Valerie Geffner

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Poster Boy Review


Grim
Poster Boy is an overwrought drama far more interested in making political points than in entertaining its audience. The story of an arch-conservative Senator whose reelection campaign is threatened by the potential outing of his estranged gay son, it's held together with a hard-to-accept mish-mash of coincidences, pontifications, and badly lit sex scenes, all shot with a shaky handheld camera that inspires more wooziness than urgency.

The obese and ugly North Carolina Senator Jack Kray (Michael Lerner) keeps his boozy wife (Karen Allen) on a very short leash and would do the same to his college student son Henry (Matt Newton) if Matt were still close enough. When they reunite on the eve of a speech that the Senator will deliver on Henry's campus, Henry is appalled to find out that father wants him to deliver a fawning introduction to dear old dad. When Henry balks, Dad simply smacks him in the face. Nice.

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Fast Food, Fast Women Review


Weak

"Fast Food, Fast Women" is a considerably imperfect movie, the intangible charm of which has to grow on you.

Most everything wrong with it can be summed up by the fact that it absolutely screams "my first low-budget indie," yet writer-director Amos Kollek has been making movies for 15 years (all small independent films, straight-to-videos or quickie sequels).

It's uneven and under-rehearsed. It's clear that Kollek had only one or two takes to choose from in editing some scenes. It has all the trappings of a Woody Allen wannabe, including Allenesque opening credits, Allenesque handheld camerawork, an Allenesque ensemble ranging in age and recognition, Allenesque quirky characters (how about a stuttering hooker?) and nervously insecure Allenesque leads. The picture even co-stars Louise Lasser ("Mary Hartman, Mary Hartman"), Woody Allen's ex-wife and frequent collaborator.

Continue reading: Fast Food, Fast Women Review

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