Day For Night is a simple tale populated by a complex cast of characters -- all actors and crew members working on a film being shot on the French Riviera. The film starts on the first day of shooting, ends on the last. Meanwhile, all manner of problems -- some funny, some serious -- plague the shoot, along with endless romantic entanglements.
Continue reading: Day For Night Review
Along the way, she has nonstop visions and heavily symbolic dreams, which are interrupted only by non-sequitur trips to bizarre locales (such as a basket ride to a treehouse in a nearby forest). I'd love to explain further, but to be perfectly honest, none of this makes a lick of sense, leaving us to stare perplexed at Masina's enormous head (perpetually smirking) atop her waifish body while trying to put the nonstop circus/brass band soundtrack out of our heads.
Continue reading: Juliet Of The Spirits Review
Army vet Nick Garcos (Richard Conte) has just come back to his hometown of Fresno, bringing with him presents that he acquired working as a mechanic on a ship in the Far East. Everyone's happy to see him and receive his shower of gifts and cash from his beaming-with-pride parents to his extremely blonde girlfriend Polly (Barbara Lawrence), who's upset initially to only receive a doll and then beams with joy when Nick points out the ring the doll is holding. Then Nick mentions the Mandarin slippers that he brought for his dad and everyone goes quiet. Turns out there's a reason that his dad hasn't stood up since Nick got home, he delivered a truckload of produce to a produce dealer in San Francisco, Mike Figlia, who refused to pay, got Papa Garcos roaring drunk, and sent him on the road, where he crashed and had to have his legs amputated. Nick vows to get even if he has to "gouge the money out of Mike Figlia's corpse."
Continue reading: Thieves' Highway Review
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