An attempt to spice up a true story with fictional characters and events leaves this film feeling artificial. And it doesn't help that the two likeable lead actors never quite crack the surface. But this is still a fascinating moment in history, and the film captures a strong sense of the setting as well as the importance of this urgent meeting of two cultures.
It takes place in August 1945, just after Japan surrenders to the Americans. General MacArthur (Jones) is now charged with determining whether Emperor Hirohito (Kataoka) should be tried for war crimes. So he assigns General Fellers (Fox) to define Hirohito's role. Fellers has experience with Japanese culture: he lived there before the war and fell in love with university student Aya (Hatsune). But he never knew what happened to her, so in addition to working with his translator Takahashi (Haneda) to meet with various wartime officials, he also looks for news about Aya.
There's something fishy about this whole Aya business right from the start, as we doubt that such a high-ranking military officer, charged with such a vitally important task, would spend so much time on his own personal search. We also never really care about Fellers' feelings for Aya, so nothing about this plot-thread and its gauzy flashbacks feels realistic. And sure enough, a bit of research reveals that it's complete fiction. The far more interesting relationship here is between Fellers and Takahashi, which is played with intriguing texture by Fox and especially Haneda but is never properly explored on-screen.
Continue reading: Emperor Review
I love movies. In particular, I hunger for films that invite me into a world beyond the limits of mundane, material, daily existence. While Woman on Top deserves some credit for its fresh, innocent effort to make this invitation, it is disappointingly infantile once we all get to the party.
Continue reading: Woman On Top Review
There's already an Oscars buzz surrounding this movie.