Ulrich Felsberg

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Buena Vista Social Club Review


Good
Do you like Cuban music? Maybe you've never tried it, and like your mother said, you won't know until you do. Wim Wenders, best known for making Wings of Desire, takes a video camera and makes a home movie/documentary about octagenarian musicians in Cuba. Too bad there's not more music, 'cause these old folks are dry as dust.

Sweet Sixteen Review


Excellent
If the title suggests beautiful teenagers graduating from high school, fighting their hormones as they contemplate the opposite sex, and colorful parties to celebrate the special occasion, director Ken Loach and writer Paul Laverty are here to tell you that the picture is decidedly less lighthearted on the uncordial streets of Greenock, an economically struggling suburb of Glasgow, Scotland. Here, where mutual respect is an alien concept, the possibilities for a promising 15-year-old boy gives a whole darker cast to the term, "coming of age." And, the only thing here that's beautiful is the finely structured screenplay that traces the evolution of youthful criminality with tempered control and believability.

Fifteen year old Liam (Martin Compston) is a standout among his peers for his natural creativity and audacious leadership, as he graduates his money-making enterprises toward increasingly illegal and remunerative use. We meet him as he and his closest mate Pinball (William Ruane) sell cheap fags to the gentry on the street and in a local bar. But the result is slim pickings, and not nearly enough to realize his dreams of providing a fresh start for his mum Jean (Michelle Coulter) when she gets out of prison. While this appears the noble desire of a dutiful son, it will become clear that it's more the obsession of a boy too immature to put relationships in their proper perspective.

Continue reading: Sweet Sixteen Review

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Ulrich Felsberg Movies

Sweet Sixteen Movie Review

Sweet Sixteen Movie Review

If the title suggests beautiful teenagers graduating from high school, fighting their hormones as they...

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