody changes actions or views over night. But because we know it's going to happen, the path to getting there feels arduous.

Continue reading: Dogville Review

Ron Howard's Daughter To Replace Nicole Kidman In Trier Trilogy


Ron Howard Nicole Kidman Lars Von Trier M. Night Shyamalan The Village Joaquin Phoenix William Hurt Sigourney Weaver Vibeke Windelov How the Grinch Stole Christmas Jim Carrey

Film-maker Ron Howard's daughter BRYCE is expected to replace Nicole Kidman in Lars Von Trier's next two films in the trilogy he started with DOGVILLE.

The 21-year-old actress, who's currently shooting M Night Shyamalan's new movie The Village with Joaquin Phoenix, William Hurt and Sigourney Weaver, is negotiating a contract with von Trier, says his producer, Vibeke Windelov.

Windeloev says, "We are currently getting the last pieces to fall in place. These are only details so I am very confident that she will be on the team."

Continue reading: Ron Howard's Daughter To Replace Nicole Kidman In Trier Trilogy

Nicole Kidman Pulls Out Of Von Trier's Manderlay


Nicole Kidman Lars Von Trier Brad Pitt Mr And Mrs Smith Moulin Rouge Vibeke Windelov Cannes Film Festival

OSCAR-winning superstar Nicole Kidman has been forced to pull out of filming for the sequel to Lars Von Trier's DOGVILLE due to "scheduling problems".

The announcement comes just a day after reports suggested that Kidman may also have to withdraw from the Brad Pitt film Mr And Mrs Smith due to a clash with her STEPFORD WIVES remake work timetable.

Von Trier had hoped the tall blonde would appear in all three parts of the trilogy, but scheduling conflicts have forced Moulin Rouge! beauty Nicole to renege on her agreement to star in the second film, MANDERLAY.

Continue reading: Nicole Kidman Pulls Out Of Von Trier's Manderlay

Von Trier: Dogville Too 'Provocative' For Cannes Win


Lars Von Trier Nicole Kidman Gus Van Sant Elephant Vibeke Windelov

Danish DOGVILLE director Lars Von Trier is convinced his CANNES FILM FESTIVAL loss is down to his movie being too "provocative" for the jury.

Dogville, starring Hollywood heavyweight Nicole Kidman, was a hot favourite to give controversial Von Trier an unprecedented second prized PALME D'OR following his 2000 win for DANCER IN THE DARK - but Gus Van Sant's Elephant was voted the best film of the French film festival instead.

However, producer Vibeke Windelov claims Von Trier was happy to miss out, even though she and Kidman were terrified at how the film-maker would react.

Continue reading: Von Trier: Dogville Too 'Provocative' For Cannes Win

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Vibeke Windelov Movies

Love Is All You Need Movie Review

Love Is All You Need Movie Review

It's rare to find a romance that's actually based on such vivid characters as these,...

The Boss of It All Movie Review

The Boss of It All Movie Review

Lars von Trier seems like a smart fellow and to that end, I don't believe...

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Dogville Movie Review

Dogville Movie Review

Evoking the age-old parable of human nature pillaging the likes of total goodness when it...

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