Tom Tykwer, the German director who exploded onto the international scene with Run Lola Run brings this odd story of mistaken identity and deathly fate to the screen with an awkward, but in some ways rewarding, slant.
Continue reading: Wintersleepers Review
For those not already versed in the lore of Adolf Hitler'sfinal days, the intimacy, immediacy and bunker-mentality minutia of "Downfall"may make for truly engrossing cinema. A detailed, historically accurateaccount that bears witness as the psychotic dreams of a 1,000-year ThirdReich slip away from its increasingly paranoid Fuehrer, this bravely matter-of-factGerman epic features uniformly powerful performances and is an eerie, vividrealization of gray-walled claustrophobia and the terror of saturationbombing. (The camera shakes in a uniquely unsettling, knock-you-off-your-bearingsway with each mortar shell.)
The fantastic Bruno Ganz (best known in the US for "Wingsof Desire") plays Hitler with a broken kind of humanity that makeshis evil subtler than expected, but by extension all the more chilling.His senior staff is accounted for nearly every moment of the detailed film,but none of them stands out except Ulrich Matthes as psychotically loyalpropaganda minister Joseph Goebbels, and Corinna Harfouch as his wife.She has the film's most disturbing scene, poisoning her children to "save"them from growing up in a world without National Socialism.
But while director Oliver Hirschbiegel ("DasExperiment") very effectively takes youdeep inside Nazi Germany's crumbling heart and brings many infamous momentsacutely to life, his film doesn't offer much in the way of new insight.The script is more of a textbook play-by-play than an examination of impulsesand psyches, and while the Hirschbiegel and his cast add those dimensionsthrough their fine work, it seems the only way he could invest the audiencein these events was by seeking out a sympathetic minor character -- inthe person of Hitler's young secretary, Traudl Junge (Alexandra Maria Lara)-- and beef up her significance.
Continue reading: Downfall Review
Cashing in on the notoriety of German wunderkind Tom Tykwer's innovative, influential and brilliantly kinetic "Run Lola Run," a small American releasing house called Winstar Cinema has unleashed this week the director's shivery 1997 psychological roundelay entitled "Winter Sleepers."
The film tracks the subconscious domino effect of a terrible car accident on an icy mountain road that leaves a little girl hospitalized and on the verge of death.
Her destitute farmer father (Josef Bierbichler) becomes obsessed with identifying the drunken driver that collided with their car. All he remembers of the man -- who walked away after his auto flew off the road -- is that he had an frightful scar on the back of his head, partially hidden by his hair.
Continue reading: Winter Sleepers Review
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